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1 results

  • 3.6 - The Short Story

  • from History 3 - Forms
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book:
    The New Cambridge History of Russian Literature
    Published online:
    31 December 2024
    Print publication:
    12 December 2024, pp 553-569

  • Summary

    This chapter argues that the brevity and inherent orality of the Russian short story allows for the introduction of new, often stigmatised subject matter and for experimentation with form and language. The short story laid the groundwork for the novel, but not by providing shorter pieces to be assembled into a more complex plot. Rather, its role was to work out innovative aesthetic and thematic models that the novel would later carry into the cultural mainstream. For this reason, the short story often came to the fore during periods of literary and ideological change. The chapter presents the evolution of the Russian short story in the nineteenth and twentieth centuries, with particular attention to Anton Chekhov, the author who finalised the shift to what we now recognise as the typical concerns of the modern short story.