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253 - Cognition and Affect

from Part XXV - Shakespeare and the Critics

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Craik, Katherine A. Reading Sensations in Early Modern England. Basingstoke: Palgrave, 2007.CrossRefGoogle Scholar
Craik, Katharine A., and Pollard, Tonya, eds. Shakespearean Sensations: Experiencing Literature in Early Modern England. Cambridge: Cambridge University Press, 2013.CrossRefGoogle Scholar
Dugan, Holly. “Shakespeare and the Senses.” Literature Compass 6.3 (2009): 726–40.CrossRefGoogle Scholar
Gallagher, Lowell, and Raman, Shankar, eds. Knowing Shakespeare: Senses, Embodiment and Cognition. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Greenfield, Matthew, with Floyd-Wilson, Mary, Paster, Gail Kern, Pollard, Tanya, Rowe, Katherine, and Yates, Julian. “Shakespeare and Embodiment: An E-Conversation.” Literature Compass 2 (2005): 113.Google Scholar
Karim-Cooper, Farah, and Stern, Tiffany, eds. Shakespeare’s Theatres and the Effects of Performance. London: The Arden Shakespeare, 2013.Google Scholar
Rublack, Ulinka. “Fluxes: The Early Modern Body and the Emotions.” History Workshop Journal 53.1 (1993): 116.Google Scholar

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