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Since the 1990s, modern slavery has been recognized as a global problem, with campaigners around the world providing assessments of its nature and extent, its drivers, and possible solutions for ending it. However, largely absent from the global antislavery movement's discourse and policy prescriptions are the voices of survivors of slavery themselves. Survivors' authentic voices are underemployed vital tools in the fight against modern slavery in all its forms. Through close readings of over 200 contemporary slave narratives, Andrea Nicholson repositions the history of the genre and exposes the conditions and consequences of slavery, and the challenges survivors face in liberation. Far from the trope of 'capture, enslavement, escape,' she argues that narratives are rich and vitally important sources that enable the antislavery community to be gain important insights and build more effective interventions.
The New England tradition was contested throughout the United States, its meanings were never monolithic, and authors like John Greenleaf Whittier, Oliver Wendell Holmes, and James Russell Lowell are more interesting than literary history has remembered them to be. Whittier's relation to the antislavery movement was entirely print-mediated, and in the vexed political climate of the 1830s his publications made him notorious. Whitman Bennett has described Whittier's antislavery newspaper poems as a very special brand. The dialectical distinction between national and natural literature characterizes Lowell's stance on literary value: literature becomes national as it becomes natural, by growing from a global tradition. The decline of Lowell's productivity after the Civil War has been noted, but the Commemoration Ode really commemorates the passing of the kind of public verse he had championed, which once shaped the social order, but which will have a less important place in the new, postbellum world.
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