Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-25T16:27:13.314Z Has data issue: false hasContentIssue false

21 - Institutions and Foundations

from Volume II

Published online by Cambridge University Press:  04 August 2018

Mark Everist
Affiliation:
University of Southampton
Thomas Forrest Kelly
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alia musica, ed. and trans. Chailley, Jacques. Paris: Centre de documentation universitaire, 1963.Google Scholar
Andrieu, Michel. Les Ordines Romani du haut moyen âge, 5 vols. Louvain: Spicilegium Sacrum Lovaniense, 1961–74.Google Scholar
Aquinas, Thomas. Contra errores graecorum, ed. Glorieux, Palémon. Tournai: Declée, 1957.Google Scholar
Atlas, Allan W. Music at the Aragonese Court of Naples. Cambridge University Press, 1985.Google Scholar
Aubert, Marcel. Notre-Dame de Paris, sa place dans l’architecture du XIIe au XIVe siècle, 2nd ed. Paris: H. Laurens, 1929.Google Scholar
Ambrosius, Aurelius. Ambroise de Milan: Hymnes, ed. Fontaine, Jacques et al. Paris: Editions du Cerf, 1992.Google Scholar
Barlow, Clarence. Martini Episcopi Bracarensis Opera Omnia, Papers and Monographs of the American Academy in Rome 12. New Haven, CT, Yale University Press, 1950.Google Scholar
Benedict of Nursia. La Règle de Saint Benoit, ed. de Vogüé, Adalbert and Neufville, Jean, 7 vols. Sources chrétiennes 181–86 plus one volume hos série. Paris: Editions du Cerf, 1971–77.Google Scholar
Benedict of Nursia. The Rule of St. Benedict in Latin and English, ed. Fry, Timothy et al. Collegeville, MN: The Liturgical Press, 1981.Google Scholar
Bernard, Michael. Studien zur Epistola de armonica institutione des Regino von Prüm. Munich: Bayerische Akademie der Wissenschaften, 1979.Google Scholar
Bernard, Michael. “Texkritisches zu Aurelianus Reomensis,” Musica Disciplina 40 (1986), 4961.Google Scholar
Bischoff, Bernhard. “Das Benediktinische Mönchtum und die Ueberlieferung der klassischen Literatur,” Studien und Mitteilungen zur Geschichte des Benediktiner-Ordens und seiner Zweige 98 (1981), 165–90. Also published separately. St. Ottilien: Eos, 1981.Google Scholar
Boe, John. “Review of The Advent Project, by James McKinnon,” Journal of Ecclesiastical History 53 (2002), 333428.CrossRefGoogle Scholar
Boethius, Anicius Severinus, Manlius. Anicii Manlii Severini Boethii De arithmetica, ed. Oosthout, Henri and Schilling, Johannes, Corpus Christianorum, Series Latina 94A. Turnhout: Brepols, 1999.Google Scholar
Boethius, Anicius Severinus, Manlius. De institutione arithmetica libri duo, De institutione musica libri quinque, ed. Friedlein, Gottfried. Leipzig: Teubner, 1867. Reprint Frankfurt a. M.: Minerva, 1966.Google Scholar
Boethius, Anicius Severinus, Manlius. Fundamentals of Music, ed. and trans. Bower, Calvin. New Haven, CT: Yale University Press, 1989.Google Scholar
Bower, Calvin. “The Transmission of Ancient Music Theory into the Middle Ages,” The Cambridge History of Western Music Theory, ed. Christensen, Thomas. Cambridge University Press, 2002, 136–67.Google Scholar
Bowers, Roger. “Choral Institutions within the English Church: Their Constitution and Development, 1340–1500.” Ph.D. dissertation, University of East Anglia, 1975.Google Scholar
Bowers, Roger. “Obligation, Agency, and laissez faire: the Promotion of Polyphonic Composition for the Church in Fifteenth-Century England,” Music in Medieval and Early Modern Europe, ed. Fenlon, Iain. Cambridge University Press, 1981, 119.Google Scholar
Boynton, Susan. “Medieval Musical Education Seen through Sources Outside the Realm of Music Theory,” in Music Education in the Middle Ages and the Renaissance, ed. Murray, Russell E. et al. Bloomington: Indiana University Press, 2010, 5262.Google Scholar
Bradley, John. “Musical Life and Culture at Savoy, 1420–1450.” Ph.D. dissertation, City University of New York, 1992.Google Scholar
Brauner, Mitchell. “Traditions in the Repertory of the Papal Choir in the Fifteenth and Sixteenth Centuries,” Papal Music and Musicians in Medieval and Renaissance Rome, ed. Sherr, Richard. Oxford: Clarendon Press, 1998, 167–74.Google Scholar
Briebglieb, Pervenche and Kayser, Arlette Laret. Suppliques de Benoît XIII (1394–1422), Analecta Vaticano Belgica 16. Brussels: Institut Historique Belge de Rome, 1973.Google Scholar
Carpenter, Nan Cooke. Music in the Medieval and Renaissance Universities. Norman: University of Oklahoma Press, 1958.Google Scholar
Chartier, Yves. Commentarium in Martianum Capellam, 2 vols., ed. Lutz, Cora. Leiden: Brill, 1962–65.Google Scholar
Chew, Geoffrey. “A Magnus Liber Organi Fragment at Aberdeen,” Journal of the American Musicological Society 31 (1978), 326–43.Google Scholar
Claussen, Martin A. The Reform of the Frankish Church: Chrodegang of Metz and the Regula Canonicorum in the Eighth Century. Cambridge University Press, 2004.Google Scholar
Connolly, Sean. “Vita Prima Sanctae Brigitae: Background and Social Value,” Journal of the Royal Society of Antiquaries of Ireland 113 (1989), 549.Google Scholar
Corsi, Cesare and Petrobelli, Pierluigi, eds. Le polifonie primitive in Friuli e in Europa. Rome: Edizioni Torre d’Orfeo, 1989.Google Scholar
Crocker, Richard L.Hermann’s Major Sixth,” Journal of the American Musicological Society 25 (1972), 1937Google Scholar
Davis, Raymond. The Book of Pontiffs (Liber Pontificalis): The Ancient Biographies of the First Ninety Roman Bishops to AD 715, 2nd ed. Liverpool: Liverpool University Press, 2000.Google Scholar
Dean, Jeffrey. “Bartholomeus Ramis de Pareia,” Grove Music Online.Google Scholar
Degrada, Francesco. “Musica e musicisti nell’età di Ludovico il Moro,” Milano nell’età di Ludovico il Moro: Atti del Convegno internazionale, 28 febbraio-4 marzo 1983, 2 vols. Milan: Biblioteca Trivulziana, 1983, II, 409–15.Google Scholar
Denifle, Heinrich and Chastellain, Emile. Chartularium Universitatis Parisiensis, 4 vols. Paris: Delalain, 1889–97. Reprint Bussels: Culture et Civilization, 1964.Google Scholar
Desportes, Pierre. Fasti Ecclesiae Gallicanae. Répertoire prosopographique des êveques, dignitaires et chanoines de France de 1200 à 1500. Tome III: Diocèse de Reims. Turnhout: Brepols, 1998.Google Scholar
Desportes, Pierre and Millet, Hélène. Fasti Ecclesiae Gallicanae. Répertoire prosopographique des êveques, dignitaires et chanoines de France de 1200 à 1500. Tome I: Diocèse d’Amiens. Turnhout: Brepols, 1996.Google Scholar
Di Bacco, Giuliano and John, Nádas, . “The Papal Chapels and Italian Sources of Polyphony during the Great Schism,” in Papal Music and Musicians in Medieval and Renaissance Rome, ed. Sherr, Richard. Oxford: Clarendon Press, 1998, 4492.CrossRefGoogle Scholar
Dold, Alban. Das älteste Liturgiebuch des lateinischen Kirche: ein altgallikanisches Lektionar des 5.-6. Jahrhunderts aus dem Wolfenbüttler Palimpsest Codex Weissenburgensis 76, Texte und Arbeiten 2628. Beuron: Archabbey of St. Martin, 1936)Google Scholar
Droz, Eugénie. “Notes sur Me Jean Cornuel, dit Verjus, petit vicaire de Cambrai,” Revue de Musicologie 7 (1926), 173–89.Google Scholar
Duchesne, Louis and Vogel, Cyrille. Liber pontificalis, texte, traduction et commentaire, 3 vols., 2nd ed. Paris: Boccard, 1955–57.Google Scholar
Dyer, Joseph. “Boy Singers of the Schola Cantorum,” Young Choristers, 650–1700, ed. Boynton, Susan and Rice, Eric. Woodbridge: The Boydell Press, 2008, 1936.Google Scholar
Dyer, Joseph. “The Monastic Origins of Western Music Theory,” in Cantus Planus: Papers Read at the Third Meeting, Tihany, Hungary, 19–24 September 1988. Budapest: Hungarian Academy of Sciences, 1990, 199225.Google Scholar
Dyer, Joseph. “Observations on the Divine Office of the Rule of the Master,” in The Divine Office in the Latin Middle Ages, ed. Fassler, Margot E. and Baltzer, Rebecca A.. Oxford University Press, 2000, 7498.Google Scholar
Dyer, Joseph. “The Schola Cantorum and Its Roman Milieu in the Early Middle Ages,” in De Musica et cantu: Studien zur Geschichte der Kirchenmusik und der Oper. Helmut Hucke zum 60. Geburtstag, ed. Cahn, Peter and Heimer, Ann-Katrin. Hildesheim: Olms, 1993, 1940.Google Scholar
Egeria, . Egeria: Diary of a Pilgrimage, trans. Gingras, George E.. New York: Newman Press, 1970.Google Scholar
Egeria, . Itinerarium Egeriae, ed. Franceschini, Ezio and Weber, Robert, Christianorum, Corpus, series latina 175. Turnhout: Brepols, 1958.Google Scholar
Everist, Mark. “From Paris to St. Andrews: The Origins of W1,” Journal of the American Musicological Society 43 (1990), 142.Google Scholar
Fallows, David. Dufay, rev. ed. London: Dent, 1987.Google Scholar
Fassler, Margot. “The Office of the Cantor in Early Western Monastic Rules: A Preliminary Investigation,” Early Music History 5 (1985), 2951.Google Scholar
Foley, Edward. “The Cantor in Historical Perspective,” Worship 56 (1982), 194213.Google Scholar
Forney, Kristine. “Music, Ritual, and Patronage at the Church of Our Lady in Antwerp,” Early Music History 7 (1987), 157.CrossRefGoogle Scholar
Fuller, Sarah. “Organum – discantus –contrapunctus in the Middle Ages,” The Cambridge History of Western Music Theory, ed. Christensen, Thomas. Cambridge University Press, 2002, 477502.Google Scholar
Gamber, Klaus. “Das Lektionar und Sakramentar des Musäus von Massilia,” Révue Bénédictine 69 (1959), 198215.Google Scholar
Gamber, Klaus. Sakramentarstudien und andere Arbeiten zur frühen Litugiegeschichte, Studia Patristica et Liturgica 7. Regensburg: Pustet, 1978.Google Scholar
Gennadius, . De viris illustribus, in Hieronymus, De viris illustribus; Gennadius, De viris illustribus, ed. Richardson, Ernst Cushing, Texte und Untersuchungen zur Geschichte Altchristlichen Literatur 14. Leipzig: Hinrichs’sche Buchhandlung, 1896.Google Scholar
Goldine, Nicole. “Les heuriers-matiniers de la cathédrale de Chartres jusq’au XVIe siècle. Organisation liturgique et musicale,” Revue de Musicologie 54 (1968), 161–75.Google Scholar
Gomez Muntané, Maria Carmen. La música en la casa real catalano-aragonesa en los años 1336–1432. Barcelona: A. Bosch, 1979.Google Scholar
Gomez Muntané, Maria Carmen. La música medieval en España. Kassel: Reichenberger, 2001.Google Scholar
Günther, Ursula. “Die Musiker des Herzog von Berry,” Musica Disciplina 17 (1963), 7995.Google Scholar
Günther, Ursula. “Zur Biographie einiger Komponisten der Ars subtilior,” Archiv für Musikwissenschaft 21 (1964), 172–99.Google Scholar
Gushee, Lawrence, ed. Aureliani Reomensis Musica Disciplina, CSM 21. Rome: American Institute of Musicology, 1975.Google Scholar
Gushee, Lawrence and McKinnon, James. “Hilary of Grove Poitiers,” Music Online.Google Scholar
Haberl, Franz X. Die römische “Schola Cantorum” und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts, Bausteine für Musikgeschichte 3. Leipzig: Breitkopf & Härtel, 1888. Reprint Hildesheim: Olms, 1971.Google Scholar
Haggh, Barbara. “Nonconformity in the Use of Cambrai Cathedral: Guillaume Du Fay’s Foundations,” in The Divine Office in the Latin Middle Ages, ed. Fassler, Margot E. and Baltzer, Rebecca A.. Oxford University Press, 2000, 373–97.Google Scholar
Hallinger, Kassius. “Die römischen Ordines von Lorsch, Murbach, und St. Gallen,” in Universitas: Dienst an Warheit und Leben: Festschrift für Bischof Albert Stohr, 2 vols., ed. Lenhart, Luwig. Mainz: Grünewald, 1960, I, 466–77.Google Scholar
Harbinson, Denis, ed. Willehelmi Hirsaugensis Musica, CSM 23. Rome: American Institute of Musicology, 1975.Google Scholar
Haskins, Charles Homer. The Rise of Universities. Ithaca, NY: Cornell University Press, 1957.Google Scholar
Hermannus Contractus. Musica Hermanni Contracti, ed. and trans. Ellingwood, Leonard. Rochester, NY: Eastman School of Music, 1936.Google Scholar
Hiley, David. “Observations on the Derivation of Two Early Repertories of Polyphony,” Le polifonie primitive in Friuli e in Europa, ed. Corsi, Cesare and Petrobelli, Pierluigi. Rome: Edizioni Torre d’Orfeo, 1989, 377–91.Google Scholar
Hiley, David. ed. Moosburger Graduale. Tutzing: Schneider, 1996.Google Scholar
Hoare, Frederick Russell. The Western Fathers. New York: Sheed and Ward, 1954. Reprint New York: Harper, 1965.Google Scholar
Holschneider, Andreas. Die Organa von Winchester: Studien zum ältesten Repertorie polyphoniker Musik. Hildesheim: Olms, 1968.Google Scholar
Houdoy, Jules. Histoire artistique de la cathédrale de Cambrai, ancienne église métropolitaine Notre-Dame. Paris: Damascène Morgand and Charles Fatout, 1880. Reprint, Geneva: Minkoff, 1972.Google Scholar
Hours, Henri. Fasti Ecclesiae Gallicanae. Répertoire prosopographique des êveques, dignitaires et chanoines de France de 1200 à 1500. Tome IV: Diocèse de Besançon. Turnhout: Brepols, 1999.Google Scholar
Jeffery, Peter. “Eastern and Western Elements in the Irish Monastic Prayer of the Hours,” in The Divine Office in the Latin Middle Ages, ed. Fassler, Margot E. and Baltzer, Rebecca A.. Oxford University Press, 2000, 99141.Google Scholar
Jeffery, Peter. “Review of The Advent Project, by James McKinnon,” Journal of the American Musicological Society 56 (2003), 169–79.Google Scholar
Diaconus, Johannes. Vita Gregorii I papae (B.H.L. 3641–3642), ed. Castaldi, Lucia, Archivum Gregorianum 1. Florence: Sismel, Edizioni del Galluzo, 2004.Google Scholar
Martyr, Justin. Apologiae pro Christianis, ed. Marcovich, Miroslav, Patristiche Texte und Studien 38. Berlin: Walter de Gruyter, 1990.Google Scholar
Kendall, Paul Murray. Louis XI: The Universal Spider. New York: Viking, 1971.Google Scholar
Knowles, David. The Monastic Order in England, 2nd ed. Cambridge University Press, 1963.Google Scholar
Lampe, Peter. From Paul to Valentinus: Christians in Rome in the First Two Centuries, trans. Johnson, Marshall. Minneapolis: Fortress, 2003.Google Scholar
Le Glay, André. Recherches sur l’église métropolitaine de Cambrai. Paris: Firmin Didot, 1925.Google Scholar
Le Goff, Jacques. La naissance du purgatoire. Paris: Gallimard, 1981. English translation Goldhammer, Arthur, Chicago: University of Chicago Press, 1984.Google Scholar
Levy, Kenneth. “Abbot Helisachar’s Antiphoner,” Journal of the American Musicological Society 48 (1995), 171–86.Google Scholar
Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton, NJ: Princeton University Press, 1998.Google Scholar
Lochner, Fabian. “Dieter (Theogerus) of Metz and His Musica.” Ph.D. dissertation, University of Notre Dame, 1995.Google Scholar
Lockwood, Lewis. Music in Renaissance Ferrara 1400–1505: The Creation of a Musical Center in the Fifteenth Century. Cambridge, MA: Harvard University Press, 1984. Rev. ed. Oxford University Press, 2009.Google Scholar
Lowe, Elias Avery. Codices Latini Antiquiores: A Paleographical Guide to Latin Manuscripts Prior to the Ninth Century, 12 vols. Oxford: Clarendon Press, 1934–72. Reprint Osnabrück: Zeller, 1982.Google Scholar
Mansi, Gian Domenico et al. Sacrorum conciliorum nova et amplissima collectio, 31 vols. Florence and Venice: Antonio Zatta, 1757–98; 53 vols. Paris; Leipzig; Arnheim: Welter, 1900–27. Reprint Graz: Akademische Druck- und Verlaganstalt, 1960–61.Google Scholar
Marix, Jeanne. Histoire de la musique et des musiciens de la cour de Bourgogne sus le règne de Philippe le Bon. Strasbourg: Heitz, 1939. Reprint Geneva: Minkoff, 1972.Google Scholar
Masi, Michael. Boethian Number Theory: A Translation of De institutione arithmetica. Amsterdam: Rodopi, 1983.Google Scholar
McKinnon, James. The Advent Project: The Later Seventh Century Creation of the Roman Mass Proper. Berkeley: University of California Press, 2000.Google Scholar
McKinnon, James. “The Eighth-Century Frankish-Roman Communion Cycle,” Journal of the American Musicological Society 45 (1992), 179227.Google Scholar
McKinnon, James. “The Fourth-Century Origin of the Gradual,” Early Music History 7 (1987), 91106.Google Scholar
McKinnon, James. Music in Early Christian Literature. Cambridge University Press, 1987.Google Scholar
McKinnon, James. “The Roman Post-Pentecostal Communion Series,” Cantus Planus: Papers Read at the Fourth Meeting, Pécs, Hungary, September 1990, ed. Dobszay, László. Budapest: Hungarian Academy of Sciences, 1992, 175–86.Google Scholar
Migne, Jacques Paul. Patrologiae cursus completus… series latina, 221 vols. Paris: Migne, 1844–65.Google Scholar
Millet, Hélène. Les Chanoines du Chapitre Cathédral de Laon: 1272–1412, Collection de l’École Française de Rome 56. Rome: École Française de Rome, 1982.Google Scholar
Millet, Hélène. ed. Suppliques et requêtes: Le gouvernement par la grace en occident (XIIe-XVe siècle), Collection de l’École Française de Rome 310. Rome: École Française de Rome, 2003.Google Scholar
Missale Gothicum, ed. Leo Cunibert Mohlberg, Rerum Ecclesiasticarum Documenta, Series maior, Fontes 5. Rome: Herder, 1961.Google Scholar
Missale Gothicum e codice Vaticano Reginensi latino 317 editum, ed. Rose, Els, Christianorum, Corpus, Series Latina 159D. Turnhout: Brepols, 2005.Google Scholar
Morin, Germain. “Le plus ancient monument qui existe de la liturgie Gallicane,” Ephemerides liturgicae 51 (1937), 312.Google Scholar
Oesch, Hans. Berno und Hermann von Reichenau als Musiktheoretiker, Publikationen der Schweizerischen Musikforschenden Gesellschaft, Ser. 2, vol. 9. Bern: Haupt, 1961.Google Scholar
Opus Caroli Regis contra Synodum (Libri Carolini), ed. Freeman, Ann and Meyvaert, Paul, Historica, Monumenta Germaniae, Concilia, , II, suppl. Hanover: Hahn, 1998.Google Scholar
Page, Christopher. The Christian West and Its Singers: The First Thousand Years. New Haven, CT: Yale University Press, 2010.Google Scholar
Page, Christopher. The Owl and the Nightingale: Musical Life and Ideas in France, 1100–1300. Berkeley: University of California Press, 1989.Google Scholar
Palisca, Claude, ed. Hucbald, Guido, and John on Music, trans. Babb, Warren. New Haven, CT: Yale University Press, 1978.Google Scholar
Palisca, Claude, ed.; Erickson, Raymond, trans., “Musica enchiriadis” and “Scolica enchiriadis” Translated with Introduction and Notes. New Haven, CT: Yale University Press, 1995.Google Scholar
Pastoors, Andreas. “Monographie de l’ancienne cathédrale de Cambrai,” Revue de l’art chrétien 47 (1904), 103–25.Google Scholar
Paulinus of Nola. The Letters of St. Paulinus of Nola, 2 vols., ed. Walsh, Patrick Gerard. Westminster: Newman Press, 1966–69.Google Scholar
Pfisterer, Andreas. “James McKinnon und die Datierung des Gregorianischen Chorals,” Kirchenmusikalisches Jahrbuch 85 (2001), 3153.Google Scholar
Phillips, Nancy. “Musica and Scolica enchiriadis: The Literary, Theoretical, and Musical Sources.” Ph.D. dissertation, New York University, 1984.Google Scholar
Pirro, André. “Jehan Cornuel, Vicaire à Cambrai,” Revue de Musicologie 7 (1926), 190203.Google Scholar
Planchart, Alejandro Enrique. “Choirboys in Cambrai in the Fifteenth Century,” in Young Choristers, 650–1700, ed. Boynton, Susan and Rice, Eric. Woodbridge: The Boydell Press, 2008, 123–45.Google Scholar
Planchart, Alejandro Enrique. “Connecting the Dots: Guillaume Du Fay and Savoy during the Schism,” Plainsong and Medieval Music 18 (2009), 1132.Google Scholar
Planchart, Alejandro Enrique. “Guillaume Du Fay’s Benefices and His Relationship to the Court of Burgundy.” Early Music History 8 (1988), 117–71.Google Scholar
Planchart, Alejandro Enrique. “Institutional Politics and Social Climbing through Music in Early Modern France,” in Institutionalisierung als Process – Organisationsformen Musikalischer Eliten im Europa des 15. und 16. Jahrhunderts, Analecta Musicologica 43, ed. Lodes, Birgit and Lütteken, Laurenz. Laaber: Laaber Verlag, 2009, 115–52.Google Scholar
Planchart, Alejandro Enrique. “Notes on Guillaume Du Fay’s Last Works,” The Journal of Musicology 13 (1995), 5572.Google Scholar
Planchart, Alejandro Enrique. The Repertory of Tropes at Winchester, 2 vols. Princeton, NJ: Princeton University Press, 1977.Google Scholar
Plumley, Yolanda. “An ‘Episode in the South’? Ars subtilior and the Patronage of the French Princes,” Early Music History 22 (2003), 103–68.Google Scholar
Planchart, Alejandro Enrique. “Musicians at Laon Cathedral in the Early Fifteenth Century,” Urban History 29 (2002), 1934.Google Scholar
Plumley, Yolanda and Stone, Anne. Codex Chantilly. Bibliothèque du château de Chantilly, MS 564, 2 vols. Turnhout: Brepols, 2008.Google Scholar
Rankin, Susan, ed. The Winchester Troper, Early English Church Music 50. London: Stainer & Bell, 2007.Google Scholar
Rashdall, Hastings. The Universities of Europe in the Middle Ages, 3 vols., ed. Powicke, F. M. and Emden, A. B.. London: Oxford University Press, 1964 [originally published 1895].Google Scholar
Ratcliff, Edward Craddock, ed. Expositio antiquae liturgiae gallicanae, Henry Bradshaw Society Publications 98. London: Henry Bradshaw Society, 1971.Google Scholar
Rausch, Alexander, ed. Die Musiktraktate des Abtes Bern von Reichenau: Edition und Interpretation. Tutzing: Schneider, 1999.Google Scholar
Reaney, Gilbert. Manuscripts of Polyphonic Music, 11th – Early 14th Century, RISM BIV1. Munich-Duisburg: Henle, 1966.Google Scholar
Reckow, Fritz. Der Musiktraktat des Anonymus 4, 2 vols., Beihefte zum Archiv für Musikwissenschaft 4–5. Wiesbaden: Breitkopf & Härtel, 1967.Google Scholar
Regino of Prüm. “De Harmonica institutione,” in Clavis Gerberti: Eine Revision von Martin Gerberts Scriptores ecclesiastici de musica sacra potissimum (St. Blasien, 1784), Veröffentlichungen der Musikhistorichen Komission 7. Munich: Bayerische Akademie der Wissenschaften, 1989, 3973.Google Scholar
Regula magistri, La Règle du maître, ed. de Vogüé, Adalbert, 3 vols., Sources chrétiennes 105–07. Paris: Editions du Cerf, 1964–65.Google Scholar
Regula magistri, The Rule of the Master, trans. Eberle, Luke, introd. Adalbert de Vogüé. Kalamazoo: Cistercian Publications, 1977.Google Scholar
Remi of Auxerre. Commentarium in Martianum Capellam, 2 vols., ed. Lutz, Cora. Leiden: Brill, 1962–65.Google Scholar
Ridder-Simoens, Hilde de, ed. Universities in the Middle Ages, History of the University in Europe I. Cambridge University Press, 1992.Google Scholar
Robertson, Anne Walters. “The Mass of Guillaume de Machaut in the Cathedral of Reims,” in Plainsong in the Age of Polyphony, ed. Kelly, Thomas F.. Cambridge Studies in Performance Practice 2. Cambridge University Press, 1992, 104–12.Google Scholar
Roesner, Edward. “The Manuscript Wolfenbüttel, Herzog-August Bibliothek, 628 Helmstadiensis: A Study of Its Origins and of Its Eleventh Fascicle,” 2 vols. Ph.D. dissertation, New York University, 1974.Google Scholar
Roesner, Edward. “The Origins of W1,” Journal of the American Musicological Society 29 (1976), 337–80.Google Scholar
Roesner, Edward, et al., eds. Le Magnus Liber Organi de Notre-Dame de Paris, 7 vols. Monaco: Éditions de L’Oiseau-Lyre, 1993–2009.Google Scholar
Roth, Adalbert. “Liturgical (and Paraliturgical) Music in the Papal Chapel towards the End of the Fifteenth Century: A Repertory in Embryo,” in Papal Music and Musicians in Medieval and Renaissance Rome, ed. Sherr, Richard. Oxford: Clarendon Press, 1998, 125–37.Google Scholar
Schlager, Karlheinz. Alleluia-Melodien II, ab 1100, Monumenta Monodica Medii Aevi 8. Kassel: Bärenreiter, 1987.Google Scholar
Schmidt, Hans. Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis. Munich: Bayerische Akademie der Wissenschaften, 1981.Google Scholar
Schwarz, Brigide. “Klerikerkarrieren und Pfründdenmarkt. Perspektiven einer sozialgeschichtlichen Auswertung des Repertorium Germanicum,” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 71 (1991), 243–65.Google Scholar
Schwarz, Brigide. “Über Patronage und Klientel in spätmittelalterlichen Kirche um Besipel des Nikolaus von Kues,” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 68 (1988), 285310.Google Scholar
Estellés, Serra, Javier, . “Acerca de las súplicas dirigidas a Clemente VII en Aviñón,” Suppliques et requêtes: Le gouvernement par la grace en occident (XIIe-XVe siècle), ed. Millet, Hélène, Collection de l’École Française de Rome 310. Rome: École Française de Rome, 2003, 193205.Google Scholar
Sulpicius, Severus. Sulpicii Severi Libri qui supersunt, ed. Halm, Karl, Corpus scriptorum ecclesiaticorum latinorum 1. Vienna: Gerold, 1886.Google Scholar
Sherr, Richard. “A Curious Incident in the Institutional History of the Papal Choir,” in Papal Music and Musicians in Medieval and Renaissance Rome, ed. Sherr, Richard. Oxford: Clarendon Press, 1998, 187210.Google Scholar
Stäblein, Bruno and Landwehr-Melnicki, Margareta. Die Gesänge des altrömischen Graduale Vat. lat. 5319, ed. Landwehr-Melnicki, Margareta, Monumenta Monodica Medii Aevi 2. Kassel: Bärenreiter, 1970.Google Scholar
Stahl, William H. et al., eds. Martianus Capella and the Seven Liberal Arts, 2 vols., ed. Stahl, William H. et al. New York: Columbia University Press, 1971–77.Google Scholar
Stevens, John and Butterfield, Ardis. “Troubadours, Trouvères,” Grove Music Online.Google Scholar
Strohm, Reinhard. Music in Late Medieval Bruges. Oxford: Clarendon Press, 1985.Google Scholar
Stevens, John and Butterfield, Ardis. The Rise of European Music 1380–1500. Cambridge University Press, 1993.Google Scholar
Tabbagh, Vincent. Fasti Ecclesiae Gallicanae. Répertoire prosopographique des êveques, dignitaires et chanoines de France de 1200 à 1500. Tome II: Diocèse de Rouen. Turnhout: Brepols, 1998.Google Scholar
Tertullian, . Opera, 2 vols., Corpus Christianorum, series latina 1–2. Turnhout: Brepols, 1953–54.Google Scholar
Thomson, Rodney M. William of Malmesbury, rev. ed. Woodbridge: The Boydell Press, 2003.Google Scholar
Tomasello, Andrew. Music and Ritual in Papal Avignon (1309–1403), Studies in Musicology 75. Ann Arbor: UMI, 1983.Google Scholar
Treitler, Leo. “Cantus planus binatim in Italy and the Question of Oral and Written Tradition in General,” in Le polifonie primitive in Friuli e in Europa, ed. Corsi, Cesare and Petrobelli, Pierluigi. Rome: Edizioni Torre d’Orfeo, 1989, 145–61.Google Scholar
Vale, Malcolm , Graham Allan. Charles VII. Berkeley: University of California Press, 1974.Google Scholar
Van Dijk, Stephen Joseph Peter. “The Urban and Papal Rites in Seventh- and Eighth-Century Rome,” Sacris Erudiri 12 (1961), 411–82.Google Scholar
Verger, Jacques. Les universités françaises au Moyen Age. Leiden: Brill, 1995.Google Scholar
Walker, G. S. Murdoch, . Sancti Columbani Opera, Scriptores Latini Hiberniae 2. Dublin: Institute for Advanced Studies, 1957.Google Scholar
Wathey, Andrew. “The Peace of 1360–1369 and Anglo-French Musical Relations,” Early Music History 9 (1990), 129–74.Google Scholar
Wegman, Rob C.Miserere supplicanti: Dufay, the Creation and Transmission of Guillaume Dufay’s Missa Ave regina celorum,” The Journal of Musicology 13 (1995), 1854.Google Scholar
Willis, James, ed. Martianus Capella. Leipzig: Teubner, 1983.Google Scholar
Wright, Craig. “Dufay at Cambrai: Discoveries and Revisions,” Journal of the American Musicological Society 28 (1975), 175229.Google Scholar
Wright, Craig. Music and Ceremony at Notre Dame de Paris, 500–1550. Cambridge University Press, 1989.Google Scholar
Wright, Craig. Music at the Court of Burgundy, 1364–1419: A Documentary History, Musicological Studies 32. Henryville, PA: Institute of Mediaeval Music, 1979.Google Scholar
Yudkin, Jeremy. The Musical Treatise of Anonymous IV, Musicological Studies and Documents 41. Neuhausen-Stutgart: Hänssler, 1981.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×