from Part IV - The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
Published online by Cambridge University Press: 31 August 2024
This chapter examines the elaborate poetics set forth by Cuban poets on and off the island in the first three decades after the Cuban Revolution. Using the concept of “dramas of institutionalization,” the chapter traces the (sometimes extremely) divergent esthetic attitudes and geographical and political positioning by poets such as Roberto Fernández Retamar, Heberto Padilla, Eliana Rivero, Jesús Cos Causse, Gustavo Pérez Firmat, Soleida Ríos, Lourdes Gil, Reina María Rodríguez, Angel Escobar, Ramón Fernández-Larrea, and Rolando Prats, among others. The accounts and analyses of Cuba’s voluminous poetic production elucidate its uses of colloquialism, interdisciplinarity, and linguistic confluence, among many other strategies.
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