Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 15 - Langston Hughes in Spain

  • from Part II - The Global Langston Hughes
  • Edited by Vera M. Kutzinski, Vanderbilt University, Tennessee, Anthony Reed, Vanderbilt University, Tennessee
  • Book:
    Langston Hughes in Context
    Published online:
    10 November 2022
    Print publication:
    24 November 2022, pp 160-170

  • Summary

    This chapter explores Langston Hughes’s travels to Spain as a political correspondent for the Baltimore Afro-American during the Spanish Civil War in 1937. His journalism, featuring interviews with the Black volunteers in the Abraham Lincoln Brigade, was just one genre in a significant body of literary production that he completed in Spain. His time in Spain was a culmination of political activities related to labor, antiracist, anticolonial, and antifascist causes. The chapter examines how literary collaborations with the Spanish avant-garde group the Generation of 1927, and specifically his relationships with Rafael Alberti and María Teresa León, nurtured his production of original poetry, theater, and translations of Federico García Lorca’s Romancero gitano and Bodas de sangre. In Spain, Hughes experimented with multilingualism and intertextual adaptation across different mediums in order to show antifascist solidarity across linguistic, national, and racial boundaries.