Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
232 - Collecting and Reading Shakespeare’s Quartos
from Part XXIV - Shakespeare and the Book
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
authorshipBenson, JohnbindingsBodley, ThomasChapman, GeorgeDaniel, SamueldigitizationeditingfolioGarrick, DavidGreg, W. W.HamletHenry VHeywood, ThomasJonson, BenLucreceMalone, EdmundmarginaliaNew BibliographyOthelloPavier, ThomasPericlesPollard, A. W.printingquartoRichard IIISammelbändeSonnetsTitus Andronicustract booksvariorumVenus and Adonis
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1684 - 1688Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bancroft, Richard. Untitled manuscript letter (Lambeth Palace Library LR [Library Records] f.1). 1610.Google Scholar
Bartlett, Henrietta C., and Pollard, Alfred W.. A Census of Shakespeare’s Plays in Quarto. New Haven: Yale UP, 1916.Google Scholar
Marotti, Arthur F. “Shakespeare’s Sonnets as Literary Property.” Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry. Ed. Harvey, Elizabeth D. and Maus, Katharine Eisaman. Chicago: U of Chicago P, 1990. 143–73.Google Scholar
Needham, Paul. The Printer and the Pardoner: An Unrecorded Indulgence Printed by William Caxton. Washington: Library of Congress, 1986.Google Scholar
Pollard, A. W. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685. London: Methuen, 1909.Google Scholar
Pollard, A. W., and Redgrave, G. R.. A Short- Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad, 1475–1640. London: Bibliographical Society, 1927.Google Scholar
Sherman, William. “What Did Renaissance Readers Write in Their Books?” Books and Readers in Early Modern England. Ed. Andersen, Jennifer and Sauer, Elizabeth. Philadelphia: Penn, 2002. 119–37.Google Scholar
Werstine, Paul. “Narratives about Printed Shakespeare Texts: ‘Foul Papers’ and ‘Bad’ Quartos.” Shakespeare Quarterly 41.1 (1990): 65–86.Google Scholar
Wheeler, G. W., ed. Letters of Thomas Bodley to Thomas James, First Keeper of the Bodleian Library. Oxford: Oxford UP, 1926.Google Scholar
Further reading
Blayney, Peter W. M. “The Publication of Playbooks.” New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383–422.Google Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon, 1991.Google Scholar
de Grazia, Margreta, and Stallybrass, Peter. “The Materiality of the Shakespearean Text.” Shakespeare Quarterly 44 (1993): 255–84.Google Scholar
Greg, W. W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. London: Bibliographical Society, 1939–59.Google Scholar
Knight, Jeffrey Todd. Bound to Read: Compilations, Collections, and the Making of Renaissance Literature. Philadelphia: U Pennsylvania P, 2013.Google Scholar
Maguire, Laurie E. Shakespearean Suspect Texts: The “Bad” Quartos and Their Contexts. Cambridge: Cambridge University Press, 1996.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007. See especially Chapters 3 and 4.Google Scholar
McLeod, Randall. “The Marriage of Good and Bad Quartos.” Shakespeare Quarterly 33.4 (1982): 421–31.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003. See especially Chapter 1.Google Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. New York: Palgrave, 2003.Google Scholar