Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
128 - John Fletcher
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
By
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 958 - 963Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Aubrey, John. “Brief Lives,” Chiefly of Contemporaries, Set Down by John Aubrey, between the Years 1669 & 1696. Ed. Clark, Andrew. 2 vols. Oxford: Clarendon Press, 1898.Google Scholar
Bentley, Gerald Eades. The Jacobean and Caroline Stage: Plays and Playwrights. 7 vols. Oxford: Clarendon, 1956.Google Scholar
Bickley, Francis, ed. Historical Manuscripts Commission Report on the Manuscripts of the Late Regninald Rawdon Hastings, Esq. of The Manor House, Ashby-de-la-Zouche. 4 vols. London: His Majesty’s Stationery Office, 1928–47.Google Scholar
Cockayne, Aston. A chain of golden poems embellished with wit, mirth, and eloquence: together with two most excellent comedies, (viz.) The obstinate lady, and Trappolin suppos’d a prince / written by Sr Aston Cokayn. London: 1658.Google Scholar
Dyce, Alexander, ed. The Works of Beaumont and Fletcher; the text formed from a new collation of the early editions. With notes and a biographical memoir. 11 vols. London: Edward Moxon, 1843–46.Google Scholar
Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton: Princeton UP, 1990.CrossRefGoogle Scholar
Hoy, Cyrus. “Massinger as Collaborator: The Plays with Fletcher and Others.” Philip Massinger: A Critical Reassessment. Ed. Howard, Douglas. Cambridge: Cambridge University Press, 1985. 51–82.Google Scholar
McMullan, Gordon, ed. The Politics of Unease in the Plays of John Fletcher. Amherst: U of Massachusetts P, 1994.Google Scholar
Nichols, John, ed. The History of The Worthies of England Endeavoured by Thomas Fuller, D. D. First Printed in 1662. 2 vols. London: Printed for F. C. and J. Rivington etc., 1811.Google Scholar
Further reading
Bowers, Fredson, ed. The Dramatic Works in the Beaumont and Fletcher Canon. 10 vols. Cambridge: Cambridge University Press, 1966–94.Google Scholar
Hope, Jonathan. The Authorship of Shakespeare’s Plays. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Hoy, Cyrus. “The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon.” Studies in Bibliography 8 (1956): 129–46; 9 (1957): 143–62; 11 (1958): 85–106; 12 (1959): 91–116; 13 (1960): 77–108; 14 (1961): 45–67; 15 (1962): 71–90.Google Scholar
Kukowski, Stephan. “The Hand of John Fletcher in Double Falsehood.” Shakespeare Survey 43 (1991): 81–89.Google Scholar
Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997.Google Scholar
McMullan, Gordon, ed. The Tamer Tamed. London: Nick Hern Books in association with The Royal Shakespeare Company, 2003.Google Scholar
Mincoff, Marco. “Shakespeare, Fletcher and Baroque Tragedy.” Shakespeare Survey 20 (1967): 1–15.Google Scholar
Muir, Kenneth. “Shakespeare’s Hand in The Two Noble Kinsmen.” Shakespeare Survey 11 (1958): 50–59.Google Scholar
Sinfield, Alan. “Cultural Materialism and Intertextuality: The Limits of Queer Reading in A Midsummer Night’s Dream and The Two Noble Kinsmen.” Shakespeare Survey 56 (2003): 67–78.Google Scholar