The distribution and hybridization of ceramic vessels provide insights into how local elites and imperial officials navigated imperial expansion. This article presents data on ceramic sherds from the sites of La Centinela and Las Huacas in the Chincha Valley that date to the period of Inca occupation (AD 1400–1532). In Chincha, the Inca established a style of joint rule in which Inca and local authority were closely aligned. The ceramic data demonstrate that Inca imperial designs and diagnostic shapes were most numerous in contexts associated with direct Inca presence and that the types of vessels and designs that elites used to develop their authority differed among the contexts: hybrid material culture thus varied throughout the Chincha Valley. These different hybrid material cultures include state-sponsored hybrid wares (Inca vessels, on which the Inca intentionally integrated Chincha designs) and local vessel shapes on which elites used Inca symbols and vessel shapes to assert their status to a mostly local audience.

Investigations at the Native American site complex of Stark Farms in Mississippi, USA, have yielded numerous examples of metal artifacts of European origin. Our study suggests that they derive from contact between the AD 1540–1541 winter encampment of the Spanish Hernando de Soto expedition and the local Indigenous polity. The artifacts display a wide range of modifications, uses, and depositional contexts congruent with hybrid practices. We argue that the early colonial setting of Stark Farms requires a different perspective on cultural mixing than is often applied in studies of European colonialism. This is highlighted by the strongly improvisational nature of the modification of the metal objects, embodying a political climate in which European incursions were precarious and in which hybridity and power were heterogeneous and fluid.