This essay claims that “world literature” should be understood as a genre rather than as a canon of circulating texts. In this sense, “world literature” denotes writing that is written for and to the world in general, rather than for or to any particular community or readership. Franz Kafka’s writings exemplify this understanding of world literature, which was mediated by a particular moment in the history of philosophy—the moment when philosophy too became “worlded.” This essay considers three interconnected events of intellectual and literary history to advance this argument: 1) when the category “world literature” first appeared in England among a group of mid-eighteenth century Anglican clergymen called the Warburtonians; 2) Schopenhauer’s re-assemblage of Asian and European thought to produce a profoundly influential philosophy of the world; and 3) Kafka’s writings which belong to the Schopenhauerean aftermath, and which can be understood as a mode of literature which neither emerges from any particular literary/rhetorical lineage or tradition nor is directed towards or written in the interests of any knowable community or readership, but rather to and of the world itself.