In this response to the incisive and stimulating discussions by Karina Vernon, Robert S. Levine, Barrington Walker, and Katja Sarkowsky of The Black Atlantic Reconsidered, I focus on the dynamic dimensions of Black Canadian and Black Atlantic time-spaces and temporalities, as well as issues of public, institutional, and pedagogical inclusion, incorporation, recognition, and transformation. In addition, questions of history and its uses, social aesthetics, and contrapuntal national/transnational frameworks are brought to the fore, often with reference to specific texts, to reflect on Black Canadian cultural achievement and its transnational and diasporic contexts both past and present.
