Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-08T00:10:01.311Z Has data issue: false hasContentIssue false

25 - West African literature in English: beginnings to the mid-seventies

Published online by Cambridge University Press:  28 March 2008

F. Abiola Irele
Affiliation:
Harvard University, Massachusetts
Simon Gikandi
Affiliation:
University of Michigan, Ann Arbor
Get access

Summary

The roots of English-language literature in West Africa may be traced to the formation of various cultures in reaction to external contacts during successive overlapping historical periods. The literary traditions of the region have been shaped by these interlocking cultural histories, just as the cultural identities of the region are products of its many-layered history. These cultural strata have had such a strong influence, and writers borrow so freely across cultures that it is not always possible to determine the essential African element from the invasive or the syncretic product. Each of the major literatures is the product, not of any one tradition – not even of one as dominant as English colonial culture – but of live traditions that are always available to creative writers even when they are inactive: as Wole Soyinka puts it, “the past exists now” (1988: 19).

The dominance of English as a linguistic medium has tended to obscure this fact. Only the colonial connections of the culture are implied in categories like “Common wealth literature” – where the literature is seen as an extension of the English tradition, or “postcolonial literature” as a product of European cultural imperialism to which it is a counter discourse. Femi Osofisan sees in the latter category a revival of the “grand myth of [precolonial African] Absence” (1991: 1). The exclusion of indigenous traditions is inherent in such language-based classifications of Europhone African literatures. The continuing influence of the different traditions is an essential part of the literary history.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrahams, Peter. 1956. A Wreath for Udomo. London: Faber.
Abruquah, Joseph W. 1965. The Catechist. London: Allen and Unwin.
Achebe, Chinua. 1958. Things Fall Apart. London: Heinemann.
Achebe, Chinua. 1960. No Longer at Ease. London: Heinemann.
Achebe, Chinua. 1964. Arrow of God. London: Heinemann.
Achebe, Chinua. 1966. A Man of the People. London: Heinemann.
Achebe, Chinua. 1975. “Chi in Igbo Cosmology.” In Morning Yet on Creation Day. London: Heinemann: 93–100.Google Scholar
Achebe, Chinua. 1988. Hopes and Impediments: Selected Essays 1965–1988. Oxford: Heinemann.
Achebe, Chinua. 1990. “African Literature as Restoration of Celebration.” In Petersen, and Rutherford, .Google Scholar
Adedeji, J. A. 1981. “‘Alarinjo’: The Traditional Yoruba Travelling Theatre.” In Ogunbiyi, 1981.Google Scholar
Adelugba, Dapo. 1981. “Trance and Theatre: The Nigerian Experience.” In Ogunbiyi, 1981.Google Scholar
Aidoo, Ama Ata. 1965. The Dilemma of a Ghost. Harlow: Longman.
Aidoo, Ama Ata. 1969. Anowa. Harlow: Longman.
Aluko, T. M. 1959. One Man, One Wife. Nigerian Printing and Publishing Co.
Amadi, Elechi. 1966. The Concubine. London: Heinemann Educational Books.
Amadi, Elechi. 1969. The Great Ponds. London: Heinemann Educational Books.
Amadi, Elechi. 1973. Sunset in Biafra. London: Heinemann Educational Books.
Amankulor, J. N. 1981. “Ekpe Festival as Religious Ritual and as Dance Drama.” In Ogunbiyi, 1981.Google Scholar
Antera, Duke. 1956. Extracts from the diary of Antera Duke in Efik Traders of Old Calabar. Ed. Forde, Daryll. London: Oxford University Press for International African Institute.
Appiah, Kwame Anthony 1992. In My Father’s House: Africa in the Philosophy of Culture. Oxford: Oxford University Press.
Armah, Ayi Kwei. 1968. The Beautyful Ones Are Not Yet Born. Boston: Houghton Mifflin.
Armah, Ayi Kwei. 1970. Fragments. Boston: Houghton Mifflin.
Armah, Ayi Kwei. 1972. Why Are We So Blest?Garden City NY: Doubleday.
Armah, Ayi Kwei. 1973. Two Thousand Seasons. Nairobi: East African Publishing House.
Awoonor, Kofi. 1971. This Earth, My Brother. Garden City NY: Doubleday.
Awoonor, Kofi. 1973. Ride Me, Memory. Greenfield Center, NY: Greenfield Review Press.
Balewa, Tafawa. 1967. Shaihu Umar. Trans. Hiskett, Mervyn. Harlow: Longman. English Dramatic Adaptation by Ladan, Umar and Lyndersy, Dexter 1975. London: Longman.
Bassir, Olumbe. 1957. An Anthology of West African Verse. Ibadan: Ibadan University Press.
Beti, Mongo. 1958. Mission to Kalaa. Trans. Green, Peter. New York: Macmillan.
Brew, Kwesi. 1968. The Shadows of Laughter. London: Longman.
Casely-Hayford, J. E. 1911. Ethiopia Unbound: Studies in Race Emancipation. London: Phillips. Rpt. 1969, London: Cass.
Cheney-Coker, Syl. 1990. The Last Harmattan of Alusine Dunbar. London: Heinemann.
Clark-Bekederemo, J. P. 1991. Collected Plays and Poems 1958–1988. Ed. with an introduction by Irele, Abiola. Washington, DC: Howard University Press.
Clark-Bekederemo, J. P. 1991. Collected Plays and Poems: 1958–1988. Washington, DC: Howard University Press.
Clark-Bekederemo, J. P. ed. and trans. 1977. The Ozidi Saga. Ibadan: Ibadan University Press and Oxford University Press.
Conton, William. 1960. The African. London: Heinemann.
Davies, Carole Boyce, and Graves, Anne Adams, eds. 1986. Ngambika: Studies of Women in African Literature. Trenton, NJ: Africa World Press.
De Graft, Joe. 1964. Sons and Daughters. London: Oxford University Press.
De Graft, Joe. 1970. Through a Film Darkly. London: Oxford University Press.
Djoleto, Amu. 1967. The Strange Man. London: Heinemann Educational Books.
Dunton, Chris. 1992. Make Man Talk True: Nigerian Drama in English Since 1970. London: Heinemann.
Duodu, Cameron. 1967. The Gab Boys. London: Deutsch.
Easmon, Sarif 1964. Dear Parent and Ogre. London: Oxford University Press.
Echeruo, Michael J. C. 1977. Victorian Lagos: Aspects of Nineteenth-Century Lagos Life. London: Macmillan.
Echeruo, Michael J. C. 1981. “The Dramatic Limits of Igbo Ritual.” In Ogunbiyi, 1981.Google Scholar
Egbuna, Obi. 1964. Wind versus Polygamy. London: Faber.
Ekwensi, Cyprian. 1954. People of the City. London: Dakers.
Ekwensi, Cyprian. 1961. Jagua Nana. London: Hutchinson.
Ekwensi, Cyprian. 1962a. An African Night’s Entertainment. Lagos: African Universities Press.
Ekwensi, Cyprian. 1962b. Burning Grass. London: Heinemann Educational Books.
Ekwensi, Cyprian. 1966. Iska. London: Hutchinson.
Elugbe, B. O., and Omamor, P.. 1991. Nigerian Pidgin: Background and Prospects. Ibadan: Heinemann Educational Books.
Emecheta, Buchi. 1972. In the Ditch. London: Barrie and Jenkins.
Emecheta, Buchi. 1974. Second-Class Citizen. London: Allison and Busby.
Emecheta, Buchi. 1976. The Bride Price. London: Allison and Busby.
Emecheta, Buchi. 1979. The Joys of Motherhood. London: Allison and Busby.
Enekwe, Ossie. 1981. “Myth, Ritual, and Drama in Igboland.” In Ogunbiyi, 1981.Google Scholar
Equiano, Olaudah. 1966. Equiano’s Travels. His autobiography The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African. Abridged and edited by Edwards, Paul. London: Heinemann Educational Books.
Fagunwa, E. O. 1968. The Forest of a Thousand Daemons: A Hunter’s Saga. Trans. from the Yoruba by Soyinka, Wole. London: Nelson.
Fagunwa, E. O. 1984. The Forest of God. (Annotated translation of Fagunwa, D. O., Igbo Olodumare.) Trans. Ajodi, Gabriel A.. Ibadan: Agbo Areo Press.
Gérard, Albert. 1980. African Language Literatures: An Introduction to the Literary History of Sub-Saharan Africa. Washington, DC: Three Continents Press.
Gérard, Albert. 1984. “Literary Tradition and Literary Change in Black Africa.” Journal of Commonwealth Literature 19. 1.Google Scholar
Gibbs, James. 1986. Wole Soyinka. London: Macmillan.
Gikandi, Simon. 1987. Reading the African Novel. Oxford: James Currey.
Horn, Andrew. 1981. “Ritual, Drama and the Theatrical: The Case of Bori Spirit Mediumship.” In Ogunbiyi, 1981.Google Scholar
Idowu, E. Bolaji. 1962. Oludumare: God in Yoruba Belief. London: Longman.
Innes, C. L. 1990. Chinua Achebe. Cambridge: Cambridge University Press.
Irele, Abiola. 1981. The African Experience in Literature and Ideology. London: Heinemann.
Jahn, Janheinz. 1966. A History of Neo-African Literature: Writing in Two Continents. London: Faber and Faber.
Jeyifo, Biodun. 1984. The Yoruba Popular Travelling Theatre of Nigeria. Lagos: Nigeria Magazine.
Jeyifo, Biodun. 1988. “Wole Soyinka and the Tropes of Disalienation.” In Soyinka, 1988.Google Scholar
Johnson, Lemuel. 1973. Highlite for Caliban. Ann Arbor, MI: Ardis Publications.
Johnson, Samuel. 1921. History of the Yorubas. London: Routledge.
Jones, Eldred D. 1973. The Writing of Wole Soyinka. London: Heinemann.
Konadu, Asare. 1969. A Woman in Her Prime. London: Heinemann Educational Books.
Konadu, Asare. 1969. Ordained by the Oracle. London: Heinemann Educational Books.
Ladipo, Duro. 1964. Three Yoruba Plays: Oba Koso, Oba Moro, Oba Waja. English Adaptation by Ulli Beier. Ibadan: Mbari.
Ladipo, Duro. 1964. Three Yoruba Plays adapted by Beier, Ulli. Ibadan: Mbari.
Lindfors, Bernth. 1997. African Textualities: Texts, Pretexts and Contexts of African Literature. Trenton: NJ: Africa World Press.
Maddy, Yulisa Amadu. 1973. No Past, No Present, No Future. London: Heinemann Educational Books.
Maja-Pearce, Adewale, ed. 1994. Wole Soyinka: An Appraisal. London: Heinemann.
Moore, Gerald. 1980. Twelve African Writers. London: Hutchinson.
Munonye, John. 1966. The Only Son. Ibadan: Heinemann Educational Books.
Munonye, John. 1969. Obi. Ibadan: Heinemann Educational Books.
Munonye, John. 1973. A Wreath for the Maidens. London: Heinemann Educational Books.
Nwankwo, Nkem. 1964. Danda. London: Deutsch.
Nwapa, Flora. 1966. Efuru. London: Heinemann Educational Books.
Nwapa, Flora. 1969. Idu. London: Heinemann Educational Books.
Nwapa, Flora. 1976. Never Again. Enugu, Nigeria: Nwamife.
Nzekwu, Onuora. 1961. Wand of Noble Wood. London: Hutchinson.
Nzekwu, Onuora. 1981. “Masquerade.” In Ogunbiyi, 1981.Google Scholar
Obiechina, Emmanuel. 1973. An African Popular Literature: A Study of the Onitsha Market Pamphlets. Cambridge: Cambridge University Press.
Obiechina, Emmanuel. 1975. Culture, Tradition and Society in the West African Novel. Cambridge: Cambridge University Press.
Obumselu, Ben. 1970. “African Eden: Cultural Nationalism in the African Novel.” Ibadan Studies in English 2.Google Scholar
Ogude, S. O. 1982. “Facts into Fiction: Equiano’s Narrative Reconsidered.” Research in African Literatures 13. 1.Google Scholar
Ogunbiyi, Yemi, ed. 1981. Drama and Theatre in Nigeria: A Critical Source Book. Lagos: Nigeria Magazine.
Ogunmola, Kola. 1972. The Palm-Wine Drinkers: Omuti – Opera by Kola Ogunmola after the Novel by Amos Tutola. Transcribed and trans. Armstrong, R. G., Awujoola, Robert L., and Olayemi, Val. Ibadan: Institute of African Studies, University of Ibadan.
Ogunyemi, Wale. 1970. Ijaye War in the Nineteenth Century: An Historic Drama. Ibadan: Orisun Acting Editions.
Ogunyemi, Wale. 1979. Langbodo. Lagos: Thomas Nelson.
Okai, Atukwei John. 1974. Lorgorligi Logarithms. Ghana Publishing Corp.
Okara, Gabriel. 1964. The Voice. London: Deutsch.
Okigbo, Christopher. 1962. Heavensgate. Ibadan: Mbari.
Okigbo, Christopher. 1971. Labyrinths with Path of Thunder. London: Heinemann; New York: Africana.
Okpewho, Isidore. 1976. The Last Duty. London: Longman.
Okri, Ben. 1988. “What the Tapster Saw.” In Stars of the New Curfew. London: Secker and Warburg.Google Scholar
Olney, James. 1983. “Aké: Wole Soyinka as Autobiographer.” The Yale Review 73. 1.Google Scholar
Olney, James. 1985. “‘I Was Born’: Slave Narratives, Their Status as Autobiography and as Literature.” In The Slaves’ Narratives. Ed. Davis, Charles T. and Gates, Henry Louis Jr.Oxford: Oxford University Press: 148–75.Google Scholar
Omotoso, Kole. 1972. The Combat. London: Heinemann Educational Books.
Omotoso, Kole. 1996. Achebe or Soyinka?London: Hans Zell.
Osofisan, Femi. 1975. Kolear Kolej. Ibadan: New Horn.
Osofisan, Femi. 1991. “Theatre and the Rites of ‘Post-Negritude’ Remembering.” Research in African Literatures, 2. 1.Google Scholar
Palmer, Eustace. 1975. “The Development of Sierra Leone Writing.” In Celebration of Black and African Writing. Ed. King, Bruce and Ogungbesan, Kolawole. Ibadan: Oxford University Press, in association with Ahmadu Bello University Press.Google Scholar
Peters, Lenrie. 1965. The Second Round. London: Heinemann Educational Books.
Petersen, Kirsten Holst, and Rutherford, Anna. 1990. Chinua Achebe: A Celebration. London: Heinemann.
Ravenscroft, Arthur. 1969. “African Literature V: The Novels of Disillusionment.” Journal of Commonwealth Literature 6.Google Scholar
Rotimi, Ola. 1971a. The Gods Are Not to Blame. London: Oxford University Press.
Rotimi, Ola. 1971b. Kurunmi: An Historical Tragedy. Ibadan: Oxford University Press.
Rotimi, Ola. 1974. Ovonramwen Nogbaisi. Ibadan: Oxford University Press.
Sekyi, Kobina. 1974. The Blinkards. London: Heinemann Educational Books.
Selormey, Francis. 1966. The Narrow Path. London: Heinemann Educational Books.
Sofola, Zulu. 1972. Wedlock of the Gods. London: Evans.
Sofola, Zulu. 1974. King Emene. London: Heinemann.
Soyinka, Wole. 1965. The Interpreters. London: Deutsch.
Soyinka, Wole. 1967. Idanre and Other Poems. London: Methuen.
Soyinka, Wole. 1973. Season of Anomy. London: Rex Collings.
Soyinka, Wole. 1973a. The Jero Plays. London: Eyre Methuen.
Soyinka, Wole. 1973b. Collected Plays, vol. I. London: Oxford University Press.
Soyinka, Wole. 1974. Collected Plays, vol. II. London: Oxford University Press.
Soyinka, Wole. 1975. Death and the King’s Horseman. London: Eyre Methuen.
Soyinka, Wole. 1976. Myth, Literature and the African World. London: Cambridge University Press.
Soyinka, Wole. 1976. Ogun Abibiman. London: Rex Collings.
Soyinka, Wole. 1981. Aké: The Years of Childhood. London: Rex Collings.
Soyinka, Wole. 1988. Art, Dialogue and Outrage. Ed. Jeyifo, Biodun. Ibadan: New Horn.
Spencer, John, ed. 1971. The English Language in West Africa. London: Longman.
Stevenson, W. H. 1975. “The Horn: What It Was and What It Did.” Research in African Literatures 6.1.Google Scholar
Sutherland, Efua. 1967. Edufa. London: Longman.
Whitaker, Thomas. 1992. “Wole Soyinka.” In Post-Colonial English Drama: Commonwealth Drama since 1960. Ed. King, Bruce. London: Macmillan.Google Scholar
Wren, Robert M. 1980. Achebe’s World: The Historical and Cultural Context of the Novels of Chinua Achebe. Washington, DC: Three Continents Press.
Wren, Robert M. 1991. Those Magical Years: The Making of Nigerian Literature at Ibadan: 1948–1966. Washington: Three Continents Press.
Wright, Derek. 1989. Ayi Kwei Armah’s Africa: The Sources of His Fiction. London: Hans Zell.
Zabus, Chantal. 1990. “The Logos Eaters: The Igbo Ethno-Text.” In Petersen, and Rutherford, 1990.Google Scholar
Zell, Hans, Bundy, Carol and Coulon, Virginia, eds. 1983. A New Reader’s Guide to African Literature. New York: Africana.

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×