We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter examines the growth of small-press publishing in Ireland during the 2010s and early 2020s. It contextualizes the Irish small-press industry within three broad trends: 1) the global expansion of nonprofit small-press publishing from the 1980s to the present; 2) the Irish state’s financing of literary infrastructure (mostly in the form of strategic funding grants disbursed by the Arts Council of Ireland/An Chomhairle Ealaíon); and 3) the development of rights-sharing agreements between small-press publishers, such that several different small presses will release the same title simultaneously (or in near succession) in different countries. In mapping this global publishing system, the chapter shows how the much-lauded “golden age” of post-crash Irish fiction can be traced to market and institutional dynamics. Specifically, it describes how the consolidation of the international small-press industry has exerted a discernable influence on the aesthetics of contemporary Irish literature, with Irish literature evolving into a field in which certain international styles popular with Anglo-American small presses are cited, borrowed from, reworked, and made into something new.
This coda considers in dialogue two influential Irish publishers, The Irish Times and Tramp Press, that have successfully adapted to the digital age while maintaining a deep commitment to literature and readers. The Irish Times is a venerable newspaper of record founded in 1859 whose form and content reflect contemporary conditions, while Tramp Press is a small, independent press founded in 2014 whose venturesome publications have garnered enthusiastic critical praise. As divergent as their organisational structures and objectives, these publishers share a common mission in advocating literature, and particularly Irish literature, as an essential and durable cultural instrument – one that not only helps readers to apprehend their contemporary moment, but also encourages them to think critically about the past and to imagine possible futures.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.