The century of Russian genius presented in the pages above opened with the soldier who saved Peter the Great from death and closed with Daniil Kharms’s travelers spreading kindness and tolerance. In between, a panorama of extraordinary cultural richness unfolded, with layer upon layer of innovation in the arts. Throughout, the creativity of high culture drew on rich folk traditions, and the burgeoning popular culture took inspiration from above. Three themes – freedom and order; the boundaries of self and society; and the societal obligations of art and artists – played out in an enormous body of literature, music, and the visual arts. The firebird, caged or free, captured or in flight, is central, as is the fox, who (usually) succeeds in securing her objectives through wile and guile. The works of this age of genius were created over decades under conditions of recurrent social disruption and trauma. Despite formidable obstacles, brave and talented writers, artists, musicians and others remained committed to expression of naïve goodness to counter evil. That this message prevailed, even if restricted to a subset of works and a segment of audiences, is a dimension of moral genius comparable to the lauded artistic brilliance of the age.