Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-55f67697df-zpzq9 Total loading time: 0 Render date: 2025-05-11T12:12:51.579Z Has data issue: false hasContentIssue false

References

Published online by Cambridge University Press:  01 May 2025

Francesca Modini
Francesca Modini
Affiliation:
University of Warwick
Get access
Type
Chapter
Information
Aelius Aristides and the Poetics of Lyric in Imperial Greek Culture , pp. 276 - 306
Publisher: Cambridge University Press
Print publication year: 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Book purchase

Temporarily unavailable

References

Abel, M. C. (2019) ‘Centaurs, Sophists and Satire: Hybridity in the Works of Lucian of Samosata’. PhD diss., University of Tasmania.Google Scholar
Acosta-Hughes, B. (2002) Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley, CA.Google Scholar
Acosta-Hughes, B. (2010) Arion’s Lyre: Archaic Lyric into Hellenistic Poetry. Princeton, NJ.CrossRefGoogle Scholar
Acosta-Hughes, B. and Barbantani, S. (2007) ‘Inscribing lyric’, in Bing, P. and Bruss, J. S. (eds.), Brill’s Companion to Hellenistic Epigram. Leiden: 429–57.Google Scholar
Akujärvi, J. (2005) Researcher, Traveller, Narrator: Studies in Pausanias’ Periegesis. Stockholm.Google Scholar
Alcock, S. E. (1993) Graecia Capta: The Landscapes of Roman Greece. Cambridge.Google Scholar
Alcock, S. E. (1994) ‘Nero at play? The emperor’s Grecian odyssey’, in Elsner, J. and Masters, J. (eds.), Reflections of Nero: Culture, History and Representation. London: 98–111.Google Scholar
Alcock, S. E. (1997) ‘Greece: A landscape of resistance’, in Mattingly, D. J. (ed.), Dialogues in Roman Imperialism: Power, Discourse, and Discrepant Experience in the Roman Empire. Portsmouth, RI: 103–15.Google Scholar
Alcock, S. E. (2002) Archeologies of the Greek Past: Landscapes, Monuments, and Memories. Cambridge.Google Scholar
Allen, G. (2011) Intertextuality, 2nd ed. New York.CrossRefGoogle Scholar
Almazova, N. (2020) ‘Orthios as a quality of sound’. Philologia Classica 15: 25–36.CrossRefGoogle Scholar
Alonge, M. (2011) ‘Greek hymns from performance to stone’, in Lardinois, A., Blok, J. and van der Poel, M. G. M. (eds.), Sacred Words: Orality, Literacy and Religion. Leiden: 217–34.Google Scholar
Alonso Fernández, Z. (2020) ‘Roman dance’, in Lynch, T., and Rocconi, E. (eds.), A Companion to Ancient Greek and Roman Music. Chichester : 173–85.Google Scholar
Anderson, G. (1976) ‘Lucian’s classics: Some shortcuts to culture’. BICS 23: 59–68.Google Scholar
Anderson, G. (1978) ‘Patterns in Lucian’s quotations’. BICS 25: 97–100.Google Scholar
Ando, C. (2000) Imperial Ideology and Provincial Loyalty in the Roman Empire. Berkeley, CA.Google Scholar
Ando, C. (2010) ‘Imperial identities’, in Whitmarsh, T. (ed.), Local Knowledge and Microidentities in the Imperial Greek World. Cambridge: 17–45.Google Scholar
Angeli Bernardini, P. (2013) ‘Le definizioni di Corinto e dell’Istmo nell’epica e nella lirica arcaica: semantica e retorica’, in Bernardini, P. Angeli (ed.), Corinto: Luogo di azione e luogo di racconto. Atti del convegno internazionale (Urbino, 23–25 settembre 2009). Pisa: 77–88.Google Scholar
Arafat, K. W. (1996) Pausanias’ Greece: Ancient Artists and Roman Rulers. Cambridge.CrossRefGoogle Scholar
Avlamis, P. (2011) ‘Isis and the people in the Life of Aesop’, in Townsend, P. and Vidas, M. (eds.), Revelation, Literature, and Community in Late Antiquity. Tübingen: 65–101.Google Scholar
Avlamis, P. (2019) ‘Contextualizing Quintus: The fall of Troy and the cultural uses of the paradoxical cityscape in Posthomerica 13’. TAPA 149: 149–208.CrossRefGoogle Scholar
Bakhouche, B. (2022) ‘Astrologie et pouvoir sous Tibère, ou le brouillage des rôles’, in Berthelet, Y. and Rochette, B. (eds.), L’astrologie et les empereurs romains: 150 ans après Cumont. Liège: 83–103.Google Scholar
Baplu, N., Huys, M. and Schmidt, T. (2010) ‘The syllabic word-lists in P.Bour. 1 reconsidered’, in Gagos, T. (ed.), Proceedings of the 25th International Congress of Papyrology: Ann Arbor, July 29–August 4 2007. Ann Arbor, MI: 53–65.Google Scholar
Bär, S. (2012) ‘“Museum of words”: Christodorus, the art of ekphrasis and the epyllic genre’, in Baumbach, M. and Bär, S. (eds.), Brill’s Companion to Greek and Latin Epyllion and Its Reception. Leiden: 447–71.Google Scholar
Barbantani, S. (1993) ‘I poeti lirici del canone alessandrino nell’epigrammatistica’. Aevum(ant) 6: 5–97.Google Scholar
Barbantani, S. (2009) ‘Lyric in the Hellenistic period and beyond’, in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 297–318.CrossRefGoogle Scholar
Barchiesi, A. (2009a) ‘Lyric in Rome’, in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 319–35.Google Scholar
Barchiesi, A. (2009b) ‘Rituals in ink: Horace and the Greek lyric tradition’, in Lowrie, M. (ed.), Horace: Odes and Epodes. Oxford: 418–40.Google Scholar
Barker, A. (1984) Greek Musical Writings I: The Musician and His Art. Cambridge.Google Scholar
Barker, A. (1989) Greek Musical Writings II: Harmonic and Acoustic Theory. Cambridge.Google Scholar
Barker, A. (2000) ‘Athenaeus on music’, in Braund, D. and Wilkins, J. (eds.), Athenaeus and His World: Reading Greek Culture in the Roman Empire. Exeter: 434–44.Google Scholar
Barker, A. (2013) ‘The Laws and Aristoxenus on the criteria of musical judgement’, in Peponi, A.-E. (ed.), Performance and Culture in Plato’s Laws. Cambridge: 392–416.CrossRefGoogle Scholar
Barton, T. (1994) Ancient Astrology. London.Google Scholar
Bartsch, S. (1994) Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Cambridge, MA.CrossRefGoogle Scholar
Bassett, S. (2004) The Urban Image of Late Antique Constantinople. Cambridge.Google Scholar
Bastianini, G. and Casanova, M. (eds.) (2007) I papiri di Saffo e di Alceo: Atti del convegno internazionale di studi (Firenze, 8–9 giugno 2006). Florence.Google Scholar
Battezzato, L. (2013) ‘Dithyramb and Greek tragedy’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context. Oxford: 93–110.Google Scholar
Baumbach, M. (2017) ‘Poets and poetry’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 493–508.Google Scholar
Beecroft, A. (2010) Authorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation. Cambridge.CrossRefGoogle Scholar
Beer, A. (2006) ‘Tradition and originality in Callimachus’ Hymn to Apollo’. FeRA 1: 1–7.Google Scholar
Behr, C. A. (1968) Aelius Aristides and the Sacred Tales. Amsterdam.Google Scholar
Behr, C. A. (1981) P. Aelius Aristides: The Complete Works II. Leiden.Google Scholar
Behr, C. A. (1986) P. Aelius Aristides: The Complete Works I. Leiden.Google Scholar
Bekker-Nielsen, T. (2008) Urban Life and Local Politics in Roman Bithynia: The Small World of Dion Chrysostomos. Aarhus.CrossRefGoogle Scholar
Bélis, A. (1988) ‘Les termes grecs et latins désignant des spécialités musicales’. RPh 62: 227–50.Google Scholar
Bennett, R. (2017) ‘Ann Johnston and the so-called “pseudo-autonomous” coins thirty years on’. Numismatic Chronicle 177: 185–200.Google Scholar
Berardi, E. (2013) ‘Elio Aristide e il Discorso Istmico a Posidone’, in Angeli Bernardini, P. (ed.), Corinto: Luogo di azione e luogo di racconto. Atti del convegno internazionale (Urbino, 23–25 settembre 2009). Pisa: 179–88.Google Scholar
Bergmann, M. (2007) ‘The philosophers and poets in the Sarapieion at Memphis’, in Schultz, P. and von den Hoff, R. (eds.), Early Hellenistic Portraiture: Image, Style, Context. Cambridge: 246–266.Google Scholar
Bernand, A. and Bernand, É. (1960) Les inscriptions grecques et latines du colosse de Memnon. Paris.Google Scholar
Berthold, R. M. (1984) Rhodes in the Hellenistic Age. Ithaca, NY.Google Scholar
Bitto, G. (2012) Lyrik als Philologie: Zur Rezeption hellenistischer Pindarkommentierung in den Oden des Horaz. Rahden.Google Scholar
Bloom, H. (2003) A Map of Misreading: With a New Preface. Oxford.CrossRefGoogle Scholar
Boeke, H. (2007) The Value of Victory in Pindar’s Odes: Gnomai, Cosmology and the Role of the Poet. Leiden.CrossRefGoogle Scholar
Bompaire, J. (1958) Lucien écrivain, imitation et création. Paris.Google Scholar
Bonifazi, A. 2001. Mescolare un cratere di canti: Pragmatica della poesia epinicia in Pindaro. Alessandria.Google Scholar
Bonner, S. F. (1977) Education in Ancient Rome: From the Elder Cato to the Younger Pliny. London.CrossRefGoogle Scholar
Boterf, N. and Taretto, E. (2015) ‘Pindar: A guide to selected sources’. Living Poets, Durham (livingpoets.dur.ac.uk/w/Pindar).Google Scholar
Boulanger, A. (1923) Aelius Aristide et la sophistique dans la province d’Asie au IIe siècle de notre ere. Paris.Google Scholar
Bowersock, G. W. (2013) ‘Elio Aristide tra Atene e Roma’, in Desideri, P. and Fontanella, F. (eds.), Elio Aristide e la legittimazione greca dell’impero di Roma. Bologna: 25–38.Google Scholar
Bowie, E. L. (1974) ‘The Greeks and their past in the Second Sophistic’, in Finley, M. I. (ed.), Studies in Ancient Society. London: 166–209.Google Scholar
Bowie, E. L. (1989) ‘Greek sophists and Greek poetry in the Second Sophistic’. ANRW 2.33.1: 209–58.Google Scholar
Bowie, E. L. (1990) ‘Greek poetry in the Antonine age’, in Russell, D. A. (ed.), Antonine Literature. Oxford: 53–90.CrossRefGoogle Scholar
Bowie, E. L. (1997) ‘Plutarch’s citations of early elegiac and iambic poetry’, in Schrader, C., Ramón, V. and Vela, J. (eds.), Plutarco y la Historia: Actas del V Simposio Español sobre Plutarco, Zaragoza, 20–22 de Junio de 1996. Zaragoza: 99–108.Google Scholar
Bowie, E. L. (2000) ‘Athenaeus’ citations of early Greek elegiac and iambic poetry’, in Braund, D. and Wilkins, J. (eds.), Athenaeus and His World: Reading Greek Culture in the Roman Empire. Liverpool: 124–35.Google Scholar
Bowie, E. L. (2004) ‘Poetry and music in the life of Plutarch’s statesman’, in de Blois, L., Bons, J., Kessels, T. and Schenkeveld, D. M. (eds.), The Statesman in Plutarch’s Works, vol. 1. Leiden: 115–23.Google Scholar
Bowie, E. L. (2006) ‘Choral performances’, in Konstan, D. and Saïd, S. (eds.), Greeks on Greekness: Viewing the Greek Past under the Roman Empire. Cambridge: 61–92.Google Scholar
Bowie, E. L. (2008a) ‘Aristides and early Greek lyric, elegiac and iambic poetry’, in Harris, W. V. and Holmes, B. (eds.), Aelius Aristides between Greece, Rome, and the Gods. Leiden: 9–29.Google Scholar
Bowie, E. L. (2008b) ‘Plutarch’s habits of citation: Aspects of difference’, in Nikolaidis, A. G. (ed.), The Unity of Plutarch’s Work. Berlin: 143–58.Google Scholar
Bowie, E. L. (2009) ‘Quotations of earlier texts in ΤΑ ΕΣ ΤΟΝ ΤΥΑΝΕΑ ΑΠΟΛΛΩΝΙΟΝ’, in Demoen, K. and Praet, D. (eds.), Theios Sophistes: Essays on Flavius Philostratus’ Vita Apollonii. Leiden: 57–73.CrossRefGoogle Scholar
Bowie, E. L. (2010) ‘Stobaeus and early Greek lyric, elegiac and iambic poetry’, in Horster, M. and Reitz, C. (eds.), Condensing Texts: Condensed Texts. Stuttgart: 587–617.Google Scholar
Bowie, E. L. (2013) ‘I discorsi civici di Elio Aristide’, in Desideri, P. and Fontanella, F. (eds.), Elio Aristide e la legittimazione greca dell’impero di Roma. Bologna: 69–89.Google Scholar
Bowie, E. L. (2014) ‘Poetry and education’, in Beck, M. (ed.), A Companion to Plutarch. Chichester: 177–90.Google Scholar
Bowie, E. L. (2016) ‘Literary criticism of archaic lyric, elegiac and iambic poetry in Dio of Prusa’ in Amato, E., Bost-Pouderon, C., Grandjean, T., Thévenet, L. and Ventrella, G. (eds.) Dio de Pruse: l’homme, son oeuvre et sa postérité. Actes du colloque international de Nantes (21–23 mai 2015). Hildesheim: 365–72.Google Scholar
Bowie, E. L. (2019) Longus: Daphnis and Chloe. Cambridge.Google Scholar
Bowie, E. L. (2021) ‘Sappho in imperial Greek literature’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 303–19.Google Scholar
Bragantini, I., Gherardini, P., Parise Badoni, F. and Sampaolo, V. (1992) Pitture e pavimenti di Pompei: Indici I–III. Rome.Google Scholar
Bresson, A. (1996) ‘L’onomastique romaine à Rhodes’, in Rizakis, A. (ed.), Roman Onomastics in the Greek East: Social and Political Aspects. Proceedings of the International Colloquium, Athens 7–9 September 1993. Athens: 225–38.Google Scholar
Bresson, A. (2004) ‘Dédicaces de Lindos et de Rhodes pour Titus Flavius Aglôchartos’, in Follet, S. (ed.), L’Hellenisme à l’époque romaine: Nouveaux documents, nouvelle approches (Ier s. a.C.–IIIe s. p.C.). Actes du Colloque International à la Mémoire de Louis Robert. Paris: 225–32.Google Scholar
Bridges, E., Hall, E. and Rhodes, P. J. (eds.) (2007) Cultural Responses to the Persian Wars: Antiquity to the Third Millennium. Oxford.CrossRefGoogle Scholar
Brown, A. R. (2018) Corinth in Late Antiquity: A Greek, Roman and Christian City. London.CrossRefGoogle Scholar
Brown, P. (1978) The Making of Late Antiquity. Cambridge, MA.Google Scholar
Budelmann, F. (ed.) (2009a) The Cambridge Companion to Greek Lyric. Cambridge.CrossRefGoogle Scholar
Budelmann, F. (2009b) ‘Introducing Greek lyric’, in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 1–18.CrossRefGoogle Scholar
Budelmann, F. (2009c) ‘Anacreon and the Anacreontea’, in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 227–39.CrossRefGoogle Scholar
Budelmann, F. (2018) Greek Lyric: A Selection. Cambridge.CrossRefGoogle Scholar
Bundy, E. L. (1962) Studia Pindarica I–II. Berkeley.Google Scholar
Buraselis, K. (2012) ‘Appended festivals: The coordination and combination of traditional civic and ruler cult festivals in the Hellenistic and Roman East’, in Brandt, J. R. and Iddeng, J. W. (eds.), Greek and Roman Festivals: Content, Meaning, Practice. Oxford: 247–65.Google Scholar
Burgess, T. C. (1902) Epideictic Literature. Chicago.Google Scholar
Burnett, A. P. (2005) Pindar’s Songs for Young Athletes of Aigina. Oxford.CrossRefGoogle Scholar
Burton, R. W. B. (1962) Pindar’s Pythian Odes. Oxford.Google Scholar
Calame, C. (1997) Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function. Trans. D. Collins and J. Orion. Lanham, MD.Google Scholar
Calame, C. (2013) ‘Choral practices in Plato’s Laws: Itineraries of initiation?’, in Peponi, A.-E. (ed.), Performance and Culture in Plato’s Laws. Cambridge: 87–108.CrossRefGoogle Scholar
Calvino, I. (1997) Invisible Cities. Trans. W. Weaver. London.Google Scholar
Cameron, A. (1995) Callimachus and His Critics. Princeton, NJ.Google Scholar
Campbell, D. A. (ed. and trans.) (1982) Greek Lyric I: Sappho and Alcaeus. Cambridge, MA.Google Scholar
Campbell, D. A. (ed. and trans.) (1988) Greek Lyric II: Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman. Cambridge, MA.Google Scholar
Caneva, S. 2014. ‘Courtly love, stars and power: The queen in 3rd-century royal couples, through poetry and epigraphic texts’, in Harder, M. A., Regtuit, R. F., and Wakker, G. C. (eds.), Hellenistic Poetry in Context. Leuven: 25–57.Google Scholar
Cannatà Fera, M. (1992) Il Pindaro di Plutarco. Messina.Google Scholar
Cannatà Fera, M. (2004) ‘Il Pindaro di Plutarco: Nuove tessere’, in Gallo, I. (ed.), La biblioteca di Plutarco: Atti del IX convegno plutarcheo (Pavia, 13–15 giugno 2002). Naples: 55–69.Google Scholar
Cannatà Fera, M. (2005) ‘Pindaro in una parodia filosofica (Numenio di Apamea, fr. 25 des Places)’, in Grandolini, S. (ed.), Lirica e teatro in Grecia: Il testo e la sua ricezione. Atti del II incontro di studi (Perugia, 23–24 gennaio 2003). Naples: 89–97.Google Scholar
Carey, C. (2009) ‘Genre, occasion and performance’, in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 21–38.CrossRefGoogle Scholar
Carey, C. (2020) ‘Maestius lacrimis Simonideis: The thrēnoi of Simonides’, in Agócs, P. and Prauscello, L. (eds.), Simonides Lyricus: Essays on the ‘Other’ Classical Choral Lyric Poet. Cambridge: 121–41.Google Scholar
Carter, W. (2003) ‘Are there imperial texts in the class? Intertextual eagles and Matthean eschatology as “lights out” time for imperial Rome’. JBL 122: 467–87.Google Scholar
Castagna, L. (1991) ‘Pindaro in Plutarco’, in D’Ippolito, G. and Gallo, I. (eds.), Strutture formali dei Moralia di Plutarco: Atti del III convegno plutarcheo (Palermo, 3–5 maggio 1989). Naples: 163–85.Google Scholar
Ceccarelli, P. (1998) La pirrica nell’antichità greco-romana. Rome.Google Scholar
Ceccarelli, P. (2004) ‘Dancing the pyrrhichē in Athens’, in Murray, P. and Wilson, P. (eds.), Music and the Muses: The Culture of Mousikē in the Classical Athenian City. Oxford: 91–118.CrossRefGoogle Scholar
Ceccarelli, P. (2013) ‘Circular choruses and the dithyramb in the classical and Hellenistic period: A problem of definition’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context. Oxford: 153–70.Google Scholar
Champlin, E. (2003) Nero. Cambridge, MA.Google Scholar
Chaniotis, A. (2011) ‘The ithyphallic hymn for Demetrios Poliorcetes and Hellenistic religious mentality’, in Iossif, P. P., Chankowski, A. S. and Lorber, C. C. (eds.), More Than Men, Less Than Gods: Studies on Royal Cult and Imperial Worship. Leuven: 157–95.Google Scholar
Chaniotis, A. (2019) ‘The oral transmission of memory in the Greek cities of the imperial period’, in Ruiz-Montero, C. (ed.), Aspects of Orality and Greek Literature in the Roman Empire. Newcastle upon Tyne: 32–48.Google Scholar
Cheney, P. (2012) ‘Intertextuality’, in Greene, R., Cushman, S., Cavanagh, C., Ramazani, J. and Rouzer, P. (eds.), The Princeton Encyclopedia of Poetry and Poetics, fourth ed. Princeton, NJ: 716–18.Google Scholar
Christou, C. (1964) ‘Ἀνασκαφικαὶ ἔρευναι εἰς οἰκόπεδα Σπάρτης’. A. Delt. 19 B: 135–41.Google Scholar
Clay, D. (2004) Archilochos Heros: The Hero Cult of Poets in the Greek Polis. Washington, DC.Google Scholar
Coarelli, F. (1995) ‘Vino e ideologia nella Roma arcaica’, in Murray, O. and Tecusan, M. (eds.), In vino veritas. London: 196–213.Google Scholar
Compton, T. M. (2006) Victim of the Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History. Washington, DC.Google Scholar
Connolly, J. (2001a) ‘The problems of the past in imperial Greek education’, in Too, Y. L. (ed.), Education in Greek and Roman Antiquity. Leiden: 339–72.Google Scholar
Connolly, J. (2001b) ‘Reclaiming the theatrical in the Second Sophistic’. Helios 28: 75–96.Google Scholar
Conte, G. B. (1986) The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets. Trans. C. Segal. Ithaca, NY.Google Scholar
Cortés Copete, J. M. (2007) ‘A Roma de Elio Arístides, una historia griega para el Imperio’, in Desideri, P., Roda, S. and Biraschi, A. M. (eds.), Costruzione e uso del passato storico nella cultura antica. Alessandria: 411–33.Google Scholar
Cortés Copete, M. J. (2016) ‘Los Discursos Rodios de Elio Aristides (or. 24–25): crisis social e identidad griega en el imperio’, in Pernot, L., Abbamonte, G., and Lamagna, M. (eds.), Aelius Aristide écrivain. Turnhout: 167–212.CrossRefGoogle Scholar
Cosgrove, C. H. (2023) Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine. Cambridge.Google Scholar
Cosmopoulos, M. B. (2015) Bronze Age Eleusis and the Origins of the Eleusinian Mysteries. Cambridge.CrossRefGoogle Scholar
Cribiore, R. (1996) Writing, Teachers, and Students in Graeco-Roman Egypt. Atlanta.Google Scholar
Cribiore, R. (2001) Gymnastics of the Mind: Greek Education in Hellenistic and Roman Egypt. Princeton, NJ.CrossRefGoogle Scholar
Cribiore, R. (2007) The School of Libanius in Late Antique Antioch. Princeton, NJ.Google Scholar
Cribiore, R. (2008) ‘Vying with Aristides in the fourth century: Libanius and his friends’, in Harris, W. V. and Holmes, B. (eds.), Aelius Aristides between Greece, Rome, and the Gods. Leiden: 263–78.Google Scholar
Crotty, K. (1982) Song and Action: The Victory Odes of Pindar. Baltimore, MD.Google Scholar
Csapo, E. (1999–2000) ‘Later Euripidean music’, in Cropp, M., Lee, K. and Sansone, D. (eds.), Euripides and Tragic Theatre in the Late Fifth Century. Champaign, IL: 399–436.Google Scholar
Csapo, E. (2004) ‘The politics of the New Music’, in Murray, P. and Wilson, P. (eds.), Music and the Muses: The Culture of Mousikē in the Classical Athenian City. Oxford: 207–48.Google Scholar
Csapo, E. (2008) ‘Star choruses: Eleusis, Orphism, and New Musical imagery and dance’, in Revermann, M. and Wilson, P. (eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford: 262–90.Google Scholar
Csapo, E. (2017) ‘Imagining the shape of choral dance and inventing the cultic in Euripides’ later tragedies’, in Gianvittorio, L. (ed.), Choreutika: Performing Dance in Archaic and Classical Greece. Pisa: 119–56.Google Scholar
Csapo, E. and Slater, W. J. (1994) The Context of Ancient Drama. Ann Arbor, MI.Google Scholar
Csapo, E. and Wilson, P. (2020) A Social and Economic History of the Theatre to 300 BC, vol. 2. Cambridge.CrossRefGoogle Scholar
Csapo, E., Paillard, E., and Wilson, P. (2022) ‘Theatre and autocracy: A paradox for theatre history’, in Csapo, E., Goette, H. R. and Green, J. R. (eds.), Theatre and Autocracy in the Ancient World. Berlin: 1–14.CrossRefGoogle Scholar
Currie, B. and Rutherford, I. (2019) (eds.) The Reception and Transmission of Greek Lyric Poetry, 600 BC–400 AD. Leiden.Google Scholar
Curtis, L. (2017) Imagining the Chorus in Augustan Poetry. Cambridge.CrossRefGoogle Scholar
D’Alessio, G. B. (2021) ‘Powerful presences: Horace’s Carmen Saeculare and Hellenistic choral traditions’ in Fantuzzi, M., Morales, H., Whitmarsh, T. (eds.) Reception in the Greco-Roman World: Literary Studies in Theory and Practice. Cambridge: 266–90.Google Scholar
D’Alessio, G. B. (2022) ‘The afterlife of Sappho’s afterlife’. CCJ 68: 49–82.Google Scholar
Davies, M. and Finglass, P. J. (eds.) (2014) Stesichorus: The Poems. Cambridge.Google Scholar
De Jonge, C. C. (2022) ‘Greek reading lists from Dionysius to Dio: Rhetorical imitation in the Augustan age and the Second Sophistic’, in König, J. and Wiater, N. (eds.), Late Hellenistic Greek Literature in Dialogue. Cambridge: 319–50.Google Scholar
de Kreij, M. (2019) ‘Anonymous, Pindar (POxy. XXVI 2438)’, in Brusuelas, J. H., Obbink, D., and Schorn, S. (eds.), Die Fragmente der Griechischen Historiker Part IV. Leiden: 271–95.Google Scholar
de Kreij, M. and Meccariello, C. (2019) ‘Anonymous, Miscellaneous Lives (POxy. XV 1800)’, in Brusuelas, J. H., Obbink, D., and Schorn, S. (eds.), Die Fragmente der Griechischen Historiker Part IV. Leiden: 479–577.Google Scholar
de Nazaré Ferreira, L. (2017) ‘El retrato del poeta Simónides en la obra de Plutarco’, in Sanz Morales, M., González Delgado, R., Librán Moreno, M. and Ureña Bracero, J. (eds.), La (inter)textualidad en Plutarco: Actas del XII Simposio Internacional de la Sociedad Española de Plutarquistas, Cáceres, 8–10 de octubre de 2015. Coimbra: 85–91.Google Scholar
De Staebler, P. D. (2016) ‘Excavations in the Atrium House, North Agora, and Northeast Sector (2006–7)’, in Smith, R. R. R., Lenaghan, J., Sokolicek, A. and Welch, K. (eds.), Aphrodisias Papers 5: Excavation and Research at Aphrodisias, 2006–2012. Portsmouth, RI: 136–50.Google Scholar
Del Basso, L. (2017) ‘Greek Panhellenic agones in a Roman colony: Corinth and the return of the Isthmian Games’, in Dijkstra, T. M., Kuin, I. N. I., Moser, M. and Weidgenannt, D. (eds.), Strategies of Remembering in Greece under Rome (100 BC – 100 AD). Leiden: 97–107.Google Scholar
Dell’Oro, F. (2014) ‘“Anacreon, the connoisseur of desires”: An Anacreontic reading of Menecrates’ sepulchral epigram (IKyzikos 18, 520 = Merkelbach/Stauber 08/01/47 Kyzikos)’, in Baumbach, M. and Dümmler, N. (eds.), Imitate Anacreon! Mimesis, Poiesis and the Poetic Inspiration in the Carmina Anacreontea. Berlin: 67–96.CrossRefGoogle Scholar
Desideri, P. (2007) ‘Scrittura pubblica e scritture nascoste’, in Fontanella, F. (ed. and trans.), Elio Aristide: A Roma. Pisa: 3–22.Google Scholar
Desideri, P. and Fontanella, F. (eds.) (2013) Elio Aristide e la legittimazione greca dell’impero di Roma. Bologna.Google Scholar
Di Nanni Durante, D. (2016) ‘Gli encomi per Augusto e Livia ai Sebasta di Napoli’, in Inmortalis Augustus: Presenze, riusi e ricorrenze a duemila anni dalla morte di Augusto. Convegno Internazionale, Napoli, 8–10 ottobre 2014. Maia 68: 399–411.Google Scholar
Dickenson, C. P. (2017) On the Agora: The Evolution of a Public Space in Hellenistic and Roman Greece (c. 323 BC–267 AD). Leiden.CrossRefGoogle Scholar
Dimopoulou-Piliouni, A. A. (2015) Λεσβίων πολιτείαι: Πολίτευμα, Θεσμοί και Δίκαιο των Πολιτειών της Λέσβου. Athens.Google Scholar
Dinter, M. T. (2023) ‘Introduction: What is cultural memory?’, in Dinter, M. T. and Guérin, C. (eds.), Cultural Memory in Republican and Augustan Rome. Cambridge: 1–19.CrossRefGoogle Scholar
Dmitriev, S. (2011) The Greek Slogan of Freedom and Early Roman Politics in Greece. Oxford.CrossRefGoogle Scholar
Dougherty, C. (2001) The Raft of Odysseus: The Ethnographic Imagination of Homer’s Odyssey. New York.CrossRefGoogle Scholar
Downie, J. (2009) ‘A Pindaric charioteer: Aelius Aristides and his divine literary editor (Or. 50, 45)’. CQ 59: 263–9.CrossRefGoogle Scholar
Downie, J. (2013) At the Limits of Art: A Literary Study of Aelius Aristides’ Hieroi Logoi. Oxford.CrossRefGoogle Scholar
Downie, J. (2017) ‘The romance of imperial travel in Aelius Aristides’s Smyrna orations’, in Niehoff, M. (ed.), Journeys in the Roman East: Imagined and Real. Tübingen: 53–76.Google Scholar
Downie, J. (2020) ‘Belief and doubt in Aelius Aristides’ Isthmian Oration: To Poseidon’, in Edelmann-Singer, B., Niklas, T. and Spittler, J. (eds.), Sceptic and Believer in Ancient Mediterranean Religions. Tübingen: 127–46.Google Scholar
Dreliosi-Irakleidou, A. (2014) ‘Μαρτυρίες από τη φιλολογική παράδοση και τα αρχαιολογικά ευρήματα για την παιδεία και την πνευματική καλλιέργεια στην αρχαία Ρόδο’, in Triantaphyllides, P. (ed.), Σοφία ἄδολος: ΤΙΜΗΤΙΚΟΣ ΤΟΜΟΣ ΓΙΑ ΤΟΝ ΙΩΑΝΝΗ ΧΡ. ΠΑΠΑΧΡΙΣΤΟΔΟΥΛΟΥ. Rhodes: 37–63.Google Scholar
Driscoll, D. F. (2019) ‘The pleasures of lyric in Plutarch’s hierarchies of taste’. Mnemosyne 72: 803–26.CrossRefGoogle Scholar
Elsner, J. (1992) ‘Pausanias: A Greek pilgrim in the Roman world’. P&P 135: 3–29.Google Scholar
Elsner, J. (2018) The Art of the Roman Empire: AD 100–450, 2nd ed. Oxford.Google Scholar
Elsner, J. (2021) Review of Netz (2020). BMCR 2021.06.40.Google Scholar
Engels, D. (1990) Roman Corinth: An Alternative Model for the Classical City. Chicago.Google Scholar
Ercoles, M. (ed. and trans.) (2013) Stesicoro: Le testimonianze antiche. Bologna.Google Scholar
Erskine, A. (2013) ‘How to rule the world: Polybius Book 6 reconsidered’, in Gibson, B. and Harrison, T. (eds.), Polybius and His World: Essays in Memory of F. W. Walbank. Oxford: 231–45.Google Scholar
Faber, R. (2008) ‘The woven garnment as literary metaphor: The peplos in Ciris 9–41’, in Edmondson, J. C. and Keith, A. (eds.), Roman Dress and the Fabrics of Roman Culture. Toronto: 205–16.Google Scholar
Fantham, E. (2013) ‘The performing prince’, in Buckley, E. and Dinter, M. T. (eds.), A Companion to the Neronian Age. Chichester: 17–28.Google Scholar
Färber, H. (1936) Die Lyrik in der Kunsttheorie der Antike. Munich.Google Scholar
Fauconnier, B. (2023). Athletes and Artists in the Roman Empire: The History and Organisation of the Ecumenical Synods. Cambridge.CrossRefGoogle Scholar
Fearn, D. (2007) Bacchylides: Politics, Performance, Poetic Tradition. Oxford.CrossRefGoogle Scholar
Fearn, D. (2011) ‘Τhe Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives’, in Athanassaki, L. and Bowie, E. L. (eds.), Archaic and Classical Choral Song: Performance, Politics and Dissemination. Berlin: 207–34.Google Scholar
Fearn, D. (2017) Pindar’s Eyes: Visual and Material Culture in Epinician Poetry. Oxford.CrossRefGoogle Scholar
Fearn, D. (2019) ‘Lyric reception and sophistic literary in Timotheus’ Persae’, in Currie, B. and Rutherford, I. (eds.), The Reception and Transmission of Greek Lyric Poetry, 600 BC–400 AD. Leiden: 205–38.Google Scholar
Fearn, D. (2020) Greek Lyric of the Archaic and Classical Periods: From the Past to the Future of the Lyric Subject. Leiden.CrossRefGoogle Scholar
Fein, S. (1994) Die Beziehungen der Kaiser Trajan und Hadrian zu den litterati. Stuttgart.CrossRefGoogle Scholar
Fields, D. (2008) ‘Aristides and Plutarch on self-praise’, in Harris, W. V. and Holmes, B. (eds.), Aelius Aristides between Greece, Rome, and the Gods. Leiden: 151–74.Google Scholar
Finglass, P. J. (2014) ‘Introduction’, in Davies, M. and Finglass, P. J. (eds.),Stesichorus: The Poems. Cambridge: 1–91.Google Scholar
Finglass, P. J. (2017) ‘Ibycus or Stesichorus? Fr. S166 Page’. ZPE 202: 19–28.Google Scholar
Finglass, P. J. (ed.) (2018) Sophocles: Oedipus the King. Cambridge.CrossRefGoogle Scholar
Finglass, P. J. (2021) ‘Sappho on the papyri’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 232–46.CrossRefGoogle Scholar
Finglass, P. J. and Kelly, A. (eds.) (2021) The Cambridge Companion to Sappho. Cambridge.CrossRefGoogle Scholar
Flinterman, J.-J. (2004) ‘Sophists and emperors: A reconnaissance of sophistic attitudes’, in Borg, B. E. (ed.), Paideia: The World of the Second Sophistic. Berlin: 359–76.Google Scholar
Folch, M. (2015) The City and the Stage: Performance, Genre, and Gender in Plato’s Laws. Oxford.Google Scholar
Fontanella, F. (ed. and trans.) (2007) Elio Aristide: A Roma. Pisa.Google Scholar
Fontanella, F. (2008) ‘The encomium on Rome as a response to Polybius’ doubts about the Roman Empire’, in Harris, W. V. and Holmes, B. (eds.), Aelius Aristides between Greece, Rome, and the Gods. Leiden: 203–16.Google Scholar
Fontanella, F. (2013) ‘Aspetti di storia della fortuna di Elio Aristides nell’età moderna’, in Desideri, P. and Fontanella, F. (eds.), Elio Aristide e la legittimazione greca dell’impero di Roma. Bologna: 203–41.Google Scholar
Fontanella, F. (2015) ‘The Roman Empire in the works of Aelius Aristides’, in Cortés, J. M. Copete, E. Muñiz Grivaljo, F. Lozano Gómez, (eds.), Ruling the Greek World: Approaches to the Roman Empire in the East. Stuttgart: 171–85.Google Scholar
Ford, A. L. (2002) The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton, NJ.CrossRefGoogle Scholar
Ford, A. L. (2011) Aristotle as Poet: The Song for Hermias and Its Contexts. Oxford.CrossRefGoogle Scholar
Ford, A. L. (2020) ‘Linus: The rise and fall of lyric genres’, in Foster, M., Kurke, L. and Weiss, N. (eds.), Genre in Archaic and Classical Greek Poetry: Theories and Models. Leiden: 57–81.Google Scholar
Forrer, L. S. (1901) ‘Les portraits de Sappho sur les monnaies’. Revue Belge de Numismatique 57: 413–25.Google Scholar
Fowler, R. L. (2022) Pindar and the Sublime: Greek Myth, Reception and Lyric Experience. London.CrossRefGoogle Scholar
Fraenkel, E. (ed.) (1950) Aeschylus: Agamemnon, vol. 2. Oxford.Google Scholar
Franco, C. (2008) ‘Aelius Aristides and Rhodes: Concord and consolation’, in Harris, W. V. and Holmes, B. (eds.), Aelius Aristides between Greece, Rome, and the Gods. Leiden: 217–52.Google Scholar
Fraser, P. M. (1977) Rhodian Funerary Documents. Oxford.Google Scholar
Frischer, B. (2006) The Sculpted Word: Epicureanism and Philosophical Recruitment in Ancient Greece, 2nd ed. Berkeley, CA.Google Scholar
Furley, W. D. and Bremer, J. M. (2001) Greek Hymns: Selected Cult Songs from the Archaic to the Hellenistic Period I–II. Tübingen.Google Scholar
Gagné, R. (2019) ‘Cosmic choruses: Metaphor and performance’, in Horky, P. S. (ed.), Cosmos in the Ancient World. Cambridge: 188–211.CrossRefGoogle Scholar
Garzya, A. (1989) (ed. and trans.) Opere di Sinesio di Cirene: Epistole, Operette, Inni. Torino.Google Scholar
Gebhard, E. R. (2005) ‘Rites for Melikertes-Palaimon in the early Roman Corinthia’ in Schowalter, D. N. and Friesen, S. J. (eds.) Urban Religion in Roman Corinth. Cambridge MA: 165–204.Google Scholar
Gebhard, E. R. and Dickie, M. W. (2003) ‘The view from the Isthmus: ca. 200 to 44 BC’, in Williams, C. K., II and Bookidis, N. (eds.), Corinth the Centenary: 1896–1996. Princeton, NJ: 261–78.Google Scholar
Genette, G. (1997) Palimpsests: Literature in the Second Degree. Trans. C. Newman and C. Doubinsky. Lincoln, NE.Google Scholar
Gentili, B. (1988) Poetry and Its Public in Ancient Greece: From Homer to the Fifth Century. Trans. A. T. Cole. Baltimore, MD.CrossRefGoogle Scholar
Gernentz, W. (1918). Laudes Romae. Rostock.Google Scholar
Gibert, J. C. (ed.) (2019) Euripides: Ion. Cambridge.Google Scholar
Gibson, C. A. (2008) Libanius’s Progymnasmata: Model Exercises in Greek Prose Composition and Rhetoric. Atlanta.Google Scholar
Gigli, D. (1975) ‘Teoria e prassi metrica negli inni “A Sarapide” e “Dioniso” di Elio Aristide’. Prometheus 1: 237–65.Google Scholar
Gkourogiannis, T. K. (1999) ‘Pindar in Aelius Aristides’. PhD diss. University College London.Google Scholar
Goeken, J. (2005) ‘L’histoire de Corinthe dans la rhétorique grecque de l’Empire romain’. CEA 42: 327–51.Google Scholar
Goeken, J. (2012) Aelius Aristides et la rhétorique de l’hymne en prose. Turnhout.CrossRefGoogle Scholar
Goff, B. (1988) ‘Euripides’ Ion 1132–1165: The Tent’. PCPS 34: 42–54.Google Scholar
Golab, H. (2021) ‘Paianic revival in the Roman Empire’. Paper given at The Annual Meeting of the Society for Classical Studies, online, 7 January 2021.Google Scholar
Goldhill, S. (1984) Language, Sexuality, Narrative: The Oresteia. Cambridge.CrossRefGoogle Scholar
Goldhill, S. (1991) The Poet’s Voice: Essays on Poetics and Greek Literature. Cambridge.Google Scholar
Goldhill, S. (ed.) (2001a) Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of the Empire. Cambridge.CrossRefGoogle Scholar
Goldhill, S. (2001b) ‘Introduction. Setting an agenda: “Everything is Greece to the wise”’, in Goldhill, S. (ed.), Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of the Empire. Cambridge: 1–28.CrossRefGoogle Scholar
Goldhill, S. (2001c) ‘The erotic eye: Visual stimulation and cultural conflict’, in Goldhill, S. (ed.), Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of the Empire. Cambridge: 154–94.CrossRefGoogle Scholar
Goldhill, S. (2006) ‘On knowingness’. Critical Inquiry 32: 708–23.CrossRefGoogle Scholar
Goldhill, S. (2009) ‘The anecdote: Exploring boundaries between oral and literate performance in the Second Sophistic’, in Johnson, W. and Parker, H. (eds.), Ancient Literacies: The Culture of Reading in Greece and Rome. Oxford: 96–113.Google Scholar
Goldhill, S. (2020) Preposterous Poetics: The Politics and Aesthetics of Form in Late Antiquity. Cambridge.CrossRefGoogle Scholar
Goldhill, S. (2023) ‘Epilogue: Resisting resistance’, in Jolowicz, D. and Elsner, J. (eds.), Articulating Resistance under the Roman Empire. Cambridge: 239–56.Google Scholar
Goldschmidt, N. (2012) ‘Absent presence: Pater Ennius in Renaissance Europe’. Classical Receptions Journal 4: 1–19.CrossRefGoogle Scholar
Goldschmidt, N. and Graziosi, B. (2018) ‘Introduction’, in Goldschmidt, N. and Graziosi, B. (eds.), Tombs of the Ancient Poets: Between Literary Reception and Material Culture. Oxford: 1–18.CrossRefGoogle Scholar
Gostoli, A. (2011) ‘Da Demodoco a Timoteo: Una storia della lirica greca nel “De Musica” attribuito a Plutarco’. QUCC 99: 31–42.Google Scholar
Graf, F. (2015) Roman Festivals in the Greek East: From the Early Empire to the Middle Byzantine Era. Cambridge.CrossRefGoogle Scholar
Gram, L. M. (2019) ‘Odi et amo: On Lesbia’s name in Catullus’ in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 95–117.CrossRefGoogle Scholar
Graverini, L. (2002) ‘Corinth, Rome, and Africa: A cultural background for the tale of the ass’, in Paschalis, M. and Frangoulidis, S. (eds.), Space in the Ancient Novel. Groningen: 58–77.Google Scholar
Graziosi, B. (2009) ‘Horace, Suetonius and the lives of the Greek poets’, in Houghton, L. and Wyke, M. (eds.), Perceptions of Horace: A Roman Poet and His Readers. Cambridge: 140–60.Google Scholar
Green, P. (2003) ‘Delivering the go(o)ds: Demetrius Poliorcetes and Hellenistic divine kingship’, in Bakewell, G. W. and Sickinger, J. P. (eds.), Gestures: Essays in Ancient History, Literature, and Philosophy Presented to Alan L. Boegehold. Oxford: 258–77.Google Scholar
Greensmith, E. (2020) The Resurrection of Homer in Imperial Greek Epic: Quintus Smyrnaeus’ Posthomerica and the Poetics of Impersonation. Cambridge.CrossRefGoogle Scholar
Grey, S. H. (2002) ‘Writing redemption: Trauma and the authentication of the moral order in Hibakusha literature’. Text and Performance Quarterly 22: 1–23.CrossRefGoogle Scholar
Griffin, M. T. (1984) Nero: The End of a Dynasty. London.CrossRefGoogle Scholar
Griffith, M. (2020) ‘Between local and global: Music and cultural identity in ancient Greece’ in Lynch, T. and Rocconi, E. (eds.), A Companion to Ancient Greek and Roman Music. Chichester: 379–96.Google Scholar
Grossardt, P. (2006) Einführung, Übersetzung und Kommentar zum Heroikos von Flavius Philostrat. Basel.Google Scholar
Grossmann, R. A. (2006) ‘A new reconstruction of a mosaic from Gerasa’, in ‘Photography at Yale’, special issue, Yale University Art Gallery Bulletin: 149–53.Google Scholar
Guast, W. (2023) ‘Greek declamation and the art of resistance’, in Jolowicz, D. and Elsner, J. (eds.), Articulating Resistance under the Roman Empire. Cambridge: 71–88.CrossRefGoogle Scholar
Gutzwiller, K. (2017) ‘Melinno’, in Sider, D. (ed.), Hellenistic Poetry: A Selection. Ann Arbor, MI: 400–4.Google Scholar
Hadjimichael, T. (2019) The Emergence of the Lyric Canon. Oxford.CrossRefGoogle Scholar
Hall, E. (1989) Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford.Google Scholar
Hall, S. (1990) ‘Cultural identity and diaspora’, in Rutherford, J. (ed.), Identity. London: 222–37.Google Scholar
Hardie, A. (2004) ‘Music and mysteries’, in Murray, P. and Wilson, P. (eds.), Music and the Muses: The Culture of Mousikē in the Classical Athenian City. Oxford: 11–37.CrossRefGoogle Scholar
Hardie, P. R. (1985) ‘Imago mundi: Cosmological and ideological aspects of the Shield of Achilles’. JHS 105: 11–31.CrossRefGoogle Scholar
Hardie, P. R. (1986) Virgil’s Aeneid: Cosmos and Imperium. Oxford.Google Scholar
Hardie, P. R. (2007) ‘Images of the Persian Wars in Rome’, in Bridges, E., Hall, E. and Rhodes, P. J. (eds.), Cultural Responses to the Persian Wars: Antiquity to the Third Millennium. Oxford: 127–43.Google Scholar
Harris, W. V. and Holmes, B. (eds.) (2008) Aelius Aristides between Greece, Rome, and the Gods. Leiden.CrossRefGoogle Scholar
Harrison, S. (2007) ‘The primal voyage and the ocean of epos: Two aspects of metapoetic imagery in Catullus, Virgil and Horace’. Dictynna 4. (journals.openedition.org/dictynna).Google Scholar
Hartigan, K. (1979) The Poets and the Cities: Selections from the Anthology about Greek Cities. Meisenheim am Glan.Google Scholar
Hawes, G. (2021) Pausanias in the World of Greek Myth. Oxford.CrossRefGoogle Scholar
Hawkins, T. (2014) Iambic Poetics in the Roman Empire. Cambridge.CrossRefGoogle Scholar
Helmbold, W. C. and O’Neill, E. N. (1959) Plutarch’s Quotations. Baltimore, MD.Google Scholar
Heuchert, V. (2005) ‘The chronological development of Roman provincial coin iconography’, in Howgego, C., Heuchert, V. and Burnett, A. (eds.), Coinage and Identity in the Roman Provinces. Oxford: 29–56.CrossRefGoogle Scholar
Heyworth, S. J. (2019) ‘Sappho in Propertius?’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 185–204.CrossRefGoogle Scholar
Hinds, S. (1998) Allusion and Intertext: Dynamics of Appropriation in Roman Poetry. Cambridge.Google Scholar
Hodkinson, O. (2015) ‘Narrative technique and generic hybridity in Aelius Aristides’ prose hymns’, in Faulkner, A. and Hodkinson, O. (eds.), Hymnic Narrative and the Narratology of Greek Hymns. Leiden: 139–64.Google Scholar
Hodkinson, O. (2021) ‘How poetic are Philostratus’ erotic Epistles?’, in Gallé Cejudo, R. J. and Sánchez Ortiz de Landaluce, M. (eds.), Studia hellenistica gaditana II. De Calímaco a Nono de Panópolis: Estudios de crítica textual y exégesis literaria. Lecce: 221–58.Google Scholar
Holford-Strevens, L. (2000) ‘In search of Poplios Papinios Statios’. Hermathena 168: 39–54.Google Scholar
Holford-Strevens, L. (2003) Aulus Gellius: An Antonine Scholar and His Achievement. Oxford.CrossRefGoogle Scholar
Holton, J. R. (2014) ‘Demetrios Poliorcetes, son of Poseidon and Aphrodite: Cosmic and memorial significance in the Athenian ithyphallic hymn’. Mnemosyne 67: 370–90.CrossRefGoogle Scholar
Horky, P. S. (ed.) (2019) Cosmos in the Ancient World. Cambridge.CrossRefGoogle Scholar
Horrocks, G. (2010) Greek: A History of the Language and Its Speakers, 2nd ed. Chichester.CrossRefGoogle Scholar
Horster, M. (2017) ‘Cult’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 597–612.Google Scholar
Householder, F. W. (1941) Literary Quotation and Allusion in Lucian. New York.CrossRefGoogle Scholar
Houston, G. (2009) ‘Papyrological evidence for book collections and libraries in the Roman Empire’, in Johnson, W. A. and Parker, H. N. (eds.), Ancient Literacies: The Culture of Reading in Greece and Rome. Oxford: 233–67.Google Scholar
Howgego, C. (2005) ‘Coinage and identity in the Roman provinces’, in Howgego, C., Heuchert, V. and Burnett, A. (eds.), Coinage and Identity in the Roman Provinces. Oxford: 1–18.CrossRefGoogle Scholar
Howgego, C., Heuchert, V. and Burnett, A. (eds.) (2005) Coinage and Identity in the Roman Provinces. Oxford.CrossRefGoogle Scholar
Hubbard, T. K. (1985) The Pindaric Mind: A Study of Logical Structure in Early Greek Poetry. Leiden.CrossRefGoogle Scholar
Humbel, A. (ed. and trans.) (1994) Ailios Aristeides, Klage über Eleusis (Oratio 22): Lesetext, Übersetzung und Kommentar. Vienna.Google Scholar
Hunt, Y. (2008) ‘Roman pantomime libretti and their Greek themes: The role of Augustus in the Romanization of the Greek classics’, in Hall, E. and Wyles, R. (eds.), New Directions in Ancient Pantomime. Oxford: 169–84.Google Scholar
Hunter, R. (1996) Theocritus and the Archaeology of Greek Poetry. Cambridge.CrossRefGoogle Scholar
Hunter, R. (2012) Plato and the Traditions of Ancient Literature: The Silent Stream. Cambridge.CrossRefGoogle Scholar
Hunter, R. (2014) Hesiodic Voices: Studies in the Ancient Reception of Hesiod’s Works and Days. Cambridge.CrossRefGoogle Scholar
Hunter, R. (2015) ‘Sweet Stesichorus: Theocritus 18 and the Helen revisited’, in Finglass, P. J. and Kelly, A. (eds.), Stesichorus in Context. Cambridge: 145–63.Google Scholar
Hunter, R. (2019a) ‘Notes on the ancient reception of Sappho’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 45–59.CrossRefGoogle Scholar
Hunter, R. (2019b) ‘Sappho and Latin poetry: The case of Horace’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 151–63.Google Scholar
Hutchinson, G. (2001) Greek Lyric Poetry: A Commentary on Selected Larger Pieces. Oxford.Google Scholar
Hutchinson, G. (2013) Greek to Latin: Frameworks and Contexts for Intertextuality. Oxford.CrossRefGoogle Scholar
Hutchinson, G. (2018) Plutarch’s Rhythmic Prose. Oxford.CrossRefGoogle Scholar
Hutton, W. (2005a) Describing Greece: Landscape and Literature in the Periegesis of Pausanias. Cambridge.Google Scholar
Hutton, W. (2005b) ‘The construction of religious space in Pausanias’, in Elsner, J. and Rutherford, I. (eds.), Pilgrimage in Graeco-Roman and Early Christian Antiquity: Seeing the Gods. Oxford: 291–318.Google Scholar
Ieranò, G. (1997) Il ditirambo di Dioniso: Le testimonianze antiche. Pisa.Google Scholar
Ingleheart, J. (2019) ‘Vates Lesbia: Images of Sappho in the poetry of Ovid’ in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 205–25.Google Scholar
Instinsky, H. U. (1942) ‘Kaiser und Ewigkeit’. Hermes 77: 313–55.Google Scholar
Irigoin, J. (1952) Histoire du texte de Pindare. Paris.Google Scholar
Irwin, E. (2005) Solon and Early Greek Poetry: The Politics of Exhortation. Cambridge.CrossRefGoogle Scholar
Israelowich, I. (2012) Society, Medicine and Religion in the Sacred Tales of Aelius Aristides. Leiden.CrossRefGoogle Scholar
Jackson, C. R. (2017) ‘Dio Chrysostom’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 217–32.Google Scholar
Jackson, L. C. M. M. (2020) The Chorus of Drama in the Fourth Century BCE: Presence and Representation. Oxford.Google Scholar
Jacoby, F. (1955) Die Fragmente der Griechischen Historiker. Dritter Teil: Geschichte von Staedten und Voelkern. b: Kommentar zu nr. 297–607. Leiden.Google Scholar
Jarratt, S. C. (2016) ‘An imperial anti-sublime: Aristides’ Roman Oration (or. 26)’, in Pernot, L., Abbamonte, G. and Lamagna, M. (eds.), Aelius Aristide écrivain. Turnhout: 213–29.Google Scholar
Johnson, W. A. (2004) Bookrolls and Scribes in Oxyrhynchus. Toronto.Google Scholar
Johnson, W. A. (2010) Readers and Reading Culture in the High Roman Empire: A Study of Elite Communities. Oxford.CrossRefGoogle Scholar
Johnson, W. A. and Richter, D. S. (eds.) (2017a) The Oxford Handbook to the Second Sophistic. Oxford.Google Scholar
Johnson, W. A. and Richter, D. S. (2017b) ‘Periodicity and scope’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 3–10.Google Scholar
Jolowicz, D. (2021) Latin Poetry in the Ancient Greek Novel. Oxford.CrossRefGoogle Scholar
Jolowicz, D. and Elsner, J. (eds.) (2023) Articulating Resistance under the Roman Empire. Cambridge.CrossRefGoogle Scholar
Jones, C. P. (1978) The Roman World of Dio Chrysostom. Cambridge, MA.CrossRefGoogle Scholar
Jones, C. P. (1990) ‘The Rhodian Oration ascribed to Aelius Aristides’. CQ 40: 514–22.CrossRefGoogle Scholar
Jones, C. P. (1999) Kinship Diplomacy in the Ancient World. Cambridge, MA.Google Scholar
Jones, C. P. (2013) ‘Elio Aristide e i primi anni di Antonino Pio’, in Desideri, P. and Fontanella, F. (eds.), Elio Aristide e la legittimazione greca dell’impero di Roma. Bologna: 39–67.Google Scholar
Jory, J. (2002) ‘The masks on the propylon of the Sebasteion at Aphrodisias’, in Easterling, P. and Hall, E. (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge: 238–53.Google Scholar
Kaldellis, A. (2007) ‘Christodorus on the statues of the Zeuxippos Baths: A new reading of the Ekphrasis’. GRBS 47: 361–83.Google Scholar
Kampakoglou, A. (2019) Studies in the Reception of Pindar in Ptolemaic Poetry. Berlin.CrossRefGoogle Scholar
Kaster, R. A. (1988) Guardians of Language: The Grammarian and Society in Late Antiquity. Berkeley, CA.CrossRefGoogle Scholar
Keil, B. (ed.) (1898) Aelii Aristidis Smynaei quae supersunt omnia II. Berlin.Google Scholar
Keil, B. (1913) ‘Pindarfragment’. Hermes 48: 319–20.Google Scholar
Kennedy, G. A. (2003) Progymnasmata: Greek Textbooks of Prose Composition and Rhetoric. Atlanta.Google Scholar
Kent, J. H. (1966) The Inscriptions 1926–1950 (Corinth. Results of Excavations, vol. 8.3). Princeton, NJ.Google Scholar
Kim, L. (2010) Homer between History and Fiction in Imperial Greek Literature. Cambridge.CrossRefGoogle Scholar
Kim, L. (2017) ‘Atticism and Asianism’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 41–66.Google Scholar
Kimmel-Clauzet, F. (2013) Morts, tombeaux et cultes des poètes grecs: Étude de la survie des grands poètes des époques archaïque et classique en Grèce ancienne. Bordeaux.Google Scholar
Kindstrand, J. F. (1973) Homer in der zweiten Sophistik: Studien zu der Homerlektüre und dem Homerbild bei Dio von Prusa, Maximos von Tyros und Ailios Aristeides. Uppsala.Google Scholar
Kivilo, M. (2021) ‘Sappho’s lives’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 11–21.CrossRefGoogle Scholar
Knox, P. E. (1985) ‘Wine, water, and Callimachean polemics’. HSPh 89: 109–19.Google Scholar
König, J. (2001) ‘Favorinus’ Corinthian Oration and its Corinthian context’. PCPS 46: 141–71.Google Scholar
König, J. (2005) Athletics and Literature in the Roman Empire. Cambridge.Google Scholar
König, J. and Whitmarsh, T. (2007) ‘Ordering knowledge’, in König, J. and Whitmarsh, T. (eds.), Ordering Knowledge in the Roman Empire. Cambridge: 3–39.CrossRefGoogle Scholar
Konstantinopoulos, G. (1994–5) ‘Έργα πλαστικής και επιγραφές από το Διονύσιον τέμενος της αρχαίας Ρόδου᾽. AD 49–50: 75–82.Google Scholar
Korenjak, M. (2000) Publikum und Redner: Ihre Interaktion in der sophistischen Rhetorik der Kaiserzeit. Munich.Google Scholar
Kousoulini, V. (2019) A History of Alcman’s Early Reception: Female-Voiced Nightingales. Newcastle upon Tyne.Google Scholar
Kowalzig, B. (2007) Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece. Oxford.CrossRefGoogle Scholar
Kowalzig, B. and Wilson, P. (eds.) (2013a) Dithyramb in Context. Oxford.Google Scholar
Kowalzig, B. and Wilson, P. (2013b) ‘Introduction: The world of dithyramb’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context. Oxford: 1–28.Google Scholar
Kristeva, J. (1980) Desire in Language: A Semiotic Approach to Literature and Art. Trans. T. Gora, A. Jardine and L. S. Roudiez. New York.Google Scholar
Krummen, E. (2009) ‘Alcman, Stesichorus and Ibycus’, in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 189–203.CrossRefGoogle Scholar
Kurke, L. (1991) The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca, NY.Google Scholar
Kurke, L. (2000) ‘The strangeness of “song culture”: Archaic Greek poetry’, in Taplin, O. (ed.), Literature in the Greek and Roman Worlds. Oxford: 58–87.Google Scholar
Kurke, L. (2021) ‘Sappho and genre’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 93–106.CrossRefGoogle Scholar
Lardinois, A. (2021) ‘Sappho’s personal poetry’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 163–74.Google Scholar
Lefkowitz, M. R. (1981) The Lives of the Greek Poets. London.Google Scholar
Lefkowitz, M. R. (2012) The Lives of the Greek Poets, 2nd ed. London.CrossRefGoogle Scholar
Lefkowitz, M. R. (2016) ‘On bees, poets and Plato: Ancient biographers’ representations of the creative process’, in Fletcher, R. and Hanink, J. (eds.), Creative Lives in Classical Antiquity: Poets, Artists and Biography. Cambridge: 177–97.Google Scholar
Lefteratou, A. (forthcoming) ‘The Christian reception of Sappho: Shushes, silences, echoes’, in Stergiopoulou, K., Blanco, C. and Kousoulini, V. (eds.), Brill’s Companion to the Ancient and Modern Reception of Sappho. Leiden.Google Scholar
LeVen, P. A. (2014) The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry. Cambridge.CrossRefGoogle Scholar
Lewin, A. (1999) ‘Illusioni e disillusioni di una città libera nell’impero romano’. MediterrAnt 2: 557–74.Google Scholar
Liberman, G. (1999) Alcée: Fragments. Paris.Google Scholar
Lightfoot, J. L. (ed. and trans.) (2014) Dionysius Periegetes: Description of the Known World. Oxford.Google Scholar
Ling, R. (2000) ‘Die Bildnisse der antiken Dichter, Redner und Denker by K. Schefold’. CR 50: 369–70.Google Scholar
Lloyd, J. (2020) Review of Kousoulini (2019). BMCR 2020.03.35.Google Scholar
Lockey, I. (2016) ‘The Atrium House: The archaeology of a late-antique residence’ in Smith, R. R. R., Lenaghan, J., Sokolicek, A. and Welch, K. (eds.) Aphrodisias Papers 5: Excavation and Research at Aphrodisias, 2006–2012. Portsmouth, RI: 243–54.Google Scholar
Lomiento, L. (2013a) ‘Lode della città in Pind. Ol. 13 per Senofonte corinzio’, in Angeli Bernardini, P. (ed.), Corinto: Luogo di azione e luogo di racconto. Atti del convegno internazionale (Urbino, 23–25 settembre 2009). Pisa: 89–105.Google Scholar
Lomiento, L. (2013b) ‘Olimpica XIII: commento’, in Gentili, B., Catenacci, C., Giannini, P. and Lomiento, L. (eds.) Pindaro: Le Olimpiche. Milan: 590–612.Google Scholar
Loraux, N. (1986) The Invention of Athens: The Funeral Oration in the Classical City. Cambridge, MA.Google Scholar
Lowrie, M. (ed.) (2009a) Horace: Odes and Epodes. Oxford.Google Scholar
Lowrie, M. (2009b) Writing, Performance, and Authority in Augustan Rome. Oxford.CrossRefGoogle Scholar
Lowrie, M. (2009c) ‘A parade of lyric predecessors: Horace C. 1.12–18’, in Lowrie, M. (ed.), Horace: Odes and Epodes. Oxford: 337–55.Google Scholar
Luccioni, P. (1997) ‘Un éloge d’Hélène (Théocrite Id. XVIII, v. 29–31, Gorgias et Stésichore)’. REG 110: 622–6.Google Scholar
Lynch, T. and Rocconi, E. (eds.) (2020) A Companion to Ancient Greek and Roman Music. Chichester.CrossRefGoogle Scholar
Ma, J. (2009) ‘The city as memory’, in Boys-Stone, G. and Graziosi, B. (eds.), The Oxford Handbook of Hellenic Studies. Oxford: 248–59.Google Scholar
Macé, A. (2019) ‘Ordering the universe in speech: kosmos and diakosmos in Parmenides’ poem’, in Horky, P. S. (ed.), Cosmos in the Ancient World. Cambridge: 42–61.CrossRefGoogle Scholar
Maehler, H. (2004) Bacchylides: A Selection. Cambridge.Google Scholar
Maehler, H. (2012) ‘Bacchylides’, in Bastianini, G., Haslam, M., Maehler, H., Montanari, F. and Römer, C. (eds.), Commentaria et Lexica Graeca in Papyris Reperta I.1.4. Berlin: 275–99.Google Scholar
Magie, D. (1950) Roman Rule in Asia Minor I–II. Princeton, NJ.CrossRefGoogle Scholar
Marotta, V. (2004) ‘Conflitti politici cittadini e governo provinciale’, in Amarelli, F. (ed.), Politica e partecipazione nelle città dell’impero romano. Rome: 121–201.Google Scholar
Martin, G. (ed.) (2018) Euripides: Ion. Berlin.Google Scholar
Martin, R. P. (1992) ‘Hesiod’s metanastic poetics’. Ramus 21: 11–33.CrossRefGoogle Scholar
Martina, A. (1968) Solon: Testimonia veterum. Rome.Google Scholar
Maslov, B. (2015) Pindar and the Emergence of Literature. Cambridge.CrossRefGoogle Scholar
Mason, H. J. (1974) Greek Terms for Roman Institutions: A Lexicon and Analysis. Toronto.Google Scholar
Matthaios, S. (2015) ‘Greek scholarship in the imperial era and late antiquity’, in Montanari, F., Matthaios, S. and Rengakos, A. (eds.), Brill’s Companion to Ancient Greek Scholarship. Leiden: 184–296.Google Scholar
McCormick, M. (1986) Eternal Victory. Cambridge.Google Scholar
McDonald, K. and Zair, N. (2023) ‘Linguistic resistance to Rome: A reappraisal of the epigraphic evidence’, in Jolowicz, D. and Elsner, J. (eds.), Articulating Resistance under the Roman Empire. Cambridge: 29–48.CrossRefGoogle Scholar
McNamee, K. (2007) Annotations in Greek and Latin Texts from Egypt. Oakville, CT.CrossRefGoogle Scholar
McNelis, C. (2002) ‘Greek grammarians and Roman society during the early empire: Statius’ father and his contemporaries’. ClAnt 21: 67–94.Google Scholar
Methy, N. (1991) ‘Réflexions sur le thème de la divinité de Rome: À propos de l’Éloge de Rome d’Aelius Aristide’. Latomus 50: 660–8.Google Scholar
Miguelez Cavero, L. (2008) Poems in Context: Greek Poetry in the Egyptian Thebaid 200–600 AD. Berlin.Google Scholar
Milazzo, A. M. (2002) Un dialogo difficile: la retorica in conflitto nei Discorsi Platonici di Elio Aristide. Hildesheim.Google Scholar
Miletti, L. (2011) L’arte dell’autoelogio: Studio sull’orazione 28 K di Elio Aristide. Pisa.Google Scholar
Miletti, L. (2014) ‘Il De laude ipsius di Plutarco e la teoria “classica” dell’autoelogio’, in Volpe Cacciatore, P. (ed.), Plutarco: Linguaggi e Retorica. Naples: 79–99.Google Scholar
Millar, F. (1993) ‘The Greek city in the Roman period’, in Hansen, M. H. (ed.), The Ancient Greek City-State: Symposium on the Occasion of the 250th Anniversary of the Royal Danish Academy of Sciences and Letters, July, 1–4 1992. Copenhagen: 232–60.Google Scholar
Millar, F. (1999) ‘Civitates liberae, coloniae and provincial governors under the Empire’. Mediterraneo Antico 2: 95–113.Google Scholar
Miller, J. (1986) Measures of Wisdom: The Cosmic Dance in Classical and Christian Antiquity. Toronto.CrossRefGoogle Scholar
Miller, P. A. (1994). Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustan Rome. London.Google Scholar
Millis, B. W. (2010) ‘The social and ethnic origins of the colonists in early Roman Corinth’, in Friesen, S. J., Schowalter, D. and Walters, J. (eds.), Corinth in Context: Comparative Studies on Religion and Society. Leiden: 13–35.Google Scholar
Modini, F. (2019a) ‘The Cyclops’ revenge: Aelius Aristides on Plato, Philoxenus, and New Music’. GRMS 7: 51–69.CrossRefGoogle Scholar
Modini, F. (2019b) ‘Playing with Terpander and Co.: Lyric, music, and politics in Aelius Aristides’ To the Rhodians on Concord’, in Currie, B. and Rutherford, I. (eds.), The Reception and Transmission of Greek Lyric Poetry, 600 BC–400 AD. Leiden: 417–38.Google Scholar
Modini, F. (2022) ‘Lyric in the second degree: Archaic and early classical poetry in Himerius of Athens’. CQ 72: 834–49.CrossRefGoogle Scholar
Modini, F. (2024) ‘Soundtracks of Milesian identity: Timotheus and imperial musicians from Asia Minor’. GRMS 12.2: 234–56.CrossRefGoogle Scholar
Modini, F. (forthcoming) ‘Romancing festivals: Festival sounds and other senses in the novels’, in E. Bakola, X. Buxton, E. Csapo and Z. Newby (eds.), The Experience of Ancient Festivals.Google Scholar
Molyneux, J. H. (1971) ‘Simonides and the Dioscuri’. Phoenix 25: 197–205.CrossRefGoogle Scholar
Morales, H. (2004) Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon. Cambridge.Google Scholar
Morgan, C. (2007) ‘Debating patronage: Argos and Corinth’, in Hornblower, S. and Morgan, C. (eds.), Pindar’s Poetry, Patrons, and Festivals. Oxford: 213–64.Google Scholar
Morgan, H. B. (2022) Music, Politics and Society in Ancient Rome. Cambridge.CrossRefGoogle Scholar
Morgan, K. A. (2015) Pindar and the Construction of Syracusan Monarchy in the Fifth Century B.C. Oxford.CrossRefGoogle Scholar
Morgan, L. (2021) ‘Sappho at Rome’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 290–302.CrossRefGoogle Scholar
Morgan, T. (1998) Literate Education in the Hellenistic and Roman Worlds. Cambridge.Google Scholar
Mratschek, S. (2013) ‘Nero the imperial misfit: Philhellenism in a rich man’s world’, in Buckley, E. and Dinter, M. T. (eds.), A Companion to the Neronian Age. Chichester: 45–62.CrossRefGoogle Scholar
Mueller, M. (2021) ‘Sappho and sexuality’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 36–52.CrossRefGoogle Scholar
Murray, O. (1985) ‘Symposium and genre in the poetry of Horace’. JRS 75: 39–50.Google Scholar
Murray, P. (1981) ‘Poetic inspiration in early Greece’. JHS 101: 87–100.CrossRefGoogle Scholar
Murray, P. and Wilson, P. (eds.) (2004) Music and the Muses: The Culture of Mousikē in the Classical Athenian City. Oxford.CrossRefGoogle Scholar
Musté, J. (2022) ‘Autoportrait d’un orateur en poète: Images et références poétiques dans l’oeuvre d’Aelius Aristide’. PhD diss. Université de Bourgogne Franche-Comté.Google Scholar
Musti, D. (1982) ‘Introduzione generale’, in Musti, D. and Beschi, L. (eds.), Pausania: Guida della Grecia. Libro I: L’Attica. Milan: ix–lv.Google Scholar
Mygind, B. (1999) ‘Intellectuals in Rhodes’, in Gabrielsen, V., Bilde, P., Engberg-Pedersen, T., Hannestad, L. and Zahle, J. (eds.), Hellenistic Rhodes: Politics, Culture, and Society. Aarhus: 247–93.Google Scholar
Mylonas, G. E. (1961) Eleusis and the Eleusinian Mysteries. Princeton, NJ.Google Scholar
Nagy, G. (1990) Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore, MD.CrossRefGoogle Scholar
Neer, R. and Kurke, L. (2019) Pindar, Song, and Space: Towards a Lyric Archaeology. Baltimore, MD.CrossRefGoogle Scholar
Nelis, D. P. (2012) ‘Lyric poetry’, in Hornblower, S., Spawforth, A. J. and Eidinow, E. (eds.), The Oxford Classical Dictionary, 4th ed. Oxford.Google Scholar
Neri, C. (ed. and trans.) (2021) Saffo, testimonianze e frammenti: Introduzione, testo critico, traduzione e commento. Berlin.CrossRefGoogle Scholar
Nervegna, S. (2013) Menander in Antiquity: The Contexts of Reception. Cambridge.CrossRefGoogle Scholar
Netz, R. (2020) Scale, Space and Canon in Ancient Literary Culture. Cambridge.CrossRefGoogle Scholar
Newby, Z. (2009) ‘Absorption and erudition in Philostratus’ Imagines’, in Bowie, E. L. and Elsner, J. (eds.), Philostratus. Cambridge: 322–42.Google Scholar
Newby, Z. (ed.) (2023) The Material Dynamics of Festivals in the Graeco-Roman East. Oxford.CrossRefGoogle Scholar
Nicolet, C. (1991) Space, Geography and Politics in the Early Roman Empire. Ann Arbor, MI.CrossRefGoogle Scholar
Noorden, H. van (2018) Playing Hesiod: The ‘Myth of the Races’ in Classical Antiquity. Cambridge.Google Scholar
Noreña, C. F. (2015) ‘Ritual and memory: Hellenistic ruler cults in the Roman Empire’, in Galinsky, K. and Lapatin, K. (eds.), Cultural Memories in the Roman Empire. Los Angeles: 86–100.Google Scholar
North, J.A. (2012) ‘Sappho underground’, in Dignas, B. and Smith, R. R. R. (eds.), Historical and Religious Memory in the Ancient World. Oxford: 37–68.CrossRefGoogle Scholar
Nünlist, R. (1998) Poetologische Bildersprache in der frühgriechischen Dichtung. Stuttgart.CrossRefGoogle Scholar
Oliver, J. H. (1953) ‘The ruling power: A study of the Roman Empire in the second century after Christ through the Roman Oration of Aelius Aristides’. TAPhS 43: 871–1003.Google Scholar
Oliver, J. H. (1968) The Civilizing Power: A Study of the Panathenaic Discourse of Aelius Aristides against the Background of Literature and Cultural Conflict. Philadelphia.Google Scholar
Otranto, R. (2000) Antiche liste di libri su papiro. Rome.Google Scholar
Oudot, E. (2016) ‘Le Panathénaïque d’Aelius Aristide (or. 1): Les voies et les enjeux d’une nouvelle histoire d’Athènes’, in Pernot, L., Abbamonte, G., and Lamagna, M. (eds.), Aelius Aristide écrivain. Turnhout: 23–58.CrossRefGoogle Scholar
Oudot, E. (2017) ‘Aelius Aristides’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 255–72.Google Scholar
Page, D. (1955) Sappho and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Oxford.Google Scholar
Panayotopoulou, A. (1998) ‘Roman mosaics from Sparta’, in Walker, S. E. C. and Cavanagh, W. G. (eds.), Sparta in Laconia: Proceedings of the 19th British Museum Classical Colloquium held with the British School at Athens and King’s and University Colleges, London 6–8 December 1995. London: 112–18.Google Scholar
Papadopoulos, Y. (2021) The Idea of Rome in Late Antiquity. Berlin.Google Scholar
Parker, R. (2016) ‘Religion in the prose hymns’, in Russell, D. A., Trapp, M. B. and Nesselrath, H.-G. (eds.), In Praise of Asclepius: Aelius Aristides, Selected Prose Hymns. Tübingen: 67–88.Google Scholar
Pasquali, G. (1920) Orazio lirico. Florence.Google Scholar
Pelliccia, H. (1992) ‘Sappho 16, Gorgias’ Helen, and the preface to Herodotus’ Histories’. YCS 29: 63–84.Google Scholar
Pelosi, F. (2010) Plato on Music, Soul, and Body. Trans. S. Henderson. Cambridge.CrossRefGoogle Scholar
Pelosi, F. (2020) ‘Music and emotions’, in Lynch, T. and Rocconi, E. (eds.), A Companion to Ancient Greek and Roman Music. Chichester: 337–49.Google Scholar
Peponi, A.-E. (2013) ‘Introduction’, in Peponi, A.-E. (ed.), Performance and Culture in Plato’s Laws. Cambridge: 1–12.CrossRefGoogle Scholar
Peppard, M. (2010) ‘The eagle and the dove: Roman imperial sonship and the baptism of Jesus’. NTS 56: 431–51.CrossRefGoogle Scholar
Pera, R. (1984) Homonoia sulle monete da Augusto agli Antonini: Studio storico-tipologico. Genoa.Google Scholar
Perkins, J. (1995) The Suffering Self: Pain and Narrative Representation in the Early Christian Era. London.Google Scholar
Pernot, L. (1993) La rhétorique de l’éloge dans le Monde Gréco-Romain I–II. Paris.Google Scholar
Pernot, L. (1997) Éloges Grecs de Rome. Paris.Google Scholar
Pernot, L. (2008) ‘Aelius Aristides and Rome’, in Harris, W. V. and Holmes, B. (eds.), Aelius Aristides between Greece, Rome, and the Gods. Leiden: 175–201.Google Scholar
Pernot, L. (2015) Epideictic Rhetoric: Questioning the Stakes of Ancient Praise. Austin, TX.Google Scholar
Pernot, L. (2021) The Subtle Subtext: Hidden Meanings in Literature and Life. Trans. W. E. Higgins. University Park, PA.Google Scholar
Pernot, L., Abbamonte, G. and Lamagna, M. (eds.) (2016) Aelius Aristide écrivain. Turnhout.CrossRefGoogle Scholar
Peterson, A. (2019) Laughter on the Fringes: The Reception of Old Comedy in the Imperial Greek World. Oxford.CrossRefGoogle Scholar
Petsalis-Diomidis, A. (2010) Truly beyond Wonders: Aelius Aristides and the Cult of Asklepios. Oxford.Google Scholar
Pettegrew, D. K. (2016) The Isthmus of Corinth: Crossroads of the Mediterranean World. Ann Arbor, MI.CrossRefGoogle Scholar
Pfeijffer, I. L. (1994) ‘The image of the eagle in Pindar and Bacchylides’. CPhil 89: 305–17.Google Scholar
Pfeijffer, I. L. (1999) Three Aeginetan Odes of Pindar: A Commentary on Nemean V, Nemean III, and Pythian VIII. Leiden.CrossRefGoogle Scholar
Phillips, E. D. (1952) ‘A hypochondriac and his god’. G&R 61: 23–36.Google Scholar
Phillips, T. (2016) Pindar’s Library: Performance Poetry and Material Texts. Oxford.Google Scholar
Phillips, T. (2022) ‘Citation and transmission’, in Swift, L. (ed.), A Companion to Greek Lyric. Chichester: 119–31.Google Scholar
Picard, C. (1952) ‘Le Pindare de l’exèdre des poètes et des sages au Serapeion de Memphis’. MMAI 46: 5–24.Google Scholar
Piccirillo, M. (1986) I mosaici di Giordania. Rome.Google Scholar
Pickard-Cambridge, A. W. (1968) The Dramatic Festivals of Athens. London.Google Scholar
Pirenne-Delforge, V. (2008) Retour à la source: Pausanias et la religion grecque. Liège.CrossRefGoogle Scholar
Pöhlman, E. and West, M. L. (2001) Documents of Ancient Greek Music: The Extant Melodies and Fragments Edited and Transcribed with Commentary. Oxford.Google Scholar
Poltera, O. (2008) Simonides lyricus: Testimonia und Fragmente. Basel.Google Scholar
Pontani, F. (2021) ‘Sappho at Byzantium’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 320–31.Google Scholar
Porro, A. (1994) Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’Età Imperiale. Milan.Google Scholar
Porro, A. (2004) ‘Alcaeus’, in Bastianini, G., Haslam, M., Maehler, H., Montanari, F. and Römer, C. (eds.), Commentaria et Lexica Graeca in Papyris Reperta I.1.1. Munich: 75–246.Google Scholar
Porro, A. (2011) ‘Archilochus’, in Bastianini, G., Haslam, M., Maehler, H., Montanari, F. and Römer, C. (eds.), Commentaria et Lexica Graeca in Papyris Reperta I.1.3. Berlin: 157–87.Google Scholar
Pòrtulas, J. (1991) ‘Lode poetica e encomio sofistico: La verità di Pindaro e quella di Gorgia’. Lexis 7–8 : 99–112.Google Scholar
Power, T. (2010) The Culture of Kitharôidia. Washington, DC.Google Scholar
Power, T. (2019) ‘Sappho parachoral monody’, in Foster, M., Kurke, L. and Weiss, N. (eds.), Genre in Archaic and Classical Greek Poetry: Theories and Models. Leiden: 82–108.CrossRefGoogle Scholar
Prauscello, L. (2006) Singing Alexandria: Music between Practice and Textual Transmission. Leiden.CrossRefGoogle Scholar
Prauscello, L. (2009) ‘Wandering poetry, “travelling” music: Timotheus’ muse and some case-studies of shifting cultural identities’, in Hunter, R. and Rutherford, I. (eds.), Wandering Poets in Ancient Greek Culture. Cambridge: 168–94.Google Scholar
Prauscello, L. (2014) Performing Citizenship in Plato’s Laws. Cambridge.CrossRefGoogle Scholar
Prauscello, L. (2021) ‘The Alexandrian edition of Sappho’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 219–31.Google Scholar
Preston, R. (2001) ‘Roman questions, Greek answers: Plutarch and the construction of identity’, in Goldhill, S. (ed.), Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of the Empire. Cambridge: 86–119.CrossRefGoogle Scholar
Price, S. R. F. (1984) Rituals and Power: The Roman Imperial Cult in Asia Minor. Cambridge.Google Scholar
Prioux, É. (2011) ‘Callimachus’ queens’, in Acosta-Hughes, B., Lehnus, L. A. and Stephens, S. (eds.), Brill’s Companion to Callimachus. Leiden: 201–24.Google Scholar
Pritchett, W. K. (1971) Ancient Greek Military Practices. Berkeley, CA.Google Scholar
Prusac, M. (2016) From Face to Face: Recarving of Roman Portraits and the Late-Antique Portrait Arts, 2nd ed. Leiden.CrossRefGoogle Scholar
Purcell, N. (1995) ‘On the sacking of Carthage and Corinth’, in Innes, D., Russell, D. A., Hine, H. M. and Pelling, C. B. R. (eds.), Ethics and Rhetoric: Classical Essays for Donald Russell on His Seventy-Fifth Birthday. Oxford: 133–48.Google Scholar
Putnam, M. C. J. (2000) Horace’s Carmen Saeculare: Ritual Magic and the Poet’s Art. New Haven, CT.Google Scholar
Raaflaub, K. A. (2006) ‘Athenian and Spartan eunomia, or: what to do with Solon’s timocracy?’, in Blok, J. and Lardinois, A. (eds.), Solon of Athens: New Historical and Philological Approaches. Leiden: 390–428.CrossRefGoogle Scholar
Race, W. H. (1987) ‘Pindaric encomium and Isokrates’ Evagoras’. TAPhA 117: 131–55.Google Scholar
Race, W. H. (1989) ‘Sappho, fr. 16 L–P. and Alkaios, fr. 42 L–P.: Romantic and classical strains in Lesbian lyric’. CJ 85: 16–33.Google Scholar
Race, W. H. (2007) ‘Rhetoric and lyric poetry’, in Worthington, I. (ed.), A Companion to Greek Rhetoric. Oxford.Google Scholar
Raimondi, V. (1995–8) ‘L’Inno a Roma di Melinno’. Helikon 35–8: 283–307.Google Scholar
Ratti, E. (1971) ‘Impero romano e armonia dell’universo nella pratica retorica e nella concezione religiosa di Elio Aristide: Una ricerca per l’εἰς Ῥώμην’. Mem. Ist. Lombardo, Scienze mor. e stor. 31: 283–361.Google Scholar
Rauwerda, A. M. (2005) ‘“Angelicdevilish” combinations: Milton’s Satan and Salman Rushdie’s The Satanic Verses’. Journal of Postcolonial Writing 41: 94–107.CrossRefGoogle Scholar
Rawles, R. (2018) Simonides the Poet: Intertextuality and Reception. Cambridge.CrossRefGoogle Scholar
Regenauer, J. (2016) Mesomedes: Übersetzung und Kommentar. Frankfurt am Main.Google Scholar
Rehm, A. (1954) ‘Neue Wörter aus Didyma’. IF 61:170–86.Google Scholar
Remijsen, S. (2015) The End of Greek Athletics in Late Antiquity. Cambridge.CrossRefGoogle Scholar
Rhodes, P. J. (2007) ‘The impact of the Persian Wars on classical Greece’, in Bridges, E., Hall, E. and Rhodes, P. J. (eds.), Cultural Responses to the Persian Wars: Antiquity to the Third Millennium. Oxford: 31–45.CrossRefGoogle Scholar
Richter, D. S. (2011) Cosmopolis: Imagining Community in Late Classical Athens and the Early Roman Empire. Oxford.CrossRefGoogle Scholar
Richter, G. M. A. (1965) The Portraits of the Greeks. London.Google Scholar
Rimell, V. (2015) The Closure of Space in Roman Poetics: Empire’s Inward Turn. Cambridge.CrossRefGoogle Scholar
Robert, F. (2012) Les oeuvres perdues d’Aelius Aristide: Fragments et témoignages. Paris.Google Scholar
Robinson, B. A. (2005) ‘Fountains and the formation of cultural identity at Roman Corinth’, in Schowalter, D. N. and Friesen, S. J. (eds.), Urban Religion in Roman Corinth: Interdisciplinary Approaches. Cambridge, MA: 111–40.Google Scholar
Robinson, B. A. (2011) Histories of Peirene: A Corinthian Fountain in Three Millennia. Princeton, NJ.Google Scholar
Roller, M. B. (2006) Dining Posture in Ancient Rome: Bodies, Values, and Status. Princeton, NJ.Google Scholar
Römer, C. (2013) ‘Alcman’, in Bastianini, G., Haslam, M., Maehler, H., Montanari, F. and Römer, C. (eds.), Commentaria et Lexica Graeca in Papyris Reperta I.1.2.1. Berlin.Google Scholar
Romney, J. (2019) ‘Solon and the democratic biographical tradition’, in Currie, B. and Rutherford, I. (eds.), The Reception and Transmission of Greek Lyric Poetry, 600 BC–400 AD. Leiden: 373–94.Google Scholar
Rose, P. W. (2012) Class in Archaic Greece. Cambridge.CrossRefGoogle Scholar
Rosenmeyer, P. A. (1992) The Poetics of Imitation: Anacreon and the Anacreontic Tradition. Cambridge.Google Scholar
Rosenmeyer, P. A. (2018) The Language of Ruins: Greek and Latin Inscriptions on the Memnon Colossus. Oxford.CrossRefGoogle Scholar
Rossi, L. (2009) ‘Horace, a Greek lyrist without music’, in Lowrie, M. (ed.), Horace: Odes and Epodes. Oxford: 356–77.Google Scholar
Rotstein, Andrea (2016) Literary History in the Parian Marble. Washington, DC.Google Scholar
Roudiez, L. S. (1980) ‘Introduction’, in Kristeva, J., Desire in Language: A Semiotic Approach to Literature and Art. Trans. T. Gora, A. Jardine and L. S. Roudiez. New York: 1–20.Google Scholar
Rushdie, S. (1998) The Satanic Verses. London.Google Scholar
Russell, D. A. (1981) Criticism in Antiquity. Berkeley, CA.Google Scholar
Russell, D. A. (1983) Greek Declamation. Cambridge.CrossRefGoogle Scholar
Russell, D. A. (1990) ‘Aristides and the prose hymn’, in Russell, D. A. (ed.), Antonine Literature. Oxford: 199–216.CrossRefGoogle Scholar
Russell, D. A. (1998) ‘The panegyrists and their teachers’, in Whitby, M. (ed.), The Propaganda of Power: The Role of Panegyric in Late Antiquity. Leiden: 17–50.Google Scholar
Russell, D. A. (ed. and trans.) (2002) Quintilian: The Orator’s Education, IV, Books 9–10. Cambridge, MA.Google Scholar
Russell, D. A. and Wilson, N. G. (ed. and trans.) (1981) Menander Rhetor. Oxford.Google Scholar
Rutherford, I. (1998) Canons of Style in the Antonine Age: Idea-Theory in Its Literary Context. Oxford.CrossRefGoogle Scholar
Rutherford, I. (2001a) ‘Paeans at Ptolemais?’. ZPE 135: 41–2.Google Scholar
Rutherford, I. (2001b) Pindar’s Paeans: A Reading of the Fragments with a Survey of the Genre. Oxford.Google Scholar
Rutherford, I. (2012) ‘On the impossibility of centaurs: The reception of Pindar in the Roman empire’, in Agócs, P., Carey, C. and Rawles, R. (eds.), Receiving the Komos: Ancient and Modern Receptions of the Victory Ode. London: 93–104.Google Scholar
Rutherford, I. (2013) ‘Dithyrambos, thriambos, triumphus: Dionysiac discourse at Rome’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context. Oxford: 409–23.Google Scholar
Rutherford, I. (2017) ‘Pilgrimage’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 613–24.Google Scholar
Saïd, S. (2006) ‘The rewriting of the Athenian past: From Isocrates to Aelius Aristides’, in Konstan, D. and Saïd, S. (eds.), Greeks on Greekness: Viewing the Greek Past under the Roman Empire. Cambridge: 47–60.Google Scholar
Schefold, K. (1997) Die Bildnisse der antiken Dichter, Redner und Denker, rev. ed. Basel.Google Scholar
Schlapbach, K. (2018) The Anatomy of Dance Discourse: Literary and Philosophical Approaches to Dance in the Later Graeco-Roman World. Oxford.CrossRefGoogle Scholar
Schlesier, R. (2019) ‘A sophisticated hetaira at table: Athenaeus’ Sappho’, in Currie, B. and Rutherford, I. (eds.), The Reception and Transmission of Greek Lyric Poetry, 600 BC–400 AD. Leiden: 342–72.Google Scholar
Schmitz, T. (1997) Bildung und Macht: Zur sozialen und politischen Funktion der zweiten Sophistik in der griechischen Welt der Kaiserzeit. Munich.Google Scholar
Schmitz, T. A. (2007) Modern Literary Theory and Ancient Texts: An Introduction. Malden, MA.CrossRefGoogle Scholar
Selden, D. (1998) ‘Alibis’. ClAnt 17: 289–412.Google Scholar
Sens, A. (2006) ‘Epigram at the margins of pastoral’, in Fantuzzi, M. and Papanghelis, T. (eds.), Brill’s Companion to Greek and Latin Pastoral. Leiden: 147–65.Google Scholar
Shapiro, H. A. (1990) ‘Homonoia’. Lexicon Iconographicum Mythologiae Classicae 5. Zurich: 476–9.Google Scholar
Shear, J. L. (2013) ‘Choruses and tripods: The politics of the choregia in Roman Athens’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context. Oxford: 389–408.Google Scholar
Shear, J. L. (2021) Serving Athena: The Festival of the Panathenaia and the Construction of Athenian Identities. Cambridge.CrossRefGoogle Scholar
Sheppard, A. R. R. (1984–6) ‘Homonoia in the Greek cities of the Roman Empire’. AncSoc 15–17: 229–52.Google Scholar
Sherwin-White, S. M. (1978) Ancient Cos: An Historical Study from the Dorian Settlement to the Imperial Period. Göttingen.CrossRefGoogle Scholar
Sider, D. (2007) ‘Sylloge Simonidea’, in Bing, P. and Bruss, J. (eds.), Brill’s Companion to Hellenistic Epigram. Leiden: 112–28.Google Scholar
Sider, D. (ed. and trans.) (2020) Simonides: Epigrams and Elegies. Oxford.Google Scholar
Sigelman, A. C. (2016) Pindar’s Poetics of Immortality. Cambridge.CrossRefGoogle Scholar
Silk, M. (1974) Interaction in Poetic Imagery. Cambridge.CrossRefGoogle Scholar
Silk, M. (2001) ‘Pindar meets Plato: Theory, language, value, and the classics’, in Harrison, S. J. (ed.), Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature. Oxford: 26–45.CrossRefGoogle Scholar
Skotheim, M. (2019) ‘“Naked competitions”: Reading and misreading Greek festival culture in Philostratus’ Life of Apollonius of Tyana’. Eranos 110: 107–24.Google Scholar
Smith, R. R. R. (1990) ‘Late Roman philosopher portraits from Aphrodisias’. JRS 80: 127–55.Google Scholar
Smith, S. D. (2014) Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus. Cambridge.CrossRefGoogle Scholar
Snell, B. and Maehler, H. (eds.) (1987–9) Pindari carmina cum fragmentis I–II. Stuttgart.Google Scholar
Spawforth, A. J. (1994) ‘Symbol of unity? The Persian-Wars tradition in the Roman Empire’, in Hornblower, S. (ed.), Greek Historiography. Oxford: 233–47.Google Scholar
Spawforth, A. J. (2012) Greece and the Augustan Cultural Revolution. Cambridge.Google Scholar
Spawforth, A. J. and Walker, S. (1985) ‘The world of the Panhellenion: I: Athens and Eleusis’. JRS 75: 78–104.Google Scholar
Spivak, G. C. (trans.) (2016) Jacques Derrida: Of Grammatology. Baltimore, MD.Google Scholar
Stadter, P. A. (2013) ‘Plutarch and Rome’, in Beck, M. (ed.), A Companion to Plutarch. Chichester: 13–31.Google Scholar
Stadter, P. A. (2014) Plutarch and His Roman Readers. Oxford.CrossRefGoogle Scholar
Stambaugh, J. E. (1988) The Ancient Roman City. Baltimore, MD.CrossRefGoogle Scholar
Steiner, D. (1986) The Crown of Song: Metaphor in Pindar. London.Google Scholar
Steiner, D. (1994) The Tyrant’s Writ: Myths and Images of Writing in Ancient Greece. Princeton, NJ.Google Scholar
Steiner, D. (2007) ‘Feathers flying: Avian poetics in Hesiod, Pindar, and Callimachus’. AJPh 128: 177–208.Google Scholar
Steiner, D. (2021) Choral Constructions in Greek Culture. Cambridge.CrossRefGoogle Scholar
Stephanes, I. E. (1988) Διονυσιακοί τεχνίται: Συμβολές στην προσωπογραφία του θεάτρου και της μουσικής των αρχαίων Ελλήνων. Heraklion.Google Scholar
Stephens, J. (2013) The Dreams and Visions of Aelius Aristides: A Case-Study in the History of Religions. Piscataway, NJ.CrossRefGoogle Scholar
Stephens, S. A. (2015) Callimachus: The Hymns. Oxford.Google Scholar
Stephens, S. A. (2021) ‘Sappho in pieces’, in Fantuzzi, M., Morales, H. and Whitmarsh, T. (eds.), Reception in the Greco-Roman World: Literary Studies in Theory and Practice. Cambridge: 319–43.Google Scholar
Stertz, S. A. (1994) ‘Aelius Aristides’ political ideas’. ANRW 2.34.2: 1248–70.Google Scholar
Strasser, J.-Y. (2002) ‘Choraules et pythaules d’époque impériale: À propos d’inscriptions de Delphes’. BCH 126: 97–142.CrossRefGoogle Scholar
Strasser, J.-Y. (2021) Mémoires de champions: Corpus des palmarès, d’Octavien à Valentinien Ier. Athens.CrossRefGoogle Scholar
Strohm, R. (2004) ‘Alexander’s Timotheus: Towards a critical “biography”’. Le Journal de la Renaissance 2: 107–34.CrossRefGoogle Scholar
Swain, S. (1996) Hellenism and Empire: Language, Classicism, and Power in the Greek World, AD 50–250. Oxford.CrossRefGoogle Scholar
Syndikus, H. P. (1972) Die Lyrik des Horaz: Eine Interpretation der Oden I–II. Darmstadt.Google Scholar
Szelest, H. (1959–1960) ‘De Aelii Aristidis clausulis rhythmicis in orationibus quae Μελέται et Μαντευτοὶ inscribuntur obviis’. Eos 50: 91–8.Google Scholar
Taretto, E. (2017) ‘Poets and Places: Sites of Literary Memory in the Hellenistic World’. PhD diss. Durham University.Google Scholar
Tarrant, R. J. (2020) Horace’s Odes. Oxford.CrossRefGoogle Scholar
Thériault, G. (1996) Le culte d’Homonoia dans les cités grecques. Lyon.Google Scholar
Thévenaz, O. (2019) ‘Sapphic echoes in Catullus 1–14’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 119–36.Google Scholar
Thomas, E. (2007) Monumentality and the Roman Empire: Architecture in the Antonine Age. Oxford.CrossRefGoogle Scholar
Thomas, E. (2017) ‘Performance space’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 181–204.Google Scholar
Thomas, R. F. (1986) ‘Virgil’s Georgics and the art of reference’. HSPh 90: 171–98.Google Scholar
Thomas, R. F. (2011) (ed.) Horace: Book IV and Carmen Saeculare. Cambridge.Google Scholar
Thorsen, T. S. (2019a) ‘Introduction: Ecce Sappho’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 1–26.CrossRefGoogle Scholar
Thorsen, T. S. (2019b) ‘Sappho: Transparency and obstruction’. in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 27–43.CrossRefGoogle Scholar
Thorsen, T. S. (2019c) ‘Sappho, Alcaeus, and the literary timing of Horace’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 165–84.CrossRefGoogle Scholar
Thorsen, T. S. and Berge, R. E. (2019) ‘Receiving receptions received: A new collection of testimonia Sapphica c. 600 BC–AD 1000’, in Thorsen, T. S. and Harrison, S. (eds.), Roman Receptions of Sappho. Oxford: 289–402.CrossRefGoogle Scholar
Thorsen, T. S. and Harrison, S. (eds.) (2019) Roman Receptions of Sappho. Oxford.CrossRefGoogle Scholar
Tissoni, F. (2000) Cristodoro: Un’introduzione e un commento. Alessandria.Google Scholar
Torrance, I. (2007) Aeschylus: Seven against Thebes. London.Google Scholar
Trapp, M. B. (trans.) (1997) Maximus of Tyre: The Philosophical Orations. Oxford.CrossRefGoogle Scholar
Trapp, M. B. (1990) ‘Plato’s Phaedrus in second-century Greek literature’ in Russell, D. A. (ed.), Antonine Literature. Oxford: 141–73.Google Scholar
Trapp, M. B. (2004) ‘Statesmanship in a minor key?’, in de Blois, L., Bons, J., Kessels, T. and Schenkeveld, D. M. (eds.), The Statesman in Plutarch’s Works, vol. 1. Leiden: 198–200.Google Scholar
Trapp, M. B. (2016) ‘Introduction’, in Russell, D. A., Trapp, M. B. and Nesselrath, H.-G. (eds.), In Praise of Asclepius: Aelius Aristides, Selected Prose Hymns. Tübingen: 3–28.Google Scholar
Trapp, M. B. (ed. and trans.) (2017a) Aelius Aristides: Orations I. Cambridge, MA.Google Scholar
Trapp, M. B. (2017b) Review of Pernot, Abbamonte and Lamagna (2016). BMCR 2017.06.11.Google Scholar
Trapp, M. B. (2020) ‘With all due respect to Plato: The Platonic Orations of Aelius Aristides’. TAPA 150: 85–113.CrossRefGoogle Scholar
Trapp, M. B. (2021) Aelius Aristides: Orations II. Cambridge, MA.Google Scholar
Tribulato, O. (2021), ‘Sappho’s dialect’, in Finglass, P. J and Kelly, A. (eds.), The Cambridge Companion to Sappho. Cambridge: 135–46.Google Scholar
Ucciardello, G. (2012) ‘Ancient readers of Pindar’s Epinicians in Egypt: Evidence from papyri’, in Agócs, P., Carey, C. and Rawles, R. (eds.), Receiving the Komos: Ancient and Modern Receptions of the Victory Ode. London: 105–40.Google Scholar
Uhlig, A. (2018) ‘Sailing and singing: Alcaeus at sea’, in Budelmann, F. and Phillips, T. (eds.), Textual Events: Performance and the Lyric in Early Greece. Oxford: 63–91.Google Scholar
Vallozza, M. (1998) ‘Sui topoi della lode nell’Evagora di Isocrate (1, 11, 72 e 51–52)’. Rhetorica 16: 121–30.Google Scholar
Varner, E. (2004) Mutilation and Transformation: Damnatio Memoriae and Roman Imperial Portraiture. Leiden.CrossRefGoogle Scholar
Vassilaki, E. (2005) ‘Réminiscences de Pindare dans l’Hymne à Sarapis d’Aelius Aristide (Or. XLV)’. Euphrosyne 33: 325–39.CrossRefGoogle Scholar
Voigt, M. E. (ed.) (1971) Sappho et Alcaeus: Fragmenta. Amsterdam.Google Scholar
Wagman, R. (1995) Inni di Epidauro. Pisa.Google Scholar
Walbank, M. E. H. (2010) ‘The cults of Roman Corinth: Public ritual and personal belief’, in Rizakis, A. D. and Lepenioti, C. E. (eds.), Roman Peloponnese III: Society, Economy and Culture under the Roman Empire: Continuity and Innovation. Paris: 357–74.Google Scholar
Walker, J. (2000) Rhetoric and Poetics in Antiquity. Oxford.CrossRefGoogle Scholar
Webb, R. (2001) ‘The progymnasmata as practice’, in Too, Y. L. (ed.), Education in Greek and Roman Antiquity. Leiden: 289–316.CrossRefGoogle Scholar
Webb, R. (2009) Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice. Farnham.Google Scholar
Webb, R. (2017) ‘Schools and paideia’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 139–54.Google Scholar
West, M. L. (1984) ‘New fragments of Ibycus’ love songs’. ZPE 57: 23–32.Google Scholar
West, M. L. (1992) Ancient Greek Music. Oxford.CrossRefGoogle Scholar
Whitby, M. (2008) ‘Christodorus of Coptus on the statues in the Baths of Zeuxippus at Contantinople: Text and context’, in Bannert, H. and Kröll, N. (eds.), Nonnus of Panopolis in Context II: Poetry, Religion and Society. Leiden: 271–88.Google Scholar
Whitmarsh, T. (1999) ‘Greek and Roman in dialogue: The pseudo-Lucianic Nero’. JHS 119: 142–60.Google Scholar
Whitmarsh, T. (2001) Greek Literature and the Roman Empire: The Politics of Imitation. Oxford.Google Scholar
Whitmarsh, T. (2005) The Second Sophistic. Oxford.Google Scholar
Whitmarsh, T. (2010) ‘Thinking local’, in Whitmarsh, T. (ed.), Local Knowledge and Microidentities in the Imperial Greek World. Cambridge: 1–16.Google Scholar
Whitmarsh, T. (2013a) Beyond the Second Sophistic: Adventures in Greek Postclassicism. Berkeley, CA.Google Scholar
Whitmarsh, T. (2013b) ‘Resistance is futile? Greek literary tactics in the face of Rome’, in Schubert, P. (ed.), Les Grecs héritiers des Romains. Vandoeuvres: 57–84.Google Scholar
Whitmarsh, T. (2017) ‘Greece: Hellenistic and early imperial continuities’, in Johnson, W. A. and Richter, D. S. (eds.), The Oxford Handbook to the Second Sophistic. Oxford: 11–23.Google Scholar
Whitmarsh, T. (2018) ‘Sappho and Cyborg Helen’, in Budelmann, F. and Phillips, T. (eds.), Textual Events: Performance and the Lyric in Early Greece. Oxford: 135–50.Google Scholar
Whitton, C. (2019) The Arts of Imitation in Latin Prose: Pliny’s Epistles/Quintilian in Brief. Cambridge.CrossRefGoogle Scholar
Willcock, M. M. (1995) Pindar: Victory Odes: Olympians 2, 7, 11; Nemean 4; Isthmians 3, 4, 7. Cambridge.Google Scholar
Williams, C., Bookidis, N., Slane, K. W. and Tracy, S. (2021) ‘From the destruction of Corinth to Colonia Laus Iulia Corinthiensis’, in Fachard, S. and Harris, E. M. (eds.), The Destruction of Cities in the Ancient Greek World: Integrating the Archaeological and Literary Evidence. Cambridge: 258–87.Google Scholar
Williams, F. (1978) Callimachus’ Hymn to Apollo: A Commentary. Oxford.CrossRefGoogle Scholar
Wilson, P. (2000) The Athenian Institution of the Khoregia: The Chorus, the City and the Stage. Cambridge.Google Scholar
Wilson, P. (2003) ‘The politics of dance: Dithyrambic contest and social order in ancient Greece’, in Phillips, D. J. and Pritchard, D. (eds.), Sport and Festival in the Ancient Greek World. Swansea: 163–96.Google Scholar
Wilson, P. (2009) ‘Thamyris the Thracian: The archetypal wandering poet?’, in Hunter, R. and Rutherford, I. (eds.), Wandering Poets in Ancient Greek Culture. Cambridge: 46–79.CrossRefGoogle Scholar
Winkler, J. (1990) ‘The ephebes’ song: Tragôdia and polis’, in Winkler, J. and Zeitlin, F. I. (eds.), Nothing to Do with Dionysus? Athenian Drama in Its Social Context. Princeton, NJ: 20–62.CrossRefGoogle Scholar
Wiseman, J. (1979) ‘Corinth and Rome I: 228 B.C.–267 A.D.’. ANRW 2.7.1: 438–548.Google Scholar
Worman, N. (2002) The Cast of Character: Style in Greek Literature. Austin, TX.Google Scholar
Wright, M. R. (1995) Cosmology in Antiquity. New York.Google Scholar
Yatromanolakis, D. (2008a) Sappho in the Making: The Early Reception. Washington, DC.Google Scholar
Yatromanolakis, D. (2008b) ‘Genre categories and interdiscursivity in Alkaios and archaic Greece’. Synkrise/Comparison 19: 169–87.Google Scholar
Yatromanolakis, D. (2009) ‘Alcaeus and Sappho’ in Budelmann, F. (ed.), The Cambridge Companion to Greek Lyric. Cambridge: 204–26.Google Scholar
Young, D. C. (1968) Three Odes of Pindar: A Literary Study of Pythian 11, Pythian 3, and Olympian 7. Leiden.CrossRefGoogle Scholar
Zanker, P. (1988) The Power of Images in the Age of Augustus. Trans. A. Shapiro. Ann Arbor, MI.CrossRefGoogle Scholar
Zanker, P. (1995) The Mask of Socrates: The Image of the Intellectual in Antiquity. Trans. A. Shapiro. Berkeley, CA.CrossRefGoogle Scholar
Zeitlin, F. I. (1982) Under the Sign of the Shield: Semiotics and Aeschylus’ Seven against Thebes. Rome.Google Scholar
Zeitlin, F. I. (2001) ‘Visions and revisions of Homer’, in Goldhill, S. (ed.), Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of the Empire. Cambridge: 195–265.CrossRefGoogle Scholar
Zorzetti, N. (1990) ‘The carmina convivalia’, in Murray, O. (ed.), Sympotica: A Symposium on the Symposion. Oxford: 289–307.CrossRefGoogle Scholar
Zuntz, G. (1989) Aion: Gott des Römerreichs. Heidelberg.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • References
  • Francesca Modini, University of Warwick
  • Book: Aelius Aristides and the Poetics of Lyric in Imperial Greek Culture
  • Online publication: 01 May 2025
  • Chapter DOI: https://doi.org/10.1017/9781009518215.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • References
  • Francesca Modini, University of Warwick
  • Book: Aelius Aristides and the Poetics of Lyric in Imperial Greek Culture
  • Online publication: 01 May 2025
  • Chapter DOI: https://doi.org/10.1017/9781009518215.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • References
  • Francesca Modini, University of Warwick
  • Book: Aelius Aristides and the Poetics of Lyric in Imperial Greek Culture
  • Online publication: 01 May 2025
  • Chapter DOI: https://doi.org/10.1017/9781009518215.009
Available formats
×