Book contents
- The Cambridge Companion to the Eroica Symphony
- Cambridge Companions to Music
- The Cambridge Companion to the Eroica Symphony
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Notes on Contributors
- Eroica Chronology, 1770–2020
- Acknowledgements
- Introduction
- Part I Context and Genesis
- Part II Analytical Approaches
- Part III Reception
- 9 Who is the Hero? The Early Reception of the Eroica
- 10 The Eroica in the Nineteenth and Twentieth Centuries
- 11 Performing, Arranging and Rearranging the Eroica: Then and Now
- 12 The Eroica Endures: Beethoven’s Third Symphony in the Twenty-First Century
- Further Reading
- General Index
12 - The Eroica Endures: Beethoven’s Third Symphony in the Twenty-First Century
from Part III - Reception
Published online by Cambridge University Press: 04 June 2020
- The Cambridge Companion to the Eroica Symphony
- Cambridge Companions to Music
- The Cambridge Companion to the Eroica Symphony
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Notes on Contributors
- Eroica Chronology, 1770–2020
- Acknowledgements
- Introduction
- Part I Context and Genesis
- Part II Analytical Approaches
- Part III Reception
- 9 Who is the Hero? The Early Reception of the Eroica
- 10 The Eroica in the Nineteenth and Twentieth Centuries
- 11 Performing, Arranging and Rearranging the Eroica: Then and Now
- 12 The Eroica Endures: Beethoven’s Third Symphony in the Twenty-First Century
- Further Reading
- General Index
Summary
Two decades into the twenty-first century, Beethoven’s Third Symphony is programmed regularly by the world’s leading orchestras and remains popular with audiences. In contemporary mainstream classical musical culture, the Eroica continues to be the pre-eminent musical emblem of heroism and revolution. In visual media, the Eroica retains classical music’s conventional generic meaning of wealth and superior status, but it is also deployed in film, television and video game soundtracks to track markedly intelligent heroes and culturally sophisticated revolutionaries. As new critical theories engage with the symphony’s traditional interpretations, alternative readings of the Eroica are emerging in musical scholarship alongside the heroic/revolutionary trope. The pastoral, politics and freedom figure prominently in several recent close readings, while the Eroica is fast becoming a pivotal musical work in disability studies. As a central example in both heroic narratives of overcoming and human narratives of adaptation, the Eroica endures.
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- The Cambridge Companion to the Eroica Symphony , pp. 239 - 255Publisher: Cambridge University PressPrint publication year: 2020