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aesthetic paradox

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Chapter 4 - Representation
Stephanie Rumpza, Sorbonne Université, Paris
Preface by Jean-Luc Marion
Book:

Phenomenology of the Icon

Published online:

17 August 2023

Print publication:

31 August 2023, pp 133-160
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Summary

Using several examples, I discuss the features of Byzantine icons as a form of representational art. In addition to tensions which can occur within the image itself, I point out tensions between the expression of a glory which surpasses the limitations of the aesthetics alone (through the use of gold, perspective, and the mandorla) as well as an impoverishment which falls well beneath what images are capable of (the submission of the painting to prescribed word, in content, style, and name). This paradoxical inclusion of highs and lows, straining against the limits of representation on both sides, hints that the icon is aiming to express a meaning greater than the image alone.