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This chapter examines how the refugee crisis was framed and portrayed by right-wing actors. Its main puzzle is how the initially sentimental, humanitarian approach to the coverage of the refugee crisis was gradually transformed to present refugees as an existential threat to European societies. We track the frames and themes utilized by mainstream and radical right parties in their official speeches, documenting that utilizing a framework focusing on security and identity, they slowly managed to shift the perceptions on immigrants arriving at European shores. Furthermore, their rhetoric aimed at actively downplaying the humanitarian element, claiming instead that the search and rescue operations had perverse effects, motivating immigrants to make the crossings into the EU and worsening the refugee crisis. Therefore, in Hirschman’s terms, a rhetoric of jeopardy and perversity dominated the right's reaction to the refugee crisis, slowly eroding sympathy toward migrants.
In this article, we introduce an innovative approach to examining campaign themes in Italy, by performing an original corpus linguistic analysis of the party manifestos related to the crucial 2022 election. Through its systematicity and flexibility, our approach allows us to gauge theory-driven propositions using a large amount of so far unexplored textual data. As anticipated, the 2022 Italian party manifestos are characterised by a somewhat balanced configuration of emphasis across a variety of themes, of which some are more controversial and others more widely shared among voters and parties. Further, we also corroborate that parties primarily focus on those themes that historically fit them best, ideologically and in terms of perceived competence. Lastly, salient ‘issues of the day’ are differently emphasised by Italian parties, which particularly avoid devoting considerable attention to the highly sensitive Russian-Ukrainian war.
Edited by
Ben Kiernan, Yale University, Connecticut,T. M. Lemos, Huron University College, University of Western Ontario,Tristan S. Taylor, University of New England, Australia
General editor
Ben Kiernan, Yale University, Connecticut
Genocide has a way of imposing silence. Part of its purpose is to erase history, and human voices. This series of three volumes aims to contribute to breaking the silence that so often follows genocidal outbreaks. These volumes attempt to document and understand this global phenomenon. The term “genocide,” as a way of describing the “practice of extermination of nations and ethnic groups,” was coined in 1943, when Raphael Lemkin (1900-1959) penned the preface to his 1944 book Axis Rule in Occupied Europe. Five years later the United Nations General Assembly unanimously adopted the Genocide Convention. But Lemkin considered genocide to have much older roots. He had set about writing – but did not complete before his death – a three-volume history of genocide from ancient times, in which he argued that the phenomenon had “followed humanity throughout history.”
In Chapter 7, we start out by describing the four PhD projects our life stories were derived from. We then describe how we coded the life stories to answer our two main questions concerning the personal consequences of mental illness and potential pathways to thriving. The steps in the coding procedure included 1) open reading of life stories and developing themes, 2) establish coding manual with themes, 3) use manual to code all life stories for presence of themes and count frequencies (reported in Chapter 8), and 4) develop subthemes and superordinate themes (described in Chapters 9-12). We outline potential threats to generalizability of our findings, including that the sample overrepresented women and possibly individuals with relatively high levels of functioning. Furthermore, we note that the Danish cultural context, including the extensive welfare system and low emphasis on religion, may shape our findings.
Chapter 1 does the work of conventional introduction to De Excidio by surveying everything we know about the text, from date, authorship, and provenance to manuscript witnesses, sources, and reception history, including a critical discussion that clarifies the relationship between De Excidio and its main source, Flavius Josephus’ Jewish War (written in Greek around 75 CE). Chapter 1 also lays out a framework for the rest of the study by explaining Roman exemplarity as a rhetorical discourse especially familiar within scripted character speeches by historians in the Greco-Roman world.
This introduction begins by surveying earlier scholarship on the Roman imperial court, arguing that the landmark works have been unduly confined to the court in the city of Rome, to particular time periods, and to certain narrowly defined themes. It then discusses the definition of ‘court’, presenting the social definition used in the book, namely a circle of people in reasonably regular personal contact with the emperor. The introduction also considers what kinds of historical knowledge in relation to the Roman court are possible. The sources lack the focus and detail needed for a narrative history of the court; nor can we convincingly posit a model that encapsulates the impact and operation of the court over c. 300 years. Instead, one should identify features of court life and culture that recur, even if they did not exist (or are not evidenced) under every emperor.
Chapter 13 begins with a definition of story and a brief overview of past theory and research.Then story structure, master-plots, and themes are discussed, using examples from well-known literature as well as from actual discourse.Different forms and uses of stories in conversation are discussed, including retold stories and stories that express or celebrate group identity.
In his chapter on Proverbs, Christopher Ansberry provides a refreshing introductory approach to the book, not least because he starts with the history of interpretation rather than letting thematic concerns dominate. He identifies five patterns within the history of the book’s interpretation, including a focus on character formation, debates about the nature of its ‘wisdom’ and place in the canon, interest in its reception via matters of date and authorship, the discovery of comparative ancient Near Eastern material, and current, expanding interdisciplinary approaches to the book. A section on the fundamental nature of the book takes on matters of form, genre, poetic features, and the idea of a ‘collection’, whilst granting admiration rather than suspicion to the complexities of the book’s sayings. Likewise, the structure of Proverbs, though containing many parts, comes together into a coherent whole, an ‘anthology’, to which each piece contributes. Ansberry concludes by proposing four ‘dominant’ themes in the book: the fear of the Lord; wisdom; moral order and created order; retribution and reward.
In many domains of linguistics, theoretical differences have led to entrenchment and a certain degree of fragmentation. Morphology seems to be different. Theoretical positions differ substantially, but the differences never get in the way of informing oneself about the reasons for adhering to a different framework, making use of it. In this volume, the following frameworks are discussed: a-morphous morphology (Anderson 1992), word and paradigm morphology (Blevins 2016), paradigm function morphology (Stump 2001, 2016), onomasiological approaches (Dokulil 1962, Štekauer 1998), construction morphology (Booij 2010), lexical semantic framework (Lieber 2004, 2016), and neo-constructionist approaches (Hale & Keyser 2002) such as distributed morphology (Embick 2015). This volume thus contains a wealth of theoretical approaches, methodologies, and descriptive issues: a fitting tribute to a linguist who made it his hallmark to serve the linguistic community with a broad range of textbooks, monographs, and research articles.
This chapter concludes the text-critical portion of the study, exploring the thematic structure of the entire text. This analysis proves that the largest text-segments in the extant Arthaśāstra, called "books" (adhikaraṇas), were also added during the same redaction that introduced the chapters, verses, and citations. This allows for the identification of yet further parts of the text that must have been added at that time and a critical estimate of the extent of the original treatise.