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128 - John Fletcher

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
Sarah Lewis
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Blackfriars (playhouse)Children of the Queen’s Revelscollaborationthe Globe (playhouse)King’s Men
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 958 - 963
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Aubrey, John. “Brief Lives,” Chiefly of Contemporaries, Set Down by John Aubrey, between the Years 1669 & 1696. Ed. Clark, Andrew. 2 vols. Oxford: Clarendon Press, 1898.Google Scholar
Bentley, Gerald Eades. The Jacobean and Caroline Stage: Plays and Playwrights. 7 vols. Oxford: Clarendon, 1956.Google Scholar
Bickley, Francis, ed. Historical Manuscripts Commission Report on the Manuscripts of the Late Regninald Rawdon Hastings, Esq. of The Manor House, Ashby-de-la-Zouche. 4 vols. London: His Majesty’s Stationery Office, 1928–47.Google Scholar
Cockayne, Aston. A chain of golden poems embellished with wit, mirth, and eloquence: together with two most excellent comedies, (viz.) The obstinate lady, and Trappolin suppos’d a prince / written by Sr Aston Cokayn. London: 1658.Google Scholar
Comedies and Tragedies Written by Francis Beaumont and Iohn Fletcher. London: 1647.Google Scholar
Dyce, Alexander, ed. The Works of Beaumont and Fletcher; the text formed from a new collation of the early editions. With notes and a biographical memoir. 11 vols. London: Edward Moxon, 1843–46.Google Scholar
Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton: Princeton UP, 1990.CrossRefGoogle Scholar
Fletcher, John. The faithfull shepheardesse. London: 1609.Google Scholar
Fletcher, John. The faithfull shepheardesse. London: 1629.Google Scholar
Hoy, Cyrus. “Massinger as Collaborator: The Plays with Fletcher and Others.” Philip Massinger: A Critical Reassessment. Ed. Howard, Douglas. Cambridge: Cambridge University Press, 1985. 51–82.Google Scholar
McMullan, Gordon, ed. King Henry VIII. London: Arden Shakespeare, 2000.Google Scholar
McMullan, Gordon, ed. The Politics of Unease in the Plays of John Fletcher. Amherst: U of Massachusetts P, 1994.Google Scholar
Nichols, John, ed. The History of The Worthies of England Endeavoured by Thomas Fuller, D. D. First Printed in 1662. 2 vols. London: Printed for F. C. and J. Rivington etc., 1811.Google Scholar
Potter, Lois, ed. The Two Noble Kinsmen. London: Arden Shakespeare, 1997.Google Scholar

Further reading

Bowers, Fredson, ed. The Dramatic Works in the Beaumont and Fletcher Canon. 10 vols. Cambridge: Cambridge University Press, 1966–94.Google Scholar
Hammond, Brean, ed. Double Falsehood. London: Arden Shakespeare, 2010.Google Scholar
Hope, Jonathan. The Authorship of Shakespeare’s Plays. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Hoy, Cyrus. “The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon.” Studies in Bibliography 8 (1956): 129–46; 9 (1957): 143–62; 11 (1958): 85–106; 12 (1959): 91–116; 13 (1960): 77–108; 14 (1961): 45–67; 15 (1962): 71–90.Google Scholar
Kukowski, Stephan. “The Hand of John Fletcher in Double Falsehood.” Shakespeare Survey 43 (1991): 81–89.Google Scholar
Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997.Google Scholar
McMullan, Gordon, ed. The Tamer Tamed. London: Nick Hern Books in association with The Royal Shakespeare Company, 2003.Google Scholar
Mincoff, Marco. “Shakespeare, Fletcher and Baroque Tragedy.” Shakespeare Survey 20 (1967): 1–15.Google Scholar
Muir, Kenneth. “Shakespeare’s Hand in The Two Noble Kinsmen.” Shakespeare Survey 11 (1958): 50–59.Google Scholar
Sinfield, Alan. “Cultural Materialism and Intertextuality: The Limits of Queer Reading in A Midsummer Night’s Dream and The Two Noble Kinsmen.” Shakespeare Survey 56 (2003): 67–78.Google Scholar

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