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Dionysius endorses the Platonic position that love is a human response to beauty, and furthermore that the human quest for contemplation involves purification both of our understanding of beauty and of our experience of love. Dionysius’ understanding of both beauty and love goes beyond what we find in Plato; some of these changes belong to the development of the Platonic tradition, and especially to Plotinus, others to the Christian tradition. In the former case, beauty is understood less in terms of symmetry and more in terms of transparency to higher realities. This leads in Dionysius to a sense of beauty being a means of Theophany: God is manifest as beauty cascading through the different ontological levels of being. It is, however, crucial for Dionysius that this manifestation of beauty is seen in the way in which God’s love for all that exists is communicated through the ranks of being; this dimension he owes to his own Christian tradition. This enables Dionysius to integrate this understanding of being drawn to God through beauty with his understanding of the Church, both celestial and earthly, as essentially hierarchical, in which purification is experienced through participation in the rites of the Church.
This chapter starts with Augustine because his work sets the agenda for the mysticism of the high and late Middle Ages. The chapter also provides reference to this earlier work, which provides the background against which monks, nuns, members of the religious movements and eventually the laity lived, practised, and thought about the mystical life. More accurately, perhaps, his descriptions, in the Confessions and elsewhere, of the transcendence, transience, ineffability, and communal nature of mystical experience provide the parameters within which medieval Christians understand experiences of God and of union with God. Medieval Christian mysticism can be understood as a series of ongoing experiential, communal, and textual commentaries on and debates about the possibilities and limitations Augustine sets for the earthly encounter between God and humanity. Medieval Christian mysticism can be understood as a series of ongoing experiential, communal, and textual commentaries on and debates about the possibilities and limitations Augustine sets for the earthly encounter between God and humanity.
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