Book contents
- Frontmatter
- Table of Contents
- Preface
- Introduction to Contradictory Woolf
- Acknowledgments
- List of Abbreviations
- “But… I had said ‘but’ too of ten.” Why “but”?
- Woolf, Context, and Contradiction
- “Did I not banish the soul?” Thinking Otherwise, Woolf -wise
- “The Play's The Thing BUT We Are The Thing Itself.” Prologue, Performance and Painting. A Multimedia Exploration of Woolf's Work in the Late 1930's and Her Vision of Prehistory
- Report to the Memoir Club: Scenes from a Colonial Childhood
- “But somebody you wouldn't forget in a hurry”: Bloomsbury and the Contradictions of African Art
- Contradictions in Autobiography: Virginia Woolf's Writings on Art
- “But something betwixt and between”: Roger Fry and the Contradictions of Biography
- “Can ‘I’ become ‘we’?”: Addressing Community in The Years and Three Guineas
- Woolf's Un/Folding(s): The Artist and the Event of the Neo-Baroque
- Woolf's Contradictory Thinking
- The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf
- “When the lights of health go down”: Virginia Woolf's Aesthetics and Contemporary Illness Narratives
- Kinetic Tropes, Comedic Turns: Dancing To The Lighthouse
- But Woolf was a Sophisticated Observer of Fashion…: Virginia Woolf, Clothing and Contradiction
- Bi-sexing the Unmentionable Mary Hamiltons in A Room of One's Own: The Truth and Consequences of Unintended Pregnancies an Calculated Cross-Dressing
- Lacanian Orlando
- The Bispecies Environment, Coevolution, and Flush
- From Spaniel Club to Animalous Society: Virginia Woolf's Flush
- Ecology, Identity, and Eschatology: Crossing the Country and the City in Woolf
- “Please Help Me!” Virginia Woolf, Viola Tree, and the Hogarth Press
- “Am I a Snob?” Well, Sort of : Socialism, Advocacy, and Disgust in Woolf's Economic Writing
- “Come buy, come buy”: Woolf's Contradictory Relationship to the Marketplace
- Virginia Woolf and December 1910: The Question of the Fourth Dimension
- Virginia Woolf on Mathematics: Signifying Opposition
- “A Brief Note in the Margin:” Virginia Woolf and Annotating
- Observe, Observe Perpetually,” Montaigne, Virginia Woolf and the “Patron au Dedans”
- Who's Behind the Curtain? Virginia Woolf, “Nurse Lugton's Golden Thimble”, and the Anxiety of Authorship
- Virginia Woolf and the Russian Oxymoron
- “A Dialogue…about this Beauty and Truth”: Jorge Luis Borge's Translation of Virginia Woolf's Orlando
- “As I spin along the roads I remodel my life”: Travel Films “projected into the shape of Orlando”
- Travesty in Woolf and Proust
- Woolf, Yeats, and the Making of “Spilt Milk”
- Figures of Contradiction: Virginia Woolf's Rhetoric of Genres
- Do Not Feed the Birds: Night and Day and the Defence of the Realm Act
- Approaches to War and Peace in Woolf : “A Chapter on the Future”
- DUNCAN GRANT
- Notes on Contributors
- Conference Program
Introduction to Contradictory Woolf
- Frontmatter
- Table of Contents
- Preface
- Introduction to Contradictory Woolf
- Acknowledgments
- List of Abbreviations
- “But… I had said ‘but’ too of ten.” Why “but”?
- Woolf, Context, and Contradiction
- “Did I not banish the soul?” Thinking Otherwise, Woolf -wise
- “The Play's The Thing BUT We Are The Thing Itself.” Prologue, Performance and Painting. A Multimedia Exploration of Woolf's Work in the Late 1930's and Her Vision of Prehistory
- Report to the Memoir Club: Scenes from a Colonial Childhood
- “But somebody you wouldn't forget in a hurry”: Bloomsbury and the Contradictions of African Art
- Contradictions in Autobiography: Virginia Woolf's Writings on Art
- “But something betwixt and between”: Roger Fry and the Contradictions of Biography
- “Can ‘I’ become ‘we’?”: Addressing Community in The Years and Three Guineas
- Woolf's Un/Folding(s): The Artist and the Event of the Neo-Baroque
- Woolf's Contradictory Thinking
- The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf
- “When the lights of health go down”: Virginia Woolf's Aesthetics and Contemporary Illness Narratives
- Kinetic Tropes, Comedic Turns: Dancing To The Lighthouse
- But Woolf was a Sophisticated Observer of Fashion…: Virginia Woolf, Clothing and Contradiction
- Bi-sexing the Unmentionable Mary Hamiltons in A Room of One's Own: The Truth and Consequences of Unintended Pregnancies an Calculated Cross-Dressing
- Lacanian Orlando
- The Bispecies Environment, Coevolution, and Flush
- From Spaniel Club to Animalous Society: Virginia Woolf's Flush
- Ecology, Identity, and Eschatology: Crossing the Country and the City in Woolf
- “Please Help Me!” Virginia Woolf, Viola Tree, and the Hogarth Press
- “Am I a Snob?” Well, Sort of : Socialism, Advocacy, and Disgust in Woolf's Economic Writing
- “Come buy, come buy”: Woolf's Contradictory Relationship to the Marketplace
- Virginia Woolf and December 1910: The Question of the Fourth Dimension
- Virginia Woolf on Mathematics: Signifying Opposition
- “A Brief Note in the Margin:” Virginia Woolf and Annotating
- Observe, Observe Perpetually,” Montaigne, Virginia Woolf and the “Patron au Dedans”
- Who's Behind the Curtain? Virginia Woolf, “Nurse Lugton's Golden Thimble”, and the Anxiety of Authorship
- Virginia Woolf and the Russian Oxymoron
- “A Dialogue…about this Beauty and Truth”: Jorge Luis Borge's Translation of Virginia Woolf's Orlando
- “As I spin along the roads I remodel my life”: Travel Films “projected into the shape of Orlando”
- Travesty in Woolf and Proust
- Woolf, Yeats, and the Making of “Spilt Milk”
- Figures of Contradiction: Virginia Woolf's Rhetoric of Genres
- Do Not Feed the Birds: Night and Day and the Defence of the Realm Act
- Approaches to War and Peace in Woolf : “A Chapter on the Future”
- DUNCAN GRANT
- Notes on Contributors
- Conference Program
Summary
In her 1939 essay “Reviewing,” published as one of the Hogarth Sixpenny Pamphlets, Virginia Woolf suggests that the growing trade in reviews—“those few words devoted to ‘why I like or dislike this book’” (E6 204)—meant that authors in the twentieth century were less sure than ever of the true opinion of their writing, and that readers were less likely to go out and buy a particular novel or collection of poetry based on them: “The clash of completely contradictory opinions cancel each other out” (E6 198). In her letters and diaries Woolf also expresses a frustration with the many “contradictory” reviews of her books, leading to uncertainty on her part about her own critical reception (see for example L2 578, L2 587, L6 116). But contradicting the view that one contradiction negates another, the very “contradictory Woolf” explored by independent scholars, writers, artists, dramatists, “common readers,” and academics from around the globe (some of whom are also, indeed, reviewers) at the 21st Annual International Conference on Virginia Woolf offered a range of fascinating new approaches to, and understandings of, Woolf's writings. Whether opposing, questioning, interrupting or “butting,” the rich variety of essays selected for this volume represent the view shared by so many of the speakers in Glasgow that Woolf's writing continually refuses settled readings or closed meanings, revealing and reveling precisely in its potential or actual, subtle or forceful, contradictions. How appropriate then that the dialogue was opened by the call for papers which, in honor of the first sentence of A Room of One's Own (1929), invited participants to make ample use the word “but” at in their presentation!
How appropriate, too, that the first essay in this collection is Judith Allen's thought provoking exposition of the repeated difference of Woolf's “But,” as well as her parentheses and ellipses, in A Room of One's Own, and of key terms in Three Guineas (1938) including the word “word” itself.
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- Information
- Contradictory Woolf , pp. ix - xivPublisher: Liverpool University PressPrint publication year: 2012