Hannibal was forced by Roman pressure to flee Carthage in secret (195). Livy’s narrative is lively and amusing. Like a Classical Greek taking refuge with a Persian satrap, he spent the rest of his life with eastern royalty. His flight was precipitated by the arrival of three Roman envoys, whose mission was to accuse Hannibal of plotting war against Rome in combination with the Seleucid king Antiochus III. He had long prepared for something like this, and left the African mainland for a nearby island, Cercina. There he found Phoenician ships and suspected they might take news of him to Carthage. So he organized a midsummer banquet, including a huge improvised sunshade or marquee made from the ships’ sails. In the morning the crews awoke with hangovers to find their ships incapacitated. He sailed for Tyre, then Daphne, a suburb of Antioch. Back at Carthage, his town house was formally demolished.

The use of Aegean pottery – comprising a few drinking vases – is rather limited in the Iron Age cemetery of al-Bass in Tyre despite the large number of investigated tombs. This finding stands in contrast to the evidence recovered from the excavations at the settlement site of Tyre, on the ancient island, where a broad range of typologically variable Greek ceramics came to light. Nevertheless, the imported wares at the settlement seem to be represented by even lower percentages than those at the cemetery. This paper aims to analyse this discrepancy through various perspectives that include examination of typology, functionality, social dynamics and economics. The conclusions drawn from this analysis suggest that these non-local artefacts did not significantly alter the way in which the community of Tyre consumed wine. Instead, their deposition in burial and possibly other social contexts can be associated with issues of social status manipulation.

Let’s go and meet Melqart, the protector of Tyre, so attached to his rock and yet a tireless traveller. He travelled all the shores of the Mediterranean region with the Phoenicians from rock to rock. We will see why he adorned himself with the attributes of Heracles and what he shares with his Greek companion. We will also discuss his association with other deities in the Western Mediterranean. Finally, we will see why, long after the Phoenician expansion, he remains a reference point of the Phoenician world and of Tyre, the rock par excellence.

This chapter traces the different uses of the term φοῖνιξ / Φοῖνιξ, the cognate adjectives φοινικός and φοινικοβαφής, and verb φοινίττω, running from this last’s allusive use to describe Theagenes’ bloodstained cheek at the beginning of Book 1 to the revelation at the novel’s close that its writer is a Φοῖνιξ, ‘Phoenician’. Ι noted how these uses span the word’s range of meanings – crimson, date, palm, Phoenician – and how Phoenicia’s importance is augmented by the mysteriously unnamed Tyrian’s victory at Delphi and by the description of the ship on which the trio escape as Φοινίκιον … φιλοτέχνημα, ‘a Phoenician masterpiece’ (5.18), a mis-en-abyme of the literary masterpiece which transports the couple from Delphi to Meroe.

Nabopolassar fought with an Assyrian-style army and took the throne of Babylon. Thirteen years later, Nineveh fell despite Egyptian help. Babylon took over much of the Assyrian empire. Later he defeated the last Assyrian king at Harran. His success was seen as Marduk’s revenge. Captured wealth from Assyrian royal cities allowed major building work at Babylon, which was continued by Nabopolassar’s son Nebuchadnezzar II. Neither king left statues of themselves, and cylinder seals represent gods by their symbols. Major subsidence in the citadel required frequent rebuilding on the Southern Palace. The names of temples and gates were compiled on to a clay tablet as a literary work. Colour-glazed bricks adorned the Processional Way leading to the temple of the New Year festival outside the citadel walls. That festival is described. Some of his creations Nebuchadnezzar described as a Wonder, but he made no mention of the Hanging Garden. In a separate part of the citadel, Nebuchadnezzar built a Summer Palace. His conquests included Tyre and Ashkelon but not Egypt or Lydia. He sacked the Temple in Jerusalem and deported its royal family to Babylon. Other captives settled on land nearby. Business archives of long duration continue into the Achaemenid period.

In Chapter 9, Strand BIII reflects the historical Sitz im Leben of the source in the Neo-Babylonian Period (the reigns of Nabopolassar and the early years of Nebuchadnezzar II). The author of this strand incorporated echoes of the events connected to the demise of the Assyrian Empire. More particularly, these echoes reflect the following events: a) the wars of the Babylonians under Nabopolassar on Assyrian soil from 616 to 609 BCE, during which the Babylonians devastated the heartland of Assyria and conquered its Western provinces, thus sealing Assyria’s demise; and b) the subsequent campaigns of the Neo-Babylonian Empire under Nebuchadnezzar II, during which the Babylonians crossed the Euphrates and conquered the Levant (605–598/7). The struggle between Assyria and Egypt over the Levant is omitted. During the siege of Jerusalem between 588 and 586 BCE, the people of Jerusalem decided to oppose the besieging Babylonians and not surrender. Jerusalem withstood a siege for a far longer time than any of the nations listed in Isa 37:12–13, namely during the conquests of the Neo-Babylonian Kings. Therefore, the people of Jerusalem could claim that God was protecting them and Jerusalem.

For millennia the story of Hezekiah’s miraculous deliverance by the Angel of God from Sennacherib (in Isa 36–37/2 Kgs 18:13–19:37), has been perceived as the fulfillment of God’s words of salvation to Jerusalem as a reward for the pious king of the house of David.

Chapter 7 presents the historical reality of the period between the murder of Sennacherib in 681 BCE and the defeat of Assyria at the borders of Egypt in 673 BCE. Scholars did not consider the historical reality of Egypt and Kush, which excludes portraying Taharqa as a heroic victorious figure after 671 BCE, after which he could not have been depicted as the savior, who would come to the rescue of Jerusalem, since during the period from 671 BCE until his death in 664 BCE he was repeatedly defeated by the Assyrians and his kingdom conquered and subjugated. Thus, only a narrow window of opportunity can be detected for the composition of BII – the years between the murder of Sennacherib (681) and the conquest of Egypt by Assyria (671). During this period Assyria suffered a disastrous defeat, which might have been portrayed as the intervention of God’s angel in Isa 37:36. After the conquest of Egypt by Assyria in 671 BCE and the expulsion of the Kushites from Egypt never to return, Taharqa’s elevation to the role of savior would be highly improbable.

Chapter 14 is a summary of the book, reconstructing the process of the creation of the text in its different phases. According to the division of sources and strands, the question of the narrative’s original setting may also be answered. I advance a reason for the composition and incorporation of each of the sources and strands. I address the identity of the milieu of the composer, as well as the intended audience of his message. What message did the composers intend to convey to their audience at the different stages of the composition?