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1 results

  • Chapter 3 - Samuel Butler

  • from Part I - 1850–1900
  • Edited by Rachel Potter, University of East Anglia, Matthew Taunton, University of East Anglia
  • Book:
    The British Novel of Ideas
    Published online:
    05 December 2024
    Print publication:
    12 December 2024, pp 64-79

  • Summary

    Samuel Butler sharply divides critics, some seeing him as a relativist and thus a precursor of modernism, others as a purveyor of outdated scientific and philosophical dogma. This essay situates him as a transitional figure, straddling modern and Victorian paradigms in the tradition of the novel of ideas. Butler’s relativistic tendencies emerge through distinctive formal techniques, his chief influence on the modern novel: enigmatic use of satire; rapid, dissonant tonal shifts; defamiliarization of commonplace ideas; and fierce iconoclasm – techniques that fuel his radical questioning both of rationality and of ideas themselves. But Butler also affirmed common sense, instinct, and faith – in opposition to rationality – by conceiving them in Lamarckian evolutionary terms: that is, as repositories of intellectual choices made over the course of millennia and preserved in collective unconscious memory. Butler thus believed that ideas always fall short of truth, even as they facilitate an open-ended, interminable progress toward it.