Book contents
- American Literature in Transition, 1820–1860
- Nineteenth-Century American Literature in Transition
- American Literature in Transition, 1820–1860
- Copyright page
- Contents
- Figures
- Contributors
- Series Preface
- Acknowledgments
- Chapter 1 Introduction
- Part I Fractures and Continuities
- Part II Forms and Formats
- Chapter 9 Romance
- Chapter 10 Theater
- Chapter 11 Popular Poetry
- Chapter 12 Sentimentality
- Chapter 13 African American Print Culture
- Chapter 14 Sexuality in Print
- Chapter 15 Seriality
- Chapter 16 Unoriginality
- Part III Authors and Figures
- Index
Chapter 9 - Romance
from Part II - Forms and Formats
Published online by Cambridge University Press: 09 June 2022
- American Literature in Transition, 1820–1860
- Nineteenth-Century American Literature in Transition
- American Literature in Transition, 1820–1860
- Copyright page
- Contents
- Figures
- Contributors
- Series Preface
- Acknowledgments
- Chapter 1 Introduction
- Part I Fractures and Continuities
- Part II Forms and Formats
- Chapter 9 Romance
- Chapter 10 Theater
- Chapter 11 Popular Poetry
- Chapter 12 Sentimentality
- Chapter 13 African American Print Culture
- Chapter 14 Sexuality in Print
- Chapter 15 Seriality
- Chapter 16 Unoriginality
- Part III Authors and Figures
- Index
Summary
This essay traces the very different uses of the term “romance“ in American literature and American literary study, from the revival of medieval romance as based on Walter Scott’s work to the romance thesis of American literature advanced by Richard Chase and others to the New Americanist response to Chase by Donald Pease and others. It argues that by giving sustained attention to romance’s effort to construct in ruins, we can articulate an Americanist project for the present generation.
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- Information
- American Literature in Transition, 1820–1860 , pp. 147 - 163Publisher: Cambridge University PressPrint publication year: 2022