This article examines S. Bulgakov's treatise ‘Sofiologiia smerti’ (‘Sophiology of Death’), which has been relatively neglected by scholars. Death is a topic that recurs with some frequency throughout Bulgakov's writings; that it merited its own study indicates the importance that he attached to the topic. The article provides a biographical, cultural and intellectual context for the treatise, as well some comments on its literary features. Bulgakov's use of sophiology and kenotic theology to explore the process of dying and the fact of death itself come under review. His reflections on human death and dying lead Bulgakov to explore how the Son of God experienced death and the involvement of the Trinity itself in that experience. Christ becomes fully human when he dies, and his death is the pattern for all human death.
