Looting and plough damage to the eighth–fifth centuries BC tumulus of Creney-le-Paradis, France, hinders interpretation of this potentially significant site. Nevertheless, application of novel microtomographic techniques in combination with optical and scanning electron microscopy allows the first detailed examination of 99 textile fragments recovered from the central pit. The authors argue that the diversity of textiles revealed—at least 16 different items—and the quality of weaving involved confirm earlier interpretations of the high status of this burial, which is comparable, at least in terms of textiles and metal urns, with other ‘aristocratic’ tombs of the European Iron Age.

Archaeologists have long looked to Homeric epic, which describes the collection of heroes’ ashes in metal vessels for interment, as a comparison to high-status burials found in the Greek world and, beyond, in temperate Europe. Rarely, however, has the phenomenon of aristocratic metal-urn cremation burials across Bronze and Iron Age Europe and the Mediterranean been analysed as a single phenomenon. The author presents a continental-scale study based on a corpus of nearly 600 burials, identifying chronological and geographical patterns. The results emphasise how this elite funerary custom drew on and extended a set of shared aristocratic values and practices across Europe and the Mediterranean in the first millennium BC.

During the 6th and 7th c. CE, Carthago Spartaria (modern Cartagena) became one of the most important cities in the Byzantine province of Spania. Recent archaeological excavations at Cerro del Molinete have significantly increased our knowledge of the ancient city, enabling the exploration of an early Byzantine neighborhood built over the Roman Forum district. A cast bronze ewer of type Werner A2 was found in a pit dug over the temple that presided over the Forum. The associated materials, mainly pottery and glass vessels, are compatible with a deposition between 580/90 and 650/60 CE. This assemblage improves our understanding of the trade networks interconnecting the Mediterranean basin during the 6th and 7th c. CE. In this context, we argue that the unknown production center of the A2 ewers was located in the northern Adriatic, probably in Ravenna.

This is a short review of the “Mirroring China's Past” exhibition at the Art Institute of Chicago (February 25th–May 13th, 2018). For reference, the exhibition catalog is: Tao Wang 汪涛 et al. Mirroring China's Past: Emperors, Scholars, and Their Bronzes [吉金鑒古]. The Art Institute of Chicago, 2018. Distributed by Yale University Press, New Haven and London.

The magnificent tomb of King Cuo now published throws a bright light on a kingdom of the Warring States period. Here the author shows how the bronze vessels in the tomb, blessed with dated inscriptions, can chronicle the political fortunes and alliances of King Cuo’s reign.