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15 - Decadence and the “Second Modernity”

Published online by Cambridge University Press:  15 August 2019

Warren Breckman
Affiliation:
University of Pennsylvania
Peter E. Gordon
Affiliation:
Harvard University, Massachusetts
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Summary

During the last two decades of the nineteenth century, Europeans became obsessed with the idea of their own degeneration. Images of cultural decline and social pathology pervaded the products of popular imagination, as well as of avant-garde art. Predictions about an imminent barbarian invasion, envisioned as coming from within Europe or from the outside, became commonplaces of public discourse. At the epicenter of these extravagant claims was the figure of the decadent artist, invariably presented as the neurasthenic product of an aging civilization. His affinity for exotic settings, stylistic refinement, and psychological nuance gave rise to a literature of inwardness, which supposedly reflected “a refined and mournful nervousness, a bitter taste of life, a nostalgic pessimism about existence.”

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Publisher: Cambridge University Press
Print publication year: 2019

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