Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

2 results

  • Critical Forum: What is Critical Pakistan Studies?

  • Mubbashir Rizvi, Majed Akhter, Naveeda Khan, Iftikhar Dadi
  • Journal:
    Critical Pakistan Studies / Volume 1 / Issue 1-2 / May 2023
    Published online by Cambridge University Press:
    20 May 2024, pp. 4-13
    • Article
      • You have access
      • Open access
    • PDF
    • HTML
    • Export citation

  • 1 - Forms and Increments of Performance

  • Tracy C. Davis, Northwestern University, Illinois
  • Book:
    Liberal Lives and Activist Repertoires
    Published online:
    19 May 2023
    Print publication:
    01 June 2023, pp 11-71

  • Summary

    Just as spectacle was integral to Victorian culture, the understanding and active critique of performance in its myriad forms and situations was integral to Victorian political life. Liberals and Radicals applied this to a variety of organisational formats and gatherings – pre-eminently, meetings linked to other events through performance chaining – to enhance their impact. A dramaturgical approach reveals how performance and performance critique were integrated into political work. Starting with Thomas Thompson, this is evident across three generations of the Thompson-Chesson family. George Thompsons lecturing acumen built from this, establishing the basis for the Trans-Atlantic Anti-Slavery Movement during the 1830s. Frederick Chessons acumen as a political organiser helps show how the realm of the sensible (arts) was integral with reform in a dramaturgy of the intelligible starting in the 1850s. While this recenters liberalism within aesthetics, Amelia Chessons additionally provides ways to revise the historiography of the public/private divide.