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78 - The Royal Court

from Part VIII - High Culture

Published online by Cambridge University Press:  17 August 2019

By
Curtis Perry
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

anticourtBlackfriars (playhouse)courtcourtiercourtlyEarl of PembrokeEarl of SouthamptonElizabethan EnglandHampton CourtHarbage, AlfredHerbert, WilliamInns of CourtJacobean EnglandJames IKing’s MenLord ChamberlainpatronageElizabeth IRichmond Palacerival traditionsWhitehallWriothesley, Henry
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 601 - 606
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Aaron, Melissa D. Global Economics: A History of the Theater Business, the Chamberlain’s/King’s Men, and Their Plays, 1599–1642. Newark: U of Delaware P, 2005.Google Scholar
Astington, John H. English Court Theatre, 1558–1642. Cambridge: Cambridge University Press, 1999.Google Scholar
Barroll, Leeds. Politics, Plague, and Shakespeare’s Theater: The Stuart Years. Ithaca: Cornell UP, 1991.Google Scholar
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Duncan-Jones, Katherine. Ungentle Shakespeare: Scenes from His Life. London: Thomson Learning, 2001.Google Scholar
Green, Mary Anne Everett, ed. Calendar of State Papers, Domestic Series, of the Reign of Elizabeth, 1601–1603; with addenda, 1547–1565; Preserved in Her Majesty’s Public Record Office. London: 1870.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge University Press, 2004.Google Scholar
Hammer, Paul E. J. “Shakespeare’s Richard II, the Play of 7 February 1601, and the Essex Rising.” Shakespeare Quarterly 59.1 (2008): 1–35.Google Scholar
Harbage, Alfred. Shakespeare and the Rival Traditions. 1952. Bloomington: Indiana UP, 1970.Google Scholar
Perry, Curtis. Literature and Favoritism in Early Modern England. Cambridge: Cambridge University Press, 2006.Google Scholar
Schoenbaum, Samuel. William Shakespeare: A Documentary Life. New York: Oxford UP, in association with The Scolar Press, 1975.Google Scholar

Further reading

Bennett, Josephine Waters. Measure for Measure as Royal Entertainment. New York: Columbia UP, 1966.Google Scholar
Bergeron, David M. Shakespeare’s Romances and the Royal Family. Lawrence: UP of Kansas, 1985.Google Scholar
Ceresano, S. P. “Philip Henslowe and the Elizabethan Court.” Shakespeare Survey 60 (2007): 49–57.Google Scholar
Dillon, Janette. Theatre, Court and City, 1595–1610: Drama and Social Space in London. Cambridge: Cambridge University Press, 2000.Google Scholar
Dutton, Richard. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. Iowa City: U of Iowa P, 1991.Google Scholar
Finkelpearl, Philip J. John Marston of the Middle Temple: An Elizabethan Dramatist in His Social Setting. Cambridge: Harvard UP, 1969.CrossRefGoogle Scholar
Holderness, Graham, Potter, Nick, and Turner, John. Shakespeare: Out of Court; Dramatizations of Court Society. New York: St. Martin’s, 1990.Google Scholar
Hurstfield, Joel. “The Politics of Corruption in Shakespeare’s England.” Shakespeare Survey 28 (1975): 15–28.CrossRefGoogle Scholar
Kernan, Alvin. Shakespeare, The King’s Playwright: Theater in the Stuart Court, 1603–1613. New Haven: Yale UP, 1995.Google Scholar
White, Paul Whitfield, and Westfall, Suzanne, eds. Shakespeare and Theatrical Patronage in Early Modern England. Cambridge: Cambridge University Press, 2002.Google Scholar

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