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1 results

  • 13 - Artists’ Perspectives Experimental and Electronic Music in Australia

  • from Part III - Diversities
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book:
    The Cambridge Companion to Music in Australia
    Published online:
    14 November 2024
    Print publication:
    14 November 2024, pp 205-218

  • Summary

    Written from the perspective of two people currently involved in experimental and electronic music in Australia, this chapter provides an overview of some of the key movements and works in the genre, from the twentieth century to the present day. Focusing primarily on music that exploits technology and experimental approaches that progress innovation in art music contexts, it highlights some of the diverse practitioners – performers, composers, improvisers, sound artists, and instrument makers – who have pushed the boundaries of what is possible, often blurring the lines between art forms in the process. While it is unable to provide an exhaustive historical or contemporary account of the innovations that have been achieved here, or those responsible, the selected representative survey should serve to contextualise Australia’s contributions to electronic and experimental music, demonstrating our reputation for presenting ‘mavericks’ to the music world.