Book contents
- Byron in Context
- Byron in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Chronology
- Abbreviations and Note on the Text
- Introduction
- Part I Life and Works
- Part II Political, Social and Intellectual Transformations
- Part III Literary Cultures
- Chapter 17 Classicism and Neoclassicism
- Chapter 18 Epic (and Historiography)
- Chapter 19 Romance
- Chapter 20 Byron’s Lyric Practice
- Chapter 21 Satire
- Chapter 22 The Satanic School
- Chapter 23 The Lake Poets
- Chapter 24 Byron’s Accidental Muse
- Chapter 25 “Benign Ceruleans of the Second Sex!”
- Chapter 26 The Pisan Circle and the Cockney School
- Chapter 27 Drama and Theater
- Chapter 28 Autobiography
- Chapter 29 “Literatoor” and Literary Theory
- Chapter 30 Periodical Culture, the Literary Review and the Mass Media
- Part IV Reception and Afterlives
- Further Reading
- Index
Chapter 19 - Romance
from Part III - Literary Cultures
Published online by Cambridge University Press: 04 October 2019
- Byron in Context
- Byron in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Chronology
- Abbreviations and Note on the Text
- Introduction
- Part I Life and Works
- Part II Political, Social and Intellectual Transformations
- Part III Literary Cultures
- Chapter 17 Classicism and Neoclassicism
- Chapter 18 Epic (and Historiography)
- Chapter 19 Romance
- Chapter 20 Byron’s Lyric Practice
- Chapter 21 Satire
- Chapter 22 The Satanic School
- Chapter 23 The Lake Poets
- Chapter 24 Byron’s Accidental Muse
- Chapter 25 “Benign Ceruleans of the Second Sex!”
- Chapter 26 The Pisan Circle and the Cockney School
- Chapter 27 Drama and Theater
- Chapter 28 Autobiography
- Chapter 29 “Literatoor” and Literary Theory
- Chapter 30 Periodical Culture, the Literary Review and the Mass Media
- Part IV Reception and Afterlives
- Further Reading
- Index
Summary
The literary romance – the medieval genre involving questing knights, courtly love, codes of chivalry and exotic, enchanted settings – rose again to high fashion during Lord Byron’s time. The form became one of the hallmarks of Romanticism, a period whose very etymology captures the cultural obsession with the glories of the Middle Ages. Several factors contributed to the revival, including interest in the power of the imagination and the desire to consolidate national literary histories during the rise of the nation-state. In general, the romance differs from the epic – the genre out of which it grew – because it prioritizes chivalric values such as honor and justice and centers on the rewards of courtly love obtained following combat in foreign lands.
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- Byron in Context , pp. 159 - 166Publisher: Cambridge University PressPrint publication year: 2019