Clare Finburgh Delijani’s chapter accounts for a significant and growing strain of theatre that stages the central role played by migration and transnational, mobile identities not just in France but also across the world. Today around 30 per cent of France’s population comprises either migrants from its former colonies or their postmigrant descendants, demonstrating the key significance of migration to French society and culture. Using Édouard Glissant’s notion of ‘relation identity’, which expresses ‘the conscious and contradictory experience of contacts among cultures’, Finburgh Delijani demonstrates how the exiles, immigrants and refugees featuring in the plays she examines represent the postcolonial diversity of the French nation. With close analysis of Bernard-Marie Koltès’s Le Retour au desert (Return to the Desert, 1988), Wajdi Mouawad’s Incendies (Scorched, 2003) and Estelle Savasta’s Traversée (Going Through, 2019), Finburgh Delijani exposes how characters illustrate the uprooting of belonging, legitimacy and identity by the often violent severance of migration and exile. However, the trauma that characters suffer – which cannot be underestimated – is counterbalanced by the relational, transnational and cosmopolitan citizens they are able to become.