Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-02T21:34:41.739Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

DUNCAN GRANT

Cecil Woolf
Affiliation:
London
Get access

Summary

When Jane asked me to say a few words at this Conference banquet, my first reaction was panic. Cold, blind, suffocating panic—what to say without repeating myself? I scratched my head and tried to think of a connection between Bloomsbury and Scotland. Surely Leonard and Virginia had visited Scotland. They had travelled in France, Germany and Italy and elsewhere. I am grateful to my wife Jean [Moorcrof t Wilson] for pointing out that briefand inauspicious visit they paid in 1938, when they drove up through England to Midlothian, stopping at Dryburgh in Berwickshire, to see Sir Walter Scott's grave.

They were unlucky with the weather. It was early summer, June, but the winds raged. They drove on in stages to Loch Ness and the Isle of Skye, where they stayed three days, continuing their tour by Spean Bridge and Ben Nevis. At Oban, the torrential rain determined them to abandon Scotland. Not a feel-good story.

I thought about the imaginary Hebridean lighthouse, in To the Lighthouse, but, no, that seemed too nebulous for this occasion. Then inspiration struck. Why had I not thought of the sole Scotsman in the Bloomsbury group; a member of old Bloomsbury— the Bloomsbury of Brunswick Square and Fitzroy Square—and an artist who remained for more than two decades one of Britain's most celebrated painters? Kenneth Clark linked his name with Matthew Smith, as artists who “created their own world through the joy of the senses.” Someone about whom Virginia Woolf seriously considered writing a biography. Dear, charming Duncan. Pat Rosenbaum remarked that “one of the various definitions of Bloomsbury is that of a group of men and women who were all in love with Duncan Grant.”

Duncan was born in the Scottish Highlands, at The Doune, the Grant's family house, at Rothiemurchus, in Inverness-shire. His father was a Major in the Indian Army and his mother, Ethel, is described as “a penniless Scottish girl of great beauty.” The Grants were fearless warriors of Norman origin going back to the 13th century. Duncan was descended from John Grant, 4th Laird of Freuchie, Chiefof Grant, an eminent figure in the time of Queen Elizabeth I.

Type
Chapter
Information
Contradictory Woolf , pp. 291 - 293
Publisher: Liverpool University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×