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This chapter focuses on the figure of the Cyclops and the use of ‘the animal’ in thinking human difference. It presents the animalizing of certain humans (the attribution of animal features to them) as a potent strategy to dehumanize and thus marginalize certain ways of being human. In the ethnographic imagination of Homer’s Odyssey, the margins of the known world are shown to coincide with the margins of the human. The chapter further illustrates that this spatial concept of the human did not remain restricted to the ancient world but carries on into the modern: The figure of the Cyclops, whose problematic humanity is in sharp contrast to the enlightened, educated, and cunning Odysseus, in many ways anticipates that of ‘the savage’ as the quintessential ‘other’ in the modern Western ethnographic literature. And yet the question arises as to whether the ancient story does not already expose the kind of hubris at play when we normalize certain ways of being human while dismissing others.
What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity. This grippingly written and provocative book boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings – from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur – Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are.
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