This chapter introduces important distinctions between intended and actual readership, and between the early novels, the ‘sophistic’ novels, and other known novels. It concludes that both the intended and actual readers of ‘sophistic’ novels were from the educated elite, and that Chariton probably envisaged such readers too, while perhaps writing in such as way that readers might also be found further down the social scale. Readers of this sort may also have been envisaged by Xenophon and some other writers of fiction, but in no case much further down.

Plato’s philosophical thinking begins from views and assumptions that he presupposes in his readers or in himself, whether or not he states them explicitly. This chapter surveys the following influences: (1) Homer. (2) Political developments and the moral questions they raise. (3) The interactions of natural philosophy (‘Presocratic’ philosophy) and religion. (4) The epistemological questions arising from natural philosophy. (5) Sceptical tendencies in naturalist epistemology. (6) Sophistic and rhetoric and the intellectual and political tensions connected with them. (7) Plato’s reactions to natural philosophy, sophistic and rhetoric. (8) Socratic inquiry and its sources in drama and forensic oratory.

Analyses the re-animating culture of imperial Greek culture, focusing on sophistic declamations, ethopoetic exercises, ‘close encounter’ descriptions and Homeric performance. Suggests how all these spaces reveal a strong and very textually engaged awareness of the concept of ‘doubleness’ (being and not being the subject of one’s impersonation). By reading these modes alongside depictions of performance from within the Posthomerica (Nestor’s song, the song of the bards and the debate between Ajax and Odysseus) argues for the direct influence that they exerted on Quintus’ composition, providing models for how to expand creatively within the boundaries of a canonical, traditional text.