Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of illustrations
- CHAPTER 1 ‘Introduction: On Faith, Objects and Locality’
- CHAPTER 2 ‘But where is Norfolk?’
- CHAPTER 3 ‘Sacred Image and Regional Identity in Late-Prehistoric Norfolk’
- CHAPTER 4 ‘Piety from the Ploughsoil: Religion in Roman Norfolk through Recent Metal-Detector Finds’
- CHAPTER 5 ‘Paganism in Early-Anglo-Saxon East Anglia’
- CHAPTER 6 ‘Devotion, Pestilence and Conflict: The Medieval Wall Paintings of St Mary the Virgin, Lakenheath’
- CHAPTER 7 ‘Here Be Dragons: The Cult of St Margaret of Antioch and Strategies for Survival’
- CHAPTER 8 ‘The Medieval Jews of Norwich and their Legacy’
- CHAPTER 9 ‘Late-Medieval Glass-Painting in Norfolk: Developments in Iconography and Craft c.1250–1540’
- CHAPTER 10 ‘Graffiti and Devotion in Three Maritime Churches’
- CHAPTER 11 ‘Norfolk Wayside Crosses: Biographies of Landscape and Place’
- CHAPTER 12 ‘Landscapes of Faith and Politics in Early-Modern Norwich’
- CHAPTER 13 ‘Practice and Belief: Manifestations of Witchcraft, Magic and Paganism in East Anglia from the Seventeenth Century to the Present Day’
- CHAPTER 14 ‘Provinciality and the Victorians: Church Design in Nineteenth-Century East Anglia’
- CHAPTER 15 ‘Maharajah Duleep Singh, Elveden and Sikh Pilgrimage’
- CHAPTER 16 ‘Supernatural Folklore and the Popular Imagination: Re-reading Object and Locality in Mid-Nineteenth-Century Norfolk’
- CHAPTER 17 ‘Pro Patria Mori: Christian Rallies and War Memorials of Early-Twentieth-Century Norfolk’
- CHAPTER 18 ‘Pagans in Place, from Stonehenge to Seahenge: “Sacred” Archaeological Monuments and Artefacts in Britain’
- CHAPTER 19 ‘Art, Spirit and Ancient Places in Norfolk’
- CHAPTER 20 ‘Sacred Sites and Blessed Objects: Art and Religion in Contemporary Norfolk’
- Bibliography
- Index
CHAPTER 18 - ‘Pagans in Place, from Stonehenge to Seahenge: “Sacred” Archaeological Monuments and Artefacts in Britain’
Published online by Cambridge University Press: 05 April 2013
- Frontmatter
- Contents
- Acknowledgements
- List of illustrations
- CHAPTER 1 ‘Introduction: On Faith, Objects and Locality’
- CHAPTER 2 ‘But where is Norfolk?’
- CHAPTER 3 ‘Sacred Image and Regional Identity in Late-Prehistoric Norfolk’
- CHAPTER 4 ‘Piety from the Ploughsoil: Religion in Roman Norfolk through Recent Metal-Detector Finds’
- CHAPTER 5 ‘Paganism in Early-Anglo-Saxon East Anglia’
- CHAPTER 6 ‘Devotion, Pestilence and Conflict: The Medieval Wall Paintings of St Mary the Virgin, Lakenheath’
- CHAPTER 7 ‘Here Be Dragons: The Cult of St Margaret of Antioch and Strategies for Survival’
- CHAPTER 8 ‘The Medieval Jews of Norwich and their Legacy’
- CHAPTER 9 ‘Late-Medieval Glass-Painting in Norfolk: Developments in Iconography and Craft c.1250–1540’
- CHAPTER 10 ‘Graffiti and Devotion in Three Maritime Churches’
- CHAPTER 11 ‘Norfolk Wayside Crosses: Biographies of Landscape and Place’
- CHAPTER 12 ‘Landscapes of Faith and Politics in Early-Modern Norwich’
- CHAPTER 13 ‘Practice and Belief: Manifestations of Witchcraft, Magic and Paganism in East Anglia from the Seventeenth Century to the Present Day’
- CHAPTER 14 ‘Provinciality and the Victorians: Church Design in Nineteenth-Century East Anglia’
- CHAPTER 15 ‘Maharajah Duleep Singh, Elveden and Sikh Pilgrimage’
- CHAPTER 16 ‘Supernatural Folklore and the Popular Imagination: Re-reading Object and Locality in Mid-Nineteenth-Century Norfolk’
- CHAPTER 17 ‘Pro Patria Mori: Christian Rallies and War Memorials of Early-Twentieth-Century Norfolk’
- CHAPTER 18 ‘Pagans in Place, from Stonehenge to Seahenge: “Sacred” Archaeological Monuments and Artefacts in Britain’
- CHAPTER 19 ‘Art, Spirit and Ancient Places in Norfolk’
- CHAPTER 20 ‘Sacred Sites and Blessed Objects: Art and Religion in Contemporary Norfolk’
- Bibliography
- Index
Summary
INTRODUCTION
A small, early-Bronze Age timber monument, from c.2050 BCE, was discovered near Holme-next-the-Sea in Norfolk in 1998. It quickly became the focus of controversy concerning spirituality and locality. Threatened by sea erosion, the site was excavated in 1999. Pagan protestors tried to stop the dig, believing that ‘Seahenge’ (or ‘Holme I’) belonged in situ. Some argued that the site was destined to be eroded, others that its alleged situation on a ley line meant that its meaning was dependent on its relationship to place. Pagan approaches to the past are diverse but sites from the iconic Stonehenge to the less famous Seahenge are increasingly being seen by them as ‘sacred’. These sacred sites range from the well-known ‘honey-pot’ monuments to those that are local and less well known. In their site-based rituals, Pagans honour ‘ancestors’, celebrate rites of passage and the passing of the seasons, and engage with deities, spirits and other beings held to inhabit the landscape. Pilgrimage extends to museums and other collections where excavated artefacts are held. Such ‘visits’ to the Sutton Hoo displays at the British Museum or to the recent redisplay of Lindow Man at the Manchester Museum, for instance, may comprise ritual acts in themselves. The artefacts are perceived by some Pagans as more than objects, possessing their own agency and personhood.
- Type
- Chapter
- Information
- Art, Faith and Place in East AngliaFrom Prehistory to the Present, pp. 273 - 286Publisher: Boydell & BrewerPrint publication year: 2012