Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
17 - Does Paying Innovative Employees Pay Off?:
A Brief Look at Czech and Slovak IP Law on Employee Remuneration
Published online by Cambridge University Press: 11 June 2019
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
Summary
One can say that intellectual property laws, or at least their main concepts, are gradually becoming more and more similar around the world, and particularly across Europe. This trend can surely be attributed to the requirements of global trade and international protection, which are formally encapsulated in the various international conventions concerning intellectual property rights (IPRs). In Europe, the tendency toward uniform regulation is obviously much stronger as most IPRs are, to a certain degree, harmonized, whether formally, by directives and regulations of the European Union, or otherwise (e.g. European Patent Convention). It should therefore come as no surprise that this is also true of Central and Eastern European countries, particularly those that have become EU Member States. It is increasingly difficult to single out areas in intellectual property law that would be substantially different in these countries than in others, or which could become the subject of independent policy considerations. Nevertheless, one such area clearly comes to mind, and has not yet received much attention from policy-makers: the regulation of reward for innovation and creativity in employment situations. The remuneration of employed inventors and authors for patents, copyright works, and other IP-protected results of their work still tend to differ significantly from country to country.1
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- Publisher: Cambridge University PressPrint publication year: 2019