Book contents
- Brahms in the Home and the Concert Hall
- Brahms in the Home and the Concert Hall
- Copyright page
- Contents
- Illustrations
- Music examples
- Contributors
- Foreword: A different Brahms? New perspectives on his output
- Acknowledgements
- Abbreviations
- 1 Brahms in the home: An introduction
- 2 The Joachim Quartet concerts at the BerlinSingakademie: MendelssohnianGeselligkeitin Wilhelmine Germany
- 3 Domesticity in Brahms’s String Sextets, Opp. 18 and 36
- 4 Where was the home of Brahms’s piano works?
- 5 Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms
- 6 Brahms arranges his symphonies
- 7 At the piano with Joseph and Johannes: Joachim’s overtures in Brahms’s circle
- 8 Brahmsand his arrangers
- 9 Brahms in theWittgenstein homes: A memoir and letters
- 10 The construction of gender and mores in Brahms’sMädchenlieder
- 11 Music inside the home and outside the box: Brahms’s vocal quartets in context
- 12 The limits of the lied: Brahms’sMagelone-RomanzenOp. 33
- 13 Being (like) Brahms: Emulation and ideology in late nineteenth-centuryHausmusik
- 14 The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary ofBildung
- Bibliography
- Index
Abbreviations
Published online by Cambridge University Press: 05 September 2014
Book contents
- Brahms in the Home and the Concert Hall
- Brahms in the Home and the Concert Hall
- Copyright page
- Contents
- Illustrations
- Music examples
- Contributors
- Foreword: A different Brahms? New perspectives on his output
- Acknowledgements
- Abbreviations
- 1 Brahms in the home: An introduction
- 2 The Joachim Quartet concerts at the BerlinSingakademie: MendelssohnianGeselligkeitin Wilhelmine Germany
- 3 Domesticity in Brahms’s String Sextets, Opp. 18 and 36
- 4 Where was the home of Brahms’s piano works?
- 5 Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms
- 6 Brahms arranges his symphonies
- 7 At the piano with Joseph and Johannes: Joachim’s overtures in Brahms’s circle
- 8 Brahmsand his arrangers
- 9 Brahms in theWittgenstein homes: A memoir and letters
- 10 The construction of gender and mores in Brahms’sMädchenlieder
- 11 Music inside the home and outside the box: Brahms’s vocal quartets in context
- 12 The limits of the lied: Brahms’sMagelone-RomanzenOp. 33
- 13 Being (like) Brahms: Emulation and ideology in late nineteenth-centuryHausmusik
- 14 The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary ofBildung
- Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Brahms in the Home and the Concert HallBetween Private and Public Performance, pp. xxv - xxviiiPublisher: Cambridge University PressPrint publication year: 2014