This chapter examine some ways in which Greek novels flaunt and make play with their textuality, particularly Antonius Diogenes’ The incredible things beyond Thule and Longus’ Daphnis and Chloe. It argues that Antonius Diogenes presents recurrent tensions between the textual and the oral and highlights the importance of γράμματα, ‘letters’, to communication within his narrative, mirroring its writing down on wooden tablets that readers encounter in its frame. It also proposes meta-literary functions both for the name of the Arcadian envoy to Tyre, Κύμβας, ‘Cymbas’, since one of the meanings Hesychius gives the noun κύμβη is πήρα, ‘bag’ ( i.e. the receptacle in which the wizard Paapis carried his magic books) and for the twisting and turning of Mant(in)eas in P.Oxy. 4761. Longus apparently follows Antonius Diogenes in (unusually) specifying the number of his work’s books, but γράμματα, ‘letters’, have no role within his narrative (despite being taught to the young couple): that narrative is an entirely oral response by an unnamed exegete to a γραφή in the sense ‘painting’, and though within it tales are told, nothing is ever written or inscribed, not even in Dionysophanes’ paradeisos or in his civic elite world.