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4 results

  • A RADIOCARBON-BASED MODEL OF CHANGING BURIAL RITES IN EARLY MEDIEVAL ENGLAND

  • Emma Brownlee
  • Journal:
    Radiocarbon / Volume 65 / Issue 6 / December 2023
    Published online by Cambridge University Press:
    12 December 2023, pp. 1232-1252
    Print publication:
    December 2023
    • Article
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  • This paper uses a “dates as data” approach to understand how grave good use and cemetery space changed across the early medieval period in England. A series of composite kernel density estimations were created, based on a dataset of nearly 1100 graves with associated radiocarbon dates, from between the fourth and ninth centuries AD. This modeling revealed a previously unrecognized peak in grave furnishing around 600 AD, which coincides with a peak in isolated burials, and a low point for unfurnished graves and for small cemeteries. It argues that this peak is unrecognized as previous models of chronological change have focused only on graves containing chronologically distinctive artifacts and highlights the importance of radiocarbon dating as a way of avoiding this limitation.

Writing the World in Early Medieval England

Writing the World in Early Medieval England
  • Nicole Guenther Discenza, Heide Estes
  • Published online:
    08 September 2023
    Print publication:
    28 September 2023
  • The early medieval English were far more diverse and better connected to a broader world. Their writings reveal substantial interest in Europe, Asia, and Africa while they situated themselves firmly within Christian Europe. They drew many ideas from textual sources and filled out their conceptions from their own travels and interactions with visitors. Chronicles, histories, poetry, homilies, saints' lives, and occasionally maps tell of peoples and lands from the British Isles to their near neighbors in Scandinavia to such distant places as Jerusalem, North Africa, and India. They also imagined geographies that veered into the fantastic and vividly depicted hell, purgatory, and heaven. This Element provides insights about early medieval English who were engaged deeply in a variety of modes with other parts of their world. Both the connections and the divisions they constructed still have impact today.

  • Chapter 1 - ‘Miserere, meidens’

  • from I - Patrons, Owners, Writers, and Readers in England and Europe
  • Edited by Corinne Saunders, Durham University, Diane Watt, University of Surrey
  • Book:
    Women and Medieval Literary Culture
    Published online:
    28 July 2023
    Print publication:
    17 August 2023, pp 27-49

  • Summary

    This study of medieval nuns and abbesses as scribes focuses on manuscript evidence from post-Conquest England, especially in relation to changing institutional ownership. Looking initially at an early-twelfth-century legal manuscript from St Paulߣs London (Cambridge, Corpus Christi College, MS 383), the essay draws our attention to short texts that were subsequently added to it by one ߢMatildaߣ for the benefit of a female audience. Similar additions are made to another manuscript (London, British Library, Cotton MS Vespasian D. xiv) which contains homilies and saintsߣ lives, this time by an ߢancillaߣ or nun, who inserted prayers that she had authored herself sometime in the late twelfth century. These findings are important because there is very little proof of womenߣs scribal activity in medieval England: hitherto scholars have assumed that manuscripts are written and glossed by men.

Art and the Formation of Early Medieval England

Art and the Formation of Early Medieval England
  • Catherine E. Karkov
  • Published online:
    28 February 2022
    Print publication:
    10 March 2022
  • This Element covers the art produced in early medieval England from the departure of the Romans to the early twelfth century, an art that shows the input of multi-ethnic artists, patrons, and influences as it develops over the centuries. Art in early medieval England is an art of migrants and colonisers and the Element considers the way in which it was defined and developed by the different groups that travelled to or settled on the island. It also explores some of the key forms and images that define the art of the period and the role of both material and artist/patron in their creation. Art is an expression of identity, whether individual, regional, national, religious, or institutional, and this volume sheds light on the way art in early medieval England was and continues to be used to define particular identities, including that of the island on which it was produced.