This chapter seeks to reconnect American puritan literary histories with the Caribbean, to show that we cannot fully understand seventeenth-century American literature without taking into account the fact that the Caribbean was a place in which and through which American puritan literature was written. The chapter traces the entanglement of the Caribbean with New England through the circulation and exchange of goods, bodies, citizens, texts, and ideas. The chapter considers, in particular, two historical examples of New England puritan engagement with the Caribbean – the slave trade and Quaker dissent – and two examples of literary engagement – A Continuation of the State of New England (a pamphlet describing King Philip’s War in New England and a thwarted slave rebellion in Barbados) and records from the Salem witch trials. This chapter argues that the both the material reality and the idea of the Caribbean shaped the American puritan imaginary. On the one hand, the islands were key trading partners, and the continued existence of a puritan “New England Way” depended on this trade as a source of steady income. On the other, New Englanders sought to distance themselves from the islands and represent themselves as singularly “godly” English settlers.

Born Callie Russell Porter in Indian Creek, Texas, Katherine Anne Porter cultivated an elaborate fiction of genteel southernness: she adopted the name of her Kentucky-born grandmother, along with an apocryphal genealogy of illustrious ancestors and landed gentry. Yet Porter, who rarely lived in the South or even in Texas, would claim other home spaces throughout her life - or, more accurately, her stake in a southern narrative would emerge only circuitously, by way of alternative geographies and narratives in which she identified variously with the elite and the dispossessed. She eventually imported a nativist southern identity that bore the traces of a much deeper American chronicle and called frequently upon an Indigenous motif to both account for and ameliorate the anxieties of dispossession. In Porter’s fiction, an Indigenous frame narrative provides a tempting window onto a reorienting, and finally mythical, humanity unscathed by modernity’s ills. Her long career would bear the traces of an entwined southern-Indigenous imaginary steeped in the lessons and vexations of early American settler colonialism.