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The literary oeuvre of the seventeenth-century literary genius Sor Juana Inés de la Cruz is genre-diverse: it includes plays, texts defending women’s intellectual agency, correspondence, religious-themed works, and, last but not least, poetry. Sor Juana’s texts are touchpoints for nearly all facets of colonial literary studies; her lyric works are invoked in critical conversations treating transatlantic studies, Barroco de Indias, New Spanish creolism, and feminist studies. Sor Juana’s lyric works evince not only her intellectual prowess, but also her artistic mastery of a variety of poetic forms, unequalled in her day or after her lifetime. This chapter examines the range of Sor Juana’s lyric writing in its totality, from her masterpiece, Primero sueño, to her renowned romances, redondillas, sonetos, and villancicos, contextualizing these in the scholarly and historical contexts out of which they arise.
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