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The Gorgias ends with Socrates telling an eschatological myth that he insists is a rational account and no mere tale. Using this story, Socrates reasserts the central lessons of the previous discussion. However, it isn’t clear how this story can persuade any of the characters in the dialogue. Those (such as Socrates) who already believe the underlying philosophical lessons don’t appear to require the myth, and those (such as Callicles) who reject these teachings are unlikely to be moved by this far-fetched tale. This raises the question of who the myth is told for and what function it is meant to serve. This chapter argues that the myth is aimed not at Callicles, but at Socrates and those who aspire to follow him. There are uncertainties about the philosophical life deriving from the nature of embodiment, as well as reasons to doubt the connection between happiness and virtue. The myth assists with the former by presenting an image that draws a philosopher away from the goods of the body toward the goods of the soul. It assists with the latter by presenting an image of cosmic justice, thereby securing happiness in proportion to virtue.
Plato’s Gorgias is often framed as a quarrel between rhetoric and philosophy, conceived as two ways of life. I suggest a refinement of the traditional framing: the dialogue requires discernment rather than choice. The reader must distinguish the real life from the illusory alternative, a task whose difficulty Plato intensifies by bringing to the fore the striking resemblances between rhetoric and philosophy. These resemblances lead to the realization that each side has a story about how it is the genuine article. Further, from a neutral vantage point, the dialogue leaves the two possibilities identically placed. In doing so, the Gorgias expresses a sense of the limitations of argument shorn of commitment to guiding normative principles. But Plato’s text also suggests the possibility of progress if, like Socrates, one is willing to stake one’s engagement on the presence of similar antecedent commitments within one’s interlocutor, however deeply rooted.
This chapter considers the relationship between the historical Gorgias of Leontini and Plato’s portrayal of him and his ideas in the Gorgias. By drawing on fragments and testimonia of the historical figure, it shows that Plato’s understanding of Gorgias and his views informs both his characterization of the orator himself in the Gorgias, as well as that dialogue’s philosophical content and aims. In particular, three of the central themes of the Gorgias – ones that the character himself introduces – are prominent in Gorgias’ own works and in the doxographical reception of him: (1) the conception of speech as a form of power or dunamis; (2) the relation between power and wish or boulēsis and their joint role in human action; and (3) the contrast between – and contrasting relationships speech itself has with – belief on the one hand and knowledge on the other. Whether the historical Gorgias was ever personally committed to the relevant ideas in question or not, the chapter argues that he at least gave voice to them in his works, and that Plato, at least, evidently took them seriously as expressions of Gorgianic theory and practice.
The feeling of shame (aischunē) is a dramatic key of the Gorgias, notably revealed by Callicles, who accuses both the master of rhetoric Gorgias and Polus of surrendering to Socrates’ refutation out of shame, before yielding himself to the feeling he declared himself immune to. But shame is not only a literary pattern in the dialogue: its function is closely connected to the kind of refutation of each interlocutor. It can be minimally said that shame is a natural effect of refutation, and optimally that it is an essential lever for Socrates to make his interlocutors acknowledge their deep moral commitments. This chapter aims at distinguishing several levels, rather than kinds, of shame among the interlocutors of the Gorgias: shame as sensitivity to others’ opinion, shame as an indication of the beliefs and values we are committed to, and shame as a potential step towards a better understanding of the real good. Though these levels sometimes overlap in the narrative, such distinctions may aid in understanding the role of shame for each interlocutor. Shame remains, for Plato, an ambiguous emotion, which must be used in a certain way to perform purification of wrong opinions.
A common view of the Gorgias is that Plato is portraying the limits of Socratic discussion. Interlocutors become hostile, little agreement seems reached, and conversation breaks down. Furthermore, non-rational forces, by which may be included pleasures, pains, epithumiai, and the pathos of eros, come to the fore at various points. These twin factors have led to a growing consensus that what is shown is that discussion is not effective with persons in whom non-rational forces are strong. This chapter questions this consensus, bolstering Socrates’ optimistic reply to Callicles, that if the same things are examined “often and better”, Callicles will be persuaded. It argues that dialogue is a normative practice, which exemplifies the virtues that constitute its subject matter; this enables greater appreciation of how it can play a role in shaping cognition and behaviour. If values are involved in the very operation of dialogue, then participants can become accustomed to the values that form the explicit content of discussion by learning to adhere correctly to its form. Seen as such, Socratic argument is not just determined by the desires of its participants (unlike rhetoric), but is capable of shaping them.
Plato’s Gorgias presents philosophy as primarily the Socratic elenchos as practiced in large swathes of the Gorgias and other elenctic dialogues. So understood, unlike rhetoric, philosophy promotes the just life by encouraging the pursuit of knowledge necessary for the just life by eliminating the false conceit of believing that one already possesses it. This is not the only way the elenchos can promote the just life. Nor is philosophy only displayed in its elenctic form in the dialogue. Nevertheless, philosophy’s elenctic ability to encourage the pursuit of knowledge necessary for the just life by eliminating one’s false conceit of having it is a principal way in which Plato takes philosophy to promote the just life in the Gorgias. In this way, the victory of the just life over the unjust life grounds the victory of philosophy over rhetoric.
Polus admires orators for their tyrannical power. However, Socrates argues that orators and tyrants lack power worth having: the ability to satisfy one’s wishes or wants (boulêseis). He distinguishes wanting from thinking best, and grants that orators and tyrants do what they think best while denying that they do what they want. His account is often thought to involve two conflicting requirements: wants must be attributable to the wanter from their own perspective (to count as their desires), but wants must also be directed at objects that are genuinely good (in order for failure to satisfy them to matter). We offer an account of wanting as reflective, coherent desire, which allows Socrates to satisfy both desiderata. We then explain why he thinks that orators and tyrants want to act justly, though they do greater injustices than anyone else and so frustrate their own wants more than anyone else.
This chapter interprets Plato’s Gorgias against the backdrop of the Athenian discourse on freedom, pleonexia, and empire, especially as it appears in Thucydides. If readers are attuned to the symbols and vocabulary of Athenian imperial ideology, then Socrates’ conversation with Gorgias reveals the Sicilian orator to be holding out an unsavory promise to his students – that is, to turn them into architects of tyrannical power, like Themistocles and Pericles. Building on these themes, Socrates’ discussion with Callicles brings out the full ethical and political implications of “tyrannical freedom.” An unwitting creature of Athens’ imperial culture, Callicles holds that the highest realization of freedom is equivalent to the most successful life of pleonexia. This chapter shows that, upon examination, Callicles cannot harmonize the internal conflicts that he has inherited from Athens’ imperial discourse – in particular, the conflict between the pursuit of materialistic satisfactions and the quest for honor. Close attention to this conflict helps readers to appreciate the breakdown of communication in the dialogue’s later stages. Callicles is shown to have a more thoughtful perspective than readers typically assume. The chapter concludes by offering a novel interpretation of Socrates’ successes and failures in his efforts at philosophical persuasion.
Socrates’ claim that he is engaged in a cooperative inquiry (506e3-5) may surprise readers of the dialogue. In particular, some readers take Callicles to be a hostile interlocutor; his views about philosophy, ethics, and politics seem to be designed to give us a vivid picture of everything that Socrates rejects and of the whole outlook that vehemently rejects Socrates. Socrates, however, attributes the success of his argument to cooperation between himself and Callicles; he implies that Callicles fulfils the promise that Socrates saw in him when he described him as the ideal interlocutor. Evidence drawn from Thucydides shows that Callicles holds the views of an enlightened (in his view) Periclean supporter of democracy. Socrates exposes a conflict between the acceptance of hedonism and the recognition of non-instrumental goods that belong to this Periclean outlook. Hedonism is fairly attributed to Callicles, and Callicles acknowledges it. Since Callicles is willing to make the effort to ‘view himself correctly’, he recognizes the fairness of Socrates’ argument, and accepts its consequences. Despite appearances, he participates in the cooperative inquiry that leads to Socrates’ conclusion.
Plato's Gorgias depicts a conversation between Socrates and a number of guests, which centers on the question of how one should live. This "choice of lives" is presented both as a choice between philosophy and ordinary political rhetoric, and as a choice between justice and injustice. The essays in this Critical Guide offer detailed analyses of each of the main candidates in the choice of lives, and of how the advocates for these ways of life understand and argue with each other. Several essays also relate the Gorgias to the philosophical and political context of its time and place. Together, these features of the volume illuminate the interpretive issues in the Gorgias and enable readers to achieve a thorough understanding of the philosophical issues which the work raises.
Chapter 3 takes up the Elenctic section of the dialogue, in which Socrates begins to chisel away at Alcibiades’ hubris in an effort to expose his double ignorance, that is, his ignorance of his ignorance. The young man hastens to the Athenian bema, eager to give a speech about justice, but estranged from justice beyond the level of ethical virtue. Without self-knowledge, he desires nothing other than the accolades of the many and asks not even the simplest question about justice, to say nothing of ascending to contemplate it as intelligible reality. Socrates refutes him in order to remove his arrogant pretension, not only that he knows justice, but that he knows himself. Generally, the Elenctic section removes the obstacles that stand in the way of Alcibiades’ conversion, and the Neoplatonic student learns that he must undergo a similar cleansing to that of Socrates’ interlocutor – Alcibiades’ purification is that of any philosophical initiate.
The first chapter begins the project of weaving together the commentaries of Proclus and Olympiodorus, and argues that both commentators attempt nothing less than a transfiguration of the human soul and its reorientation toward the desiderative longing characteristic of the contemplative life, the consequence of which is their student’s ascent through the hierarchy of virtues that Neoplatonic pedagogy coordinates with the reading of particular Platonic dialogues. The Alcibiades I, with the commentator’s direction, is the doorway through which an initiate must pass, enduring a cleansing that shepherds him toward the sanctum of the real. The Neoplatonic analysis of the dialogue’s thematic structure is also adumbrated: Socrates proposes that Alcibiades change how he lives only to undermine what he wants and finally concludes that Alcibiades is misguided about both because he assumes a mistaken conception of who he is. This progression is itself framed on both sides by eros.