We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Editing Fiction considers the collaborative efforts of literary production as well as editorial practice in its own right, using case studies by Australian novelists Jessica Anderson, Thea Astley and Ruth Park. An emphasis on collaboration is necessary because literary criticism often takes books as finite, discrete works rather than the result of multiple contributors, engaged to differing degrees. The editorial process always involves a negotiation over edits for the sake of the work, taking its potential reception or projected sales into account. Through examination of the archives, this Element shows that editing can be formative, limiting, commercially directed, a literary collaboration – or a mix of all these interventions. For editors and scholars alike, the Element examines practices of the recent past, seeking to determine the responsibilities of editors and publishers to authors, the text itself and to society; and the interrelation of editorial work, social conditions and market forces.
The colonial era and decolonization impacted on African states, especially on politics, economy, and individuals. In discussing the political effects, this chapter focusses on the nature of the state, borders, solidarity among former liberation fighters, and the continued links to the former colonial power. Turning to the “economic revolution” that colonial powers have left behind, it is shown that post-colonial leaders did not want to undo it in most places even though the economy was designed to benefit the colonial powers and not the colonies. The effects on individuals are various and the discussion can only sheds light on a very limited number of factors such as the effects of the humiliation of individuals.
This chapter engages with theories of global governance and private regulation to explain how and why standards support what I call a transnational hybrid authority. It shows that the notion of hybrid is mostly used as a default attribute to accommodate multiple and contradictory policies of global governance. Supplementing international political economy literature with semiotics, science and technology studies, and post-colonial studies, I argue that the concept of hybrid allows for seeing such ambiguity as an ontological attribute transforming the relationship between transnational capitalism and territorial sovereignty. Ambiguity thus imbues not only the status of the actors involved in standardisation and regulation but also the scope of the issues on which they operate and the spaces on which they exert their authority. The chapter outlines the analytical framework of the book including the three dimensions of actors setting standards, the scope of the standards and space on which such authority is recognised.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.