Codex Atheniensis 211 is the earliest surviving illustrated Chrysostomic anthology. Its unique and sophisticated illustration still puzzles and fascinates scholars. The relative chronology of the manuscript fluctuates between the end of the ninth century and the first half of the tenth, while its provenance remains to this day unspecified. In an attempt to illuminate the circumstances of its creation, this study engages with the examination of a unique homily and its illustration. In my view, the people responsible for the selection of the sermon and the design of its illustration conceived it as a meaningful re-contextualization of the homily's original delivery; the historical background of fifth-century Constantinople served as a springboard for the articulation of an eloquent visual comment on current public issues in the Byzantine capital.
