Book contents
- Benjamin Britten in Context
- Composers in Context
- Benjamin Britten in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Notes on Contributors
- Acknowledgements
- Bibliographic and In-Text Abbreviations
- Prologue
- Part I The Britten Circle(s)
- Part II British Musical Life
- Part III Britten and Other Composers
- Part IV Wordsmiths, Designers, and Performers
- Part V British Sociocultural, Religious, and Political Life
- Chapter 34 English and British National Identity in the Arts
- Chapter 35 The Place Within
- Chapter 36 Monarchy, Royalty, and Arts Patronage
- Chapter 37 Literary Leanings
- Chapter 38 Faith, Spirituality, and the Church
- Chapter 39 The Politics of the Closet
- Chapter 40 Communism, Socialism, and Pacifism in British Politics
- Epilogue Britten’s Legacy
- Further Reading
- Index
Chapter 36 - Monarchy, Royalty, and Arts Patronage
from Part V - British Sociocultural, Religious, and Political Life
Published online by Cambridge University Press: 31 March 2022
- Benjamin Britten in Context
- Composers in Context
- Benjamin Britten in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Notes on Contributors
- Acknowledgements
- Bibliographic and In-Text Abbreviations
- Prologue
- Part I The Britten Circle(s)
- Part II British Musical Life
- Part III Britten and Other Composers
- Part IV Wordsmiths, Designers, and Performers
- Part V British Sociocultural, Religious, and Political Life
- Chapter 34 English and British National Identity in the Arts
- Chapter 35 The Place Within
- Chapter 36 Monarchy, Royalty, and Arts Patronage
- Chapter 37 Literary Leanings
- Chapter 38 Faith, Spirituality, and the Church
- Chapter 39 The Politics of the Closet
- Chapter 40 Communism, Socialism, and Pacifism in British Politics
- Epilogue Britten’s Legacy
- Further Reading
- Index
Summary
The patronage bestowed by British royalty on the arts in the twentieth century has been very little explored. This chapter looks at the most prominent examples of how the monarch, and senior members of the royal family, supported individual writers, artists, musicians, and performers up to the 1970s. A mere royal command or even just interest in a certain work can greatly increase the attention it receives and further its creator’s reputation and success. All the same, royal patronage in this period became a more formalised enterprise. In contrast to previous centuries, royal patronage concentrated more and more on professional organisations and distinct groups, rather than on selected individuals.
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- Benjamin Britten in Context , pp. 319 - 326Publisher: Cambridge University PressPrint publication year: 2022