Book contents
- Frontmatter
- 1 Introduction
- 2 The early plays
- 3 Surviving the 1960s: three plays by Brian Friel 1968-1971
- 4 Friel and the Northern Ireland “Troubles” play
- 5 Family affairs: Friel’s plays of the late 1970s
- 6 Five ways of looking at Faith Healer
- 7 Translations, the Field Day debate and the re-imagining of Irish identity
- 8 Dancing at Lughnasaand the unfinished revolution
- 9 The late plays
- 10 Friel’s Irish Russia
- 11 Friel and performance history
- 12 Friel’s dramaturgy: the visual dimension
- 13 Performativity, unruly bodies and gender in Brian Friel’s drama
- 14 Brian Friel as postcolonial playwright
- Bibliography
- Index
14 - Brian Friel as postcolonial playwright
Published online by Cambridge University Press: 28 January 2007
- Frontmatter
- 1 Introduction
- 2 The early plays
- 3 Surviving the 1960s: three plays by Brian Friel 1968-1971
- 4 Friel and the Northern Ireland “Troubles” play
- 5 Family affairs: Friel’s plays of the late 1970s
- 6 Five ways of looking at Faith Healer
- 7 Translations, the Field Day debate and the re-imagining of Irish identity
- 8 Dancing at Lughnasaand the unfinished revolution
- 9 The late plays
- 10 Friel’s Irish Russia
- 11 Friel and performance history
- 12 Friel’s dramaturgy: the visual dimension
- 13 Performativity, unruly bodies and gender in Brian Friel’s drama
- 14 Brian Friel as postcolonial playwright
- Bibliography
- Index
Summary
Brian Friel wrote postcolonial drama before the term was coined or theoreticians and critics discovered its potential. The question with which he begins The Mundy Scheme (1969) points to the core of postcolonial discourse: “What happens to an emerging country after it has emerged?” He is postcolonial in the sense that, feeling in his nerves the responsibility for the community he comes from, and worrying about the survival not only of individual but also of cultural values in the value-free modern/postmodern world, Friel continually faces the consequences of colonization, the experience that so deeply determined the formation of modern Irish history, society and identity. His writing has been concerned with the nuances of both personal and cultural-national identity and its relation to colonial dispossession and confusion, issues of home, language, tradition, the workings of private and public memory - all issues that inform postcolonial consciousness. Apart from thematic considerations, Friel has also experimented with the techniques of fragmenting, subverting and destabilizing conventional stage realism favored by postcolonial drama.
- Type
- Chapter
- Information
- The Cambridge Companion to Brian Friel , pp. 154 - 165Publisher: Cambridge University PressPrint publication year: 2006
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