Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-18T14:14:41.892Z Has data issue: false hasContentIssue false

29(a) - SASANIAN ART

from PART 7 - ART HISTORY

Published online by Cambridge University Press:  28 March 2008

Dorothy Shepherd
Affiliation:
The Cleveland Museum of Art
Get access

Summary

INTRODUCTION

The art of the Sasanian period begins, officially, with Ardashīr's accession to the throne of the last Parthian ruler of Iran at Ctesiphon in the year a.d. 226. In fact, however, it already had its genesis in the art produced in Fārs under the kings of Persis well before that date. Ardashīr, it will be seen, had built a city and the first “Sasanian” palace at Firūzābād before, perhaps as a prelude to, his defeat of the Parthians, and the first coinage of his new dynasty followed closely that which he had issued at Stakhr while still a Parthian vassal.

During the nearly four and a half centuries of Sasanian rule in Iran, as with the previous five and a half centuries discussed by Professor Daniel Schlumberger in the foregoing chapter, coins are the only art form that can be traced in unbroken continuity. In establishing his first Sasanian coinage Ardashīr sought to reaffirm and express the connection of his dynasty with its Iranian past. Although in his earliest coins there is still a certain dependence in the portrait style and the helmet headdress on Parthian prototypes, a clear break with the Hellenistic coinage traditions was manifest by the replacement of the former divine figures on the reverse with the Zoroastrian fire altar and by the substitution of Pahlavī for Greek in the legends. In his later coins the portrait is modified, evidently individualized, and the head-dress is replaced by a more elaborate Sasanian version incorporating the mural crown and later is replaced by the mural crown alone.

Type
Chapter
Information
The Cambridge History of Iran
Seleucid Parthian
, pp. 1055 - 1112
Publisher: Cambridge University Press
Print publication year: 1983

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ackerman, P.Sāsānian Seals”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Ackerman, P. Guide to the Exhibition of Persian Art, The Iranian Institute, New York, 1940. New York, 1940.Google Scholar
Ackerman, P.Sāsānian Jewelry”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Ackerman, P.Textiles through the Sāsānian Period, with a catalogue of Sāsānian silks”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Ackerman, P.A Sasanian Tapestry”, Bulletin of the American Institute for Persian Art and Archaeology IV (1935).Google Scholar
Adams, R. McC.Tell Abū Sarīfa, a Sassanian-Islamic Ceramic Sequence from South Central Iraq”, Acta Orientalia (ediderunt Societates Orientales Batava Danica Norvegica Svedica) (Copenhagen) VIII (1970).Google Scholar
André, Parrot, Sumer (London, 1960).Google Scholar
Ashton, L.A New Group of Sassian Textiles”, The Burlington Magazine LXIV (1935).Google Scholar
Aubert, M.Bibliographic critique”, chap, iii, “Theórie des origins orientales de l'art chrétien”, in Lasteyrie, R., L'Architecture Religieuse en France à l'Époque Romane, 2nd. ed. (Paris, 1929).Google Scholar
Auboyer, J. Les influences et les réminiscences étrangères au Kondō du Hōryūji. Paris, 1941 (Musée Guimet. Documents d'art et d'archéologie 2).Google Scholar
Baltrusaitis, J.Sasanian Stucco, A. Ornamental”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Bell, G. L. Palace and Mosque at Ukhaidir. London, 1914.Google Scholar
Bernheimer, R.A Sasanian Monument in Merovingian France”, Ars Islamica = Ars Orientalis (Ann Arbor, Mich.) V (1938).Google Scholar
Bivar, A. D. H. Catalogue of the Western Asiatic Seals in The British Museum. Stamp Seals. II: The Sasanian Dynasty. London, 1969.Google Scholar
Bivar, A. D. H.Trade between China and the Near East in the Sasanian and Early Muslim Periods”, Colloquies on Art and Archaeology in Asia (Percival David Foundation of Chinese Art), no. 1 (1970).Google Scholar
Borisov, A. Y. and Lukonin, V. G. Sasanidskii Gemmy (Sasanian intaglios). Leningrad, 1963.Google Scholar
Bussagli, M.The ‘Frontal’ Representation of the Divine Chariot. Similarities between the Figurative Arts in the East and West”, East and West VI. 1 (1955).Google Scholar
Cottevielle-Giraudet, R.Coupes et camée sassanides du Cabinet de France”, Revue des arts asiatiques (Paris) XII (1938).Google Scholar
Daremberg, and Edmond, Saglio M., Dictionnaire des Antiquites grecques et romaines (Paris, 1873–1919).Google Scholar
David-Weill, J.Têtes de chevaux Sassanides”, La Revue des Arts IV (Paris, 1954).Google Scholar
de Longperier, A., Essai sur des medailles des roispersesdeladynastiesassamde (Paris, 1840).Google Scholar
Debevoise, N. C.The Essential Characteristics of Parthian and Sasanian Glyptic Art”, Berytus I (1934).Google Scholar
Diakonova, N. V.Sasanidskie Tkani” (Sasanian Textiles), Trudy Gosudar-stvennogo Ermitazha X (Leningrad, 1969).Google Scholar
Dieulafoy, M. A. L'Art antique de la Perse, 5 vols. Paris, 1884–5.Google Scholar
Duchesne-Guillemin, J. La religion de l'Iran ancien (Paris, 1962).Google Scholar
Erdmann, K. Die Kunst Irans zur Zeit der Sasaniden. Berlin, 1943.Google Scholar
Erdmann, K. Das iranische Feuerheiligtum. Leipzig, 1941; repr. Osnabrück, 1969.Google Scholar
Érdmann, K.Das datum des Tāḳ-i Bustān”, Ars Islamica = Ars Orientalis (Ann Arbor, Mich.) IV (1937).Google Scholar
Erdmann, K.Partho–Sassanian ceramics”, The Burlington Magazine LXVII (1935).Google Scholar
Erdmann, K.Eberdarstellung und Ebersymbolik in Iran”, Bonner Jahrbücher CXLVII (1942).Google Scholar
Erdmann, K.Die universalgeschichtliche Stellung der sasanidischen Kunst”, Saeculum (Jahrbuch fur Universalgeschichte) (Freiburg-Munich) 1 (1950).Google Scholar
Essen, V. H. 7000 Jahre Kunst in Iran [Exhibition] 16 Februar bis 24 April 1962. Essen, 1962.Google Scholar
Ettinghausen, R.Parthian and Sāsānian Pottery”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Ettinghausen, R. From Byzantium to Sasanian Iran and the Islamic World. Three Modes of Artistic Influence. Leiden, 1972 (L. A. Mayer Memorial Studies 3).Google Scholar
Falke, O.. Kunstgeschichte der Seidenweberei. Berlin, 1913.Google Scholar
Falke, O.. Decorative Silks. Berlin, 1921.Google Scholar
Flandin, E. and Coste, P. Voyage en Perse pendant les années 1840 et 41, 2 vols. Paris, 1851; 6 vols. Paris, 1843–54.Google Scholar
Flandin, E. and Coste, P. Perse anclenne. Paris, 1841.Google Scholar
Francovich, G.. “Il concetto della regalità nell'arte sasanide e l'inter-pretazione di due opere d'arte bizantine”, Arte Lombarda IX. 1 (Milan, 1964).Google Scholar
Frye, R. N. (ed.) Sasanian Remains from Qasr-i Abu Nasr: Seals, Cambridge, Mass, 1973 (Harvard Iranian Series 1).Google Scholar
Fukai, Shinji. “A Persian treasure in the Shōsō-in Repository”, Japan Quarterly VII (Tokyo, 1960).Google Scholar
Fukai, Shinji. Study of Iranian Art and Archaeology, Glassware and Metalwork. Tokyo, 1968.Google Scholar
Fukai, Shinji. “A fragment of a Sassanian cut glass bowl recently found in Kyoto”, Memorial Volume of the Vth International Congress of Iranian Art and Archaeology, Tehran–Isfahan–Shiraz, 11th–18th April 1968, vol. II (Tehran, 1972).Google Scholar
Gall, H. von.Die Mosaiken von Bishapur”, Archäofogiuhe Mitteilungen aus Iran (old series 9 vols 1929–38; new series 1968–) (Berlin) IV (1971).Google Scholar
Ghirshman, , Iran, fig. 190 and compare the Persepolis protomes in idem,Persia from the Origins to Alexander (London, 1964).Google Scholar
Ghirshman, R. Iran: From the earliest times to the Islamic conquest (Sassanian). Harmondsworth, 1954 (Pelican Archaeology Series).Google Scholar
Ghirshman, R.Les fouilles de Châpour, Iran. Deuxième campagne 1936/37”, Revue des arts asiatiques (Paris) XII (1938).Google Scholar
Ghirshman, R. Fouilles de Châpour. Bîchâpour I. Paris, 1971 (Musée du Louvre, Département des Antiquités Orientales. Série archéologique 6).Google Scholar
Ghirshman, R. Fouilles de Châpour, Bîchâpour II, Les Mosaïques sassanides. Paris, 1956 (Musée du Louvre, Département des Antiquités Orientales, Série archéologique 7).Google Scholar
Ghirshman, R.Firuzabad”, Bulletin de l'institut français d'archéologie orientale XLVI (Cairo, 1947).Google Scholar
Ghirshman, R.La Tour de Nourabad. Eacute;tude sur les temples iraniens anciens”, Syria (Revue d'art oriental et d'archeologie)(Paris) XXIV (1944–5).Google Scholar
Ghirshman, R.Notes Iraniennes III: à propos des bas-reliefs rupestres sassanides”, Artibus Asiae XIII (1950).Google Scholar
Ghirshman, R.Études iraniennes II: Un ossuaire en pierre sculptée”, Artibus Asiae XI (1948).Google Scholar
Ghirshman, R.Notes Iraniennes XIII: Trois épées sassanides”, Artibus Asiae XXVI (1963).Google Scholar
Göbi, R.Investitur im sasanidischen Iran und ihre numismatische Bezeugung”, Wiener Zeitschrift für die Kunde des Morgenlandes (Vienna) LVI (Festschrift Herbert W. Duda)(1960).Google Scholar
Godard, A. The art of Iran (Sassanian). London, 1905.Google Scholar
Godard, A.Voûtes iraniennes – les voûtes sasanides”, Āthâr-é Īrān IV (Haarlem, 1949).Google Scholar
Godard, A., “Les monuments du Feu”, Athār-é Īrān III (1938).Google Scholar
Godard, A., “Naṭanz; le monument sāsānide”, Athār-e Īrān I (1936).Google Scholar
Grabar, A., L'Empereur dans l'art Byzantin (Paris, 1936).Google Scholar
Grabar, A.Le succès des arts orientaux à la cour Byzantine sous les Macédoniens”, Münchner Jahrbuch der Bildenden Kunst 11 (Munich, 1951).Google Scholar
Grousset, R.L'art de l'asie Centrale et les influences Iraniennes”, Revue des arts asiatiques (Paris) 11 (1924).Google Scholar
Hackin, J.The Eastward Extension of Sasanian Motives”, Bulletin of the American Institute for Persian Art and Archaeology IV (1935).Google Scholar
Harada, JiroThe Interchange of Eastern and Western Cultures as Evidenced in the Shosoin Treasures”, in Memoirs of the Research Department of the Tokyo Bunko (Tokyo, 1939) (The Oriental Library 11).Google Scholar
Harada, Jiro. English Catalogue of Treasures in the Imperial depository, Shōsōin. Tokyo, 1932.Google Scholar
Harden, D. B.Glass from Kish”, in Langdon, S. and Harden, D. B., “Excavations at Kish and Barghuthiat, 1933”, Iraq (journal of the British School of Archaeology in Iraq) (London) I (1934).Google Scholar
Harper, P. O., “Portrait of a King”, BMMA xxv (November, 1966).Google Scholar
Harper, P. O.Sources of Certain Female Representations in Sasanian Art”, in La Persia Nel Medioevo (Accademia Nazionale dei Lincei, Rome, 1971).Google Scholar
Hauser, W., et al. “The Iranian Expedition, 1937” “The Iranian Expedition, 1938–40”, BMMA XXXIII (November, 1938).Google Scholar
Herrmann, G.The Dārābgird Relief – Ardashīr or Shāpūr?”, Iran VII (1960).Google Scholar
Herzfeld, E.Reisebericht”, Zeitschrift der deutschen morgenländischen Gesellschaft (Wiesbaden) V (1926).Google Scholar
Herzfeld, E. Am Tor von Asien. (Sassanian). Berlin, 1920.Google Scholar
Herzfeld, E.Der Thron des Khusrô”, Jahrbuch der königlich preuszischen Kunstsammlungen XLI (Berlin, 1920).Google Scholar
Herzfeld, E. Archaeological History of Iran (Sassanian). London, 1935 (The Schweich Lectures of the British Academy, 1934).Google Scholar
Herzfeld, E. Iran in the Ancient East (Sassanian). Oxford, 1941.Google Scholar
Herzfeld, E.La sculpture rupestre de la Perse sassanide”, Revue des arts asiatiques (Paris) V (1928).Google Scholar
Herzfeld, E.Khusrau Parwēz und der Ṭāq-i Vastān”, Archäofogiuhe Mitteilungen aus Iran (old series 9 vols 1929–38; new series 1968–) (Berlin) IX (1938).Google Scholar
Herzfeld, E.Ein sasanidischer Elefant”, Archäofogiuhe Mitteilungen aus Iran (old series 9 vols 1929–38; new series 1968–) (Berlin) III (1931).Google Scholar
Herzfeld, E. Paikuli: Monument and Inscription of the Early History of the Sasanian Empire, 2 vols. Berlin, 1924 (Forschungen zur Islamischen Kunst 3).Google Scholar
Herzfeld, E. Die Malereien von Samarra. Berlin, 1937.Google Scholar
Hinz, W. Altiranische Funde und Forschungen. Berlin, 1969.CrossRefGoogle Scholar
Horn, P. Sassanidische Siegelsteine. Berlin, 1891.Google Scholar
Huff, D.Qal'a-ye Dukhtar bei Firuzabad, ein beitrag zur Sasanidischen Palastarchitektur”, Archäofogiuhe Mitteilungen aus Iran (old series 9 vols 1929–38; new series 1968–) (Berlin) IV (1971).Google Scholar
Inostrantzev, C. Sassanidskie Etyudy (Sassanian studies). St Petersburg, 1909.Google Scholar
Kendrick, A. F. Catalogue of Early Medieval Woven Fabrics [in the Victoria and Albert Museum]. London, 1925.Google Scholar
Kimball, F.The Sasanian Building at Dāmghān (Tepe Ḥi⊡ār)”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Kühnel, E. [and Wachtsmuth, F.]. Die Augsgrabungen der zweiten Ktesiphon-Expedition, Winter 1931–1932, Vorläufiger Bericht. Berlin, 1939.Google Scholar
Lacoste, H.L'Arc de Ctesiphon ou Taq Kesra (Mesopotamie)”, Sumer X (1954).Google Scholar
Lamm, C. J. Cotton in Mediaeval Textiles of the Near East. Paris, 1937.Google Scholar
Langdon, S.Excavations at Kish and Barghuthiat, 1933 I: Sasanian and Parthian Remains in Central Mesopotamia”, Iraq (journal of the British School of Archaeology in Iraq) (London) I (1934).Google Scholar
Langdon, S. Four brief articles in the Illustrated London News, 14 Feb. 1931; 7 March 1931; 25 April 1931; 20 Feb. 1932.Google Scholar
Lassus, J.La Mosaique du Phénix”, Monuments et Mémoires (publiés par l'Académie des Inscriptions et Belles-lettres) (Fondation Eugène Piot, Paris) XXXVI (1938).Google Scholar
Lehmann, K.The Dome of Heaven”, Art Bulletin XXVII.1 (New York, 1945).Google Scholar
Lenzen, H.Zur relativen Chronologie der sasanidischen Stuckarbeiten”, Archäologischer Anzeiger (Beiblatt zum Jahrbuch des deutschen archäologischen Instituts) (Berlin) LXVII (1952), cols. 188–221.Google Scholar
L'Orange, H. P. Studies on the Iconography of Cosmic Kingship in the Ancient World. Oslo, 1953 (Instituttet for Sammenlignende Kulturforskning, Serie A: Forelesninger 23).Google Scholar
Lukonin, V. G. Persia II. London, 1971.Google Scholar
Lukonin, V. G.Monnaie d'Ardachir I et l'art officiel Sassanide”, Iranica Antiqua (Leiden) VIII (1968).Google Scholar
Luschey, H.Zur Datierung der sasanidischen Kapitelle aus Bisutun und des Monuments von Taq-i Bostan”, Archäofogiuhe Mitteilungen aus Iran (old series 9 vols 1929–38; new series 1968–) (Berlin) I (1968).Google Scholar
Masuda–Seiichi, . “Glass Objects from the Alburz Mountains, Iran”, Museum no. 108 (1960).Google Scholar
Masuda–Seiichi, . “Glass Ware of the Sassanid age”, Museum no. 110 (1960).Google Scholar
Monneret de Villard, U.Il problema dell'arte sâsânide”, Art Studies V (Princeton, N. J.-Cambridge, Mass., 1927).Google Scholar
Monneret de Villard, U.The Fire Temples”, Bulletin of the American Institute for Persian Art and Archaeology IV (New York, 1936).Google Scholar
Monneret de Villard, U.Il Trone dei leone”, Annali Lateranensi XVII (Vatican, 1953).Google Scholar
Monneret de Villard, U.The Westward expansion of Sasanian architectural forms”, Congrès International d'Art et d'Archéologie Iraniens III, Leningrad, Mémoires, 1935 (1937).Google Scholar
Morgan, J.. Mission scientifique en Perse IV, Recherches archéologiques. Paris, 1896.Google Scholar
Naumann, R. et al. “Takht-i-Suleiman und Zendan-i-Suleiman, Grabungs-bericht 1960”, Archäologischer Anzeiger (Beiblatt zum Jahrbuch des deutschen archäologischen Instituts) (Berlin) LXXVI (1961), cols 28–68; “… 1961”, Archäologischer Anzeiger (Beiblatt zum Jahrbuch des deutschen archäologischen Instituts) (Berlin) LXXVII (1962), cols 683–93; “… 1962”, Archäologischer Anzeiger (Beiblatt zum Jahrbuch des deutschen archäologischen Instituts) (Berlin) LXXIX (1964), cols 1–77; “… 1963/64”, Archäologischer Anzeiger (Beiblatt zum Jahrbuch des deutschen archäologischen Instituts) (Berlin) LXXX (1965), cols 619–799.Google Scholar
Naumann, R.A Fire-temple of the Magians in N. W. Persia”, Illustrated London News no. 6546 (16 Jan. 1965).Google Scholar
Negro-Ponzi, M.Sasanian Glassware from Tell Mahuz (North Mesopotamia)”, Mesopotamia III (1968–9).Google Scholar
Negro-Ponzi, M.A Group of Mesopotamian Glass Vessels of Sasanian Date”, Studies in Glass History. Papers read to Committee B sessions of the VIIIth International Congress on Glass, 1968. London, [1970].Google Scholar
Negro-Ponzi, M.Jewelry and small objects from Tell Mahuz (North Mesopotamia)”, Mesopotamia V–VI (1970–1), figs. 85 and 86.Google Scholar
[Oshima, Yoshinaga.] Shosoin gomotsu zuroku (Catalogue of the Imperial Treasures in the Shosoin). Tokyo, 1934.Google Scholar
Osten, H. H. von Die Welt der Perser (Sassanian). Stuttgart, 1956 (Grosse Kulturen der Frühzeit).Google Scholar
Osten, H. H. von, and Naumann, R. Takht-i Suleiman, vorläufiger Bericht über die Ausgrabungen 1959. Berlin, 1961.Google Scholar
Paris, Musée Cernuschi. Iran: Pièces du Musée de Téhéran, du Musée du Louvre et de collections particulières. Paris, [1948].
Parrot, A.Acquisitions et inédits du Musée du Louvre 3, Bronzes iraniens. Buste de roi sassanide”, Syria (Revue d'art oriental et d'archeologie)(Paris) XXX (1953).Google Scholar
Parrot, A.Bronze royal sassanide”, Syria (Revue d'art oriental et d'archeologie)(Paris) XXXII (1955).Google Scholar
Peirce, H. and Tyler, R.The Prague Rider-silk and the Persian–Byzantine Problem”, The Burlington Magazine LXVIII (1936).Google Scholar
Percy, Gardner, Coins of Greek and Scythian Kings in the British Museum (London, 1886).Google Scholar
Pfister, R.Coqs sassanides”, Revue des arts asiatiques (Paris) XII (1938).Google Scholar
Pope, A. U. Persian Architecture (Sassanian). New York, 1965.Google Scholar
Pope, A. U.Sasanian Stucco, B. Figural”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Pope, A. U., et al. “The Institute's Survey of Persian Architecture. Preliminary report on Takht-i-Sulayman”, Bulletin of the American Institute for Iranian Art and Archaeology V (1937).Google Scholar
Porada, E. Ancient Iran: The art of pre-Islamic times (Sassanian). London 1965.Google Scholar
Puttrich-Reignard, O. W. Die Glasfunde von Ktesiphon. Berlin, 1939.Google Scholar
Reuther, , A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Reuther, O.Sasanian Architecture”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Reuther, O. Die Ausgrabungen der deutschen Ktesiphon-Expedition im Winter 1928–29. Berlin, 1930.Google Scholar
Reuther, O.The German Excavations at Ctesiphon”, Antiquity III (Gloucester, 1929).Google Scholar
Ricciardi, R. V.Sasanian Pottery from Tell Mahuz (North Mesopotamia)”, Mesopotamia V–VI (1970–1).Google Scholar
Ricciardi, R. V.Note Sull'Arte Tessile Sassanide”, Mesopotamia III–IV (1968–9).Google Scholar
Rice, D. T.The City of Shāpūr”, Ars Islamica = Ars Orientalis (Ann Arbor, Mich.) II (1935).Google Scholar
Richard, Ettinghausen, “Sasanian and Islamic Metalwork in Baltimore ”, Apollo LXXXIV (Dec. 1966).Google Scholar
Ringbom, L-I.Zur Ikonographie der Göttin Ardvi Sura Anahita”, Academiae Aboensis, Humaniora XXXIII.2 (Abo, 1957).Google Scholar
Saldern, A. von.Achaemenid and Sassanian Cut Glass”, Acta Orientalia (ediderunt Societates Orientales Batava Danica Norvegica Svedica) (Copenhagen) V (1963).Google Scholar
Salles, G.Châpour: Rapport préliminaire de la première campagne de fouilles (automne 1935-printemps 1936)”, Revue des arts asiatiques (Paris) X (1936).Google Scholar
Salles, G.Nouveaux documents sur les fouilles de Chāpour, IVme et Vme campagnes”, Revue des arts asiatiques (Paris) XIII (1939–42).Google Scholar
Sarre, F. P. L'Art de la Perse ancienne (tr. Budry, Paul). Paris, 1921.Google Scholar
Sarre, F. P. Die Kunst des Alien Persien (Sassanian). Berlin, 1923.Google Scholar
Sarre, F. P. A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only. (Sassanian).Google Scholar
Sarre, F. and Herzfeld, E. Archäologische Reise im Euphrat und Tigrisgebeit, 4 vols. Berlin, 1920.Google Scholar
Sarre, F. and Herzfeld, E. Iranisches Felsreliefs. Berlin, 1910.Google Scholar
Sarre, F.Bronzeplastik in Vogelform”, Jahrbuch der Preussischen Kunst-sammlungen LI (Berlin, 1930).Google Scholar
Saxl, F.Frühes Christentum und spätes Heidentum in ihren künstlerischen Ausdrucksformen, III Darstellung der Weltenkönigs Idee”, Wiener Jahrbuch für Kunstgeschichte II (XVI) (1923).Google Scholar
Schippmann, K. Die iranischen Feuerheiligtümer. Berlin, 1971.CrossRefGoogle Scholar
Schmidt, E. F. Flights over Ancient Cities of Iran. Chicago, 1940 (Special Publication of the Oriental Institute of the University of Chicago).Google Scholar
Schmidt, E. F. Excavations at Tepe Hissar Damghan (Philadelphia, 1937).Google Scholar
Schmidt, J. H.Figürliche Sasanidische Stuckdecorationen aus Ktesiphon”, Ars Islamica = Ars Orientalis (Ann Arbor, Mich.) IV (1937).Google Scholar
Schmidt, J. H.L'Expédition de Ctésiphon en 1931–1932”, Syria (Revue d'art oriental et d'archeologie)(Paris) XV (1934).Google Scholar
, H., “Antiquités syriennes: 90. Sur un bas-relief de Tang-i Sarva” Syria (Revue d'art oriental et d'archeologie)(Paris), XLVII 1970.Google Scholar
Shepherd, D. G.Sasanian art in Cleveland”, The Bulletin of the Cleveland Museum of Art (Cleveland, Ohio) LI (April 1964).Google Scholar
Shepherd, D.A Persian Textile of the Sasanian Period”, The Bulletin of the Cleveland Museum of Art (Cleveland, Ohio) XXXVIII (1951).Google Scholar
Shepherd, D. G.Sasanian art in Cleveland”, The Bulletin of the Cleveland Museum of Art (Cleveland, Ohio) LI. 4 (1964).Google Scholar
Shepherd, D. G.Iran between East and West”, in Bowie, T. (ed.), East and West in Art (Bloomington–London, 1966).Google Scholar
Shepherd, D. G.Banquet and Hunt in Medieval Islamic Iconography”, in McCracken, U. E. et al. (eds), Gatherings in Honor of Dorothy E. Miner (Baltimore, 1974).Google Scholar
Shepherd, , The Diadem - a clue to the Religious Iconography of Sasanian Art, Paper read at the VIth International Congress of Iranian Art and Archaeology (England, OxfordSept.1972.Google Scholar
Siroux, M.Trois monuments inconnus de l'Iran ancien”, Iranica Antiqua (Leiden) VII (1967).Google Scholar
Smirnov, I.I. Vostochnoe Serebro. St. Petersburg, 1909.Google Scholar
Sōma-Takashi, . “Yakō-hai (Cups that Shine in Darkness)”, Museum no. 243 (1971).Google Scholar
Sono, Toshihiko and Fukai, Shinji. Dailaman III. Tokyo, 1968 (Tokyo University Iraq–Iran Archaeological Expedition Report 8).Google Scholar
Stein, M. A.An Archaeological Tour in the Ancient Persis”, Iraq (journal of the British School of Archaeology in Iraq) (London) III (1936).Google Scholar
Stein, M. A. Old Routes of Western Iran. London, 1940.Google Scholar
Tarn, W. W., Hellenistic Civilisation (Cleveland and New York 1966).Google Scholar
Theodor, Kraus, Das Römische Weltreich (Berlin, 1967).Google Scholar
Thompson, D. Stucco from Chal Tarkhan-Eshqabad Near Rayy. Leiden, 1976.Google Scholar
Thompson, D.A Fragmentary Stucco Plaque in the Royal Ontario Museum”, in Kouymjian, D. K. (ed.), Near Eastern Numismatics, Iconography, Epigraphy and History: Studies in Honor of George C. Miles, (Beirut, 1973).Google Scholar
,Tokyo University, Institute of Oriental Culture. Dailaman III. The Excavations at Hassani Mahale and Ghalekuti, 1964. Tokyo, 1968 (Tokyo University Iraq–Iran Archaeological Expedition, Report 8. By Toshihiko Sono and Shinji Fukai).
,Tokyo University, Institute of Oriental Culture. Tāku.i.Busutān (Ṭāq-I Bustān). Tokyo, 1969 (Tokyo University Iraq–Iran archaeological expedition, Report no. 10).
Toll, N. A.Zamyetki po ikonografii sasanidskii tkhanei” (Notes on the Iconography of Sasanian Textiles), Seminarium Kondakovianum IV (Prague, 1931) and V (1932).Google Scholar
Tozzi, M. T. Sculture medioevali dell'antico duomo di Sorrento, Rome, 1931.Google Scholar
Trever, C., “Serebrianoe navershie sasanidskovo shtandarta”, Trudy Otdela Vostoka III (1940).Google Scholar
Trever, C.À propos des temples de la déesse Anahita en Iran sassanide”, Iranica Antiqua (Leiden) VII (1967).Google Scholar
Trümpleman, L.Sāpūr mit der Adlerkopfkappe zur Investitur bei den Sasaniden”, Archäofogiuhe Mitteilungen aus Iran (old series 9 vols 1929–38; new series 1968–) (Berlin) IV (1971).Google Scholar
Upton, J.The Expedition to Ctesiphon, 1931–1932”, The Metropolitan Museum of Art Bulletin (old series 1905–42; new series 1942–) (New York) XXVII (1932).Google Scholar
Vanden, Berghe,Archeologie, pis. 15b,19a, 74b-c; ide, “Recentes decouvertes” with excellent plans and photographs of a whole series of such temples which the author discovered during two campaigns of exploration in 1959–60 1960–1.Google Scholar
Vanden Berghe, L. Archéologle de l'Irān ancien. Leiden, 1959.Google Scholar
Vanden Berghe, L.Iran. De stand van de archaeologische onderzoekingen in Iran”, Jaarbericht Ex Oriente Lux XII (Leiden, 1953–4).Google Scholar
Vanden Berghe, L.Récentes découvertes de monuments sassanides dans le Fārs (Prospections hiver 1959–60 et hiver 1960–61)”, Iranica Antiqua (Leiden) I (1961).Google Scholar
Vanden Berghe, L.Nouvelles découvertes de monuments du feu d'époque sassanide”, Iranica Antiqua (Leiden) V (1965).Google Scholar
Volback, W. F.Oriental Influence in the Animal Sculpture of Campania”, The Art Bulletin XXIV.2 (June, 1942).Google Scholar
Wachtsmuth, F.Zur datierung des Taq-i Bustan und der Pariser silber-schale”, Zeitschrift der deutschen morgenländischen Gesellschaft (Wiesbaden) XCIX (1950).Google Scholar
, D.C., Smithsonian Institution, Freer Gallery of Art, Exhibition of 2500 Years of Persian Art (Washington, D.C., 1971).Google Scholar
Washington, D.C., Smithsonian Institution, Freer Gallery of Art. Exhibition of 2500 Years of Persian Art [Catalogue]. Washington, D.C., 1971.Google Scholar
Watelin, L. C.The Sasanian Building Near Kish”, A Survey of Persian Art, ed. Pope, A. U. and Ackerman, P., 6 vols (Text) (Oxford-London-New York, 1938–39); repr. 12 vols (Tokyo, 1964–65); no vol. XIII; vol. XIV New Studies 1938–1960 (Text) (Oxford-London, 1967); vol. xv Bibliography of Pre-Islamic Persian Art to 1938 (cols 1–340), Reprint of Index to Text Volumes I-III (i-vi) (Ashiya, Japan, 1977); vol. XVI Bibliography of Islamic Persian Art to 1938 (cols 341–854) (Ashiya, 1977); vol XVII New Studies 1960–1973. In Memoriam Arthur Upham Pope, Part I Pre-Islamic Studies (not yet published); vol. XVIII New Studies 1960–1973…, Part II Islamic Architecture (not yet published); vol. XIX New Studies 1960–1973…, Part III Islamic Art (not yet published). References are given to page numbers only.Google Scholar
Widengren, G. Iranische Geisteswelt. Baden–Baden, 1961.Google Scholar
Wilber, D. N.Iranian Motifs in Syrian Art”, Bulletin of the American Institute for Iranian Art and Archaeology V (1937).Google Scholar
Will, E.L'art sassanide et ses prédécesseurs”, Syria (Revue d'art oriental et d'archeologie)(Paris) XXXIX (1962).Google Scholar
Yar-Shater, E., “Were the Sasanians heirs to the Achaemenids?” in Atti del convegno Internationale sul Tema: La Persia nel Medioevo (Rome, Accademia Nazionale dei Lincei 1971).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • SASANIAN ART
  • Edited by E. Yarshater
  • Book: The Cambridge History of Iran
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521246934.015
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • SASANIAN ART
  • Edited by E. Yarshater
  • Book: The Cambridge History of Iran
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521246934.015
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • SASANIAN ART
  • Edited by E. Yarshater
  • Book: The Cambridge History of Iran
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521246934.015
Available formats
×