What makes a text generically trans? A central plank of the term ‘transgender’ and prefixial ‘trans’ was a genre shift. After the modernist and transsexual fixation on autobiography and medical case studies, trans writing was meant to play on a far more open semiotic field. Whether that transformation took place, however, is a matter of debate. If ‘trans’ as the denotive for a genre of writing remains vague and not very well distinguished from its cousin ‘queer,’ and so trans still generates few genres beyond the first person, perhaps the issue is not the narratological genealogy of trans, but an unspoken racial haunting of the very same, a presence that is unspoken even as it is explicitly conjured and exorcised. This chapter investigates three recent works of trans genre—Torrey Peters’s Detransition, Baby, Jordy Rosenberg’s Confessions of the Fox, and T. Fleischmann’s Time is the Thing A Body Moves Through—to propose an undisclosed inter-racial relation that trans conventionally serves to cover over. The foundational relation of trans genre may prove to be the white trans author to the trans woman of color, she who occupies the text through either absence or idealization.

This chapter offers an overview of the conceptual framework of queer ecology – which interrogates the relationship between the categories of “queerness” and “nature.” In the first section, Seymour traces this framework’s history and deployment by academics, artists, and activists, and also attends to its oversights. She argues that queer ecology has made foundational, though sometimes underrecognized, contributions to the larger nonhuman turn in the humanities. The second section turns to primary sources, using queer ecology and the related framework of trans ecology to read two works of contemporary US literature, Edward Abbey’s novel The Monkey Wrench Gang (1975) and Oliver Baez Bendorf’s poetry collection The Spectral Wilderness (2015). Seymour shows how Abbey’s novel tries, unsuccessfully, to oppose the transformativity of nature to the transformativity of sex and gender; meanwhile, Bendorf’s poetry offers an alternative to this line of thought by drawing innovative parallels between the category of the vegetal and the transgender human body.