Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 5 - “To take on me the payn / Ther fall to remember”

  • from Part II - The Politics of Memory and Affect
  • Edited by Jonathan Baldo, University of Rochester, New York, Isabel Karremann, University of Zurich
  • Book:
    Memory and Affect in Shakespeare's England
    Published online:
    07 June 2023
    Print publication:
    27 July 2023, pp 106-123

  • Summary

    This chapter looks at the mid-century complaint movement and early modern memory culture, with a focus on George Cavendish’s collection of individual stories, Metrical Visions, and its connections with various memory networks. Often cloaked in an outward conservativism affirming traditional hierarchies, the mid-century complaint poem demonstrates networks of power very different from those depicted in medieval tragic poetry. Composed of the imagined testimonies of trauma victims, speaking from the grave, complaint locates individual memories and affects within political systems. Less famous than its almost-contemporary complaint collection The Mirror for Magistrates, Metrical Visions combines the traditional protest complaint with an awareness of the various facets of an individual memory and the role that networks in those memories. Mid-century complaint invents a way of speaking that evolves into the Shakespearean soliloquy. As such, complaint poetry acts as a bridge between medieval tragic poetry and early modern dramatic tragedy.