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This chapter looks at declamations on conflicts between cities, taking as its primary case studies Aristides' On behalf of making peace with the Lacedaemonians (Or. 7), in which an Athenian urges his fellow countrymen to accept the Spartan offer of peace in 425, and On making peace with the Athenians (Or. 8), in which a Spartan speaks in favour of preserving Athens in 404. The issues in such declamations are often the same as those in contemporary disputes between cities (territorial disputes, tax and trade, titles), and even discussed using the same discourses (freedom and oppression, envy, concord). From its use in real political oratory, we may conclude that the lesson drawn from the Peloponnesian War as presented in declamation was above all to pursue concord and avoid strife, with contemporary conflicts made to seem trivial. But approaching what was clearly a sensitive issue at one remove makes the lesson more palatable, and dramatizing it in the form of a declamation more memorable; the most reflective audiences, noticing how the same discourses were used by either side, might have concluded that a little more humility was needed in future disputes.
Plutarch is one of the most prolific and important writers from antiquity. His Parallel Lives continue to be an invaluable historical source, and the numerous essays in his Moralia, covering everything from marriage to the Delphic Oracle, are crucial evidence for ancient philosophy and cultural history. This volume provides an engaging introduction to all aspects of his work, including his method and purpose in writing the Lives, his attitudes toward daily life and intimate relations, his thoughts on citizenship and government, his relationship to Plato and the second Sophistic, and his conception of foreign or 'other'. Attention is also paid to his style and rhetoric. Plutarch's works have also been important in subsequent periods, and an introduction to their reception history in Byzantium, Italy, England, Spain, and France is provided. A distinguished team of contributors together helps the reader begin to navigate this most varied and fascinating of writers.
A Greek declamation was an 'imaginary speech': a fictitious speech composed for a rhetorical scenario set in Classical Greece. Although such speeches began as rhetorical exercises, under the high Roman empire they developed into a full-blown prestigious genre in their own right. This first monograph on Greek declamation for nearly forty years re-evaluates a genre that was central to Greek imperial literature and to ancient and modern notions of the 'Second Sophistic'. Rejecting traditional conceptions of the genre as 'nostalgic', this book considers the significance of Greek declamation's re-enactment of classical history for its own times, and integrates the genre into the wider history of the period. It shows through extended readings how the genre came to constitute a powerful and subtle instrument of identity formation and social interaction, and a site for free thinking on issues of major contemporary importance such as imperialism and inter-polis relations.
This volume's Forum section focuses on new directions in eighteenth-century German studies, alongside articles on a diverse range of topics concerning Goethe and the literature and arts of his age.